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Molly Zuckerman-Hartung (born 1975) is an American painter from Olympia, Washington . Since 2015 she has been faculty in Painting and Printmaking at the Yale School of Art .
Early life and education [ edit ]
Zuckerman-Hartung was born in Los Gatos, California in 1975. She earned a BA from Evergreen State College in 1998 and a MFA from the Art Institute of Chicago in 2007.[1]
Painting career [ edit ]
Zuckerman-Hartung lives and works in Connecticut , and is represented by Corbett vs. Dempsey in Chicago, IL and Rachel Uffner Gallery in New York, New York.[2] As of 2015 she has been a critic in Painting/Printmaking at the Yale School of Art .[1]
Zuckerman-Hartung's work is in the collections of the Walker Art Center , the Museum of Contemporary Art in Chicago , and the Booth School of Business at the University of Chicago .
In 2007 she co-founded an artist run gallery space in Chicago called Julius Caesar .[1] Zuckerman-Hartung's first show in the space was called Screwing or Sticking in July 2008.[3]
Her work has been featured in the 2014 Whitney Biennial and in exhibitions at the Walker Art Center , ReMap4, MOCA Cleveland , Corbett vs. Dempsey , Rachel Uffner Gallery, Diana Lowenstein, and Lyles and King.[4] [5] [6] [7] [8] [9] [10] [11]
In 2021, the Blaffer Art Museum in Houston opened a major survey exhibition of her work titled Comic Relief .
Acknowledgements and awards [ edit ]
Zuckerman-Hartung received the Louis Comfort Tiffany Grant.[1] She was also named an Artist-in-Residence at Cannonball in Miami, Florida. As well as receiving a full scholarship to Ox-Bow.[12]
Outside of her art Zuckerman-Hartung was one of the original organizers of Ladyfest ,[1] Ladyfest is a not-for-profit music and art festival that embraces the work of women in the fine arts. Since the original Ladyfest in 2000 it has spread to a global scale, with events held in countries around the world.
Zuckerman-Hartung's style is characterized by experimentation and attention to materials and casualist techniques.[13] In a review of "Queen", a show with Dana DeGiulio at Manhattan's Lyles and King gallery, the New York Times called Zuckerman-Hartung's work "a firestorm of techniques and effects: bleaching, dyeing, staining and sewing linen, silk and humble dropcloths".[4] Hyperallergic remarked that "her abstract paintings often extend above the surface and outside the frame" and reflect "a deep engagement with process, material, and with painting’s long history."[14]
References [ edit ]
^ "Molly Zuckerman-Hartung" . Corbett vs. Dempsey .
^ "Julius Cæsar, Chicago, USA" . www.juliuscaesarchicago.org . Retrieved 2019-02-26 .
^ a b Schwendener, Martha (21 January 2016). "Dana DeGiulio and Molly Zuckerman-Hartung Make an Emphatic Statement in 'Queen' " . The New York Times .
^ "Molly Zuckerman-Hartung" . Whitney Museum of Art . Retrieved 5 March 2016 .
^ MacMillan, Kyle (16 May 2014). "Molly Zuckerman-Hartung" . Art in America .
^ Darms, Lisa (1 February 2016). "Dana DeGiulio, Molly Zuckerman-Hartung at Lyles & King" . Contemporary Art Daily .
^ Valella, Marcos (Winter 2015). "Chlorophyll Bluess: Molly Zuckerman-Hartung" . The Miami Rail .
^ Cooper, Ashton (7 February 2016). "Dana DeGiulio & Molly Zuckerman-Hartung Queen " . The Brooklyn Rail .
^ Klein, Paul (4 April 2012). "Young Artists Who Know, And Aren't Replicating, History" . HuffPost .
^ "Interview with Molly Zuckerman-Hartung, 2013 [video]" . Artforum . 2013.
^ "Molly Zuckerman-Hartung - Artists - Rachel Uffner Gallery" . www.racheluffnergallery.com . Retrieved 2019-02-26 .
^ Butler, Sharon L. (June 3, 2011). "ABSTRACT PAINTING: The New Casualists" . brooklynrail.org . Retrieved Sep 10, 2020 .
^ Darms, Lisa (12 April 2014). "In Conversation: Molly Zuckerman-Hartung" . Hyperallergic .
External links [ edit ]
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Molly_Zuckerman-Hartung&oldid=1190332470 "
C a t e g o r i e s :
● L i v i n g p e o p l e
● 1 9 7 5 b i r t h s
● P a i n t e r s f r o m C h i c a g o
● P e o p l e f r o m L o s G a t o s , C a l i f o r n i a
● P a i n t e r s f r o m C a l i f o r n i a
● 2 1 s t - c e n t u r y A m e r i c a n p a i n t e r s
● 2 1 s t - c e n t u r y A m e r i c a n w o m e n p a i n t e r s
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● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a
● A r t i c l e s w i t h h C a r d s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 7 D e c e m b e r 2 0 2 3 , a t 0 9 : 1 8 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
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