Composer Rev. William Herbert Brewster (1897-1987) composed "Moved On Up a Little Higher," through the imagery of a "Christian climbing the ladder to heaven," the song encourages black upward mobility, hence reflecting the postwar Afro-modernist sentiments:"
"The fight for rights here in Memphis was pretty rough on the Black church...and I wrote that song "Move Up a Little Higher"...We'll have to move in the field of education. Move into the professions and move into politics. Move in anything that any other race has to have to survive. That was a protest idea and inspiration. I was trying to inspire Black people to move up higher. Don't be satisfied with the mediocre...Before the freedom fights started, before the Martin Luther King days, I had to lead a lot of protest meetings. In order to get my message over, there were things that were almost dangerous to say, but you could sing it."[5]
"Move on Up" was written for one of Brewster's religious pageants or passion plays. Brewster's maintained that the entire piece—lyrics, melody, and harmony—came to him in one flow, and shortly thereafter he taught the song to Queen C. Anderson, his principal vocal soloist. It was Mahalia Jackson who, according to Brewster, "knew what to do with it. She could throw the verse out there."[6] Producer Art Freeman insisted Jackson record "Move on Up a Little Higher"; released in December 1947,[7] the single became the best-selling gospel record of all time, selling in such great quantities that stores could not meet the demand.[8] Brewster was pastor of East Trigg Avenue Baptist Church, one of the churches where young Elvis Presley studied the ecstatic moves of his gospel heroes.[9]
"Move on Up a Little Higher," September 12, 1947, New York City, Apollo: Mahalia Jackson (vocal), Mildred Falls (piano), and Herbert James Francis (organ).[10]
"I Will Move on Up a Little Higher," New York City, November 23, 1954, Columbia, (Rev. William Herbert Brewster/Arranger Mahalia Jackson): The Falls-Jones Ensemble, with Mildred Falls (piano), Ralph Jones (organ), Jack Lasberg (guitar), Frank Carroll (bass), Bunny Shawker (drums), and Mahalia Jackson (vocal). From The World's Greatest Gospel Singer album, Columbia CL 644; Originally Released March 14, 1955.[11]
^Hayes, Cedric and Robert Laughton. "The Gospel Discography, 1943-1970" (2007), Eyeball Productions, page 298 - ISBN0-9686445-8-9
^Koster, Rick. Louisiana Music: A Journey from R&B to Zydeco, Jazz to Country, Blues to Gospel, Cajun Music... (2002), Da Capo Press, page 271 - ISBN0-306-81003-4
^Ramsey, Guthrie P. Race Music: Black Cultures from Bebop to Hip-Hop (Music of the African Diaspora) (2003), University of California Press, page 52 - ISBN0-520-24333-1
^Ramsey, Guthrie P. Race Music: Black Cultures from Bebop to Hip-Hop, page 53
^Burford, Mark. Mahalia Jackson and the Black Gospel Field, Oxford University Press, page 100 - ISBN978-0190634902
