Natalia Romanovna Makarova (Russian: Ната́лия Рома́новна Мака́рова, born 21 November 1940) is a Russian prima ballerina and choreographer. The History of Dance, published in 1981, notes that "her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West."[1]
Makarova was born in Leningrad in the Russian SFSR of the Soviet Union. At the age of 12, she auditioned for the Leningrad Choreographic School (formerly the Imperial Ballet School), and was accepted although most students join the school at the age of 9.
When she first arrived in the West, Makarova was eager to expand her choreography by dancing ballets by modern choreographers. At the same time, she remained most identified with classical roles such as Odette/Odile in Swan Lake and Giselle. In December 1975, she and her dance partner Mikhail Baryshnikov featured prominently in an episode of the BBC television series Arena. She was featured in the 1976 live American Ballet Theatre production of Swan Lake, simulcast from Lincoln Center on both PBS and NPR.[3] When ABT artistic director Lucia Chase stepped down, both Makarova and Baryshnikov applied. After the company went with Baryshnikov, she left for the Royal Ballet of London.[3]
Makarova continued to excel in many different roles,[4] most notably, her title role in Giselle. In 1989, she returned to her home theatre of the Kirov Ballet and was reunited with her family and with former colleagues and teachers. Her emotional homecoming was documented in the film Makarova Returns, which she wrote as well as presented. After her performance at the Kirov, she retired from dancing, donating her shoes and costumes to the Kirov Museum. Today Makarova stages ballets such as Swan Lake, La Bayadère and Sleeping Beauty for companies across the world. She retired from dancing due to accumulating injuries, especially to her knees.
Makarova has been married three times. Once to another ballet dancer and once to director Leonid Kvinikhidze. In 1976, Makarova married industrialist Edward Karkar, and together they had a son, Andrei.[6] Karkar died 22 December 2013, at the age of 81.[7]Janet Sassoon said about Makarova,
"When I began teaching in San Francisco, through Madam Bali, I got to work with all these great Russian first dancers when they were there. So I got Natalia (Natasha) Makarova, a Prima Ballerina Assoluta. There was only one Prima Ballerina Assoluta up until the time she danced. And here I had her in my hands for five months after the birth of her child!"[8]
1985 – London Evening Standard Award – for the Best Performance of 1985 in the ballet Onegin. Presented on stage by Princess Diana after Makarova's performance of Onegin in 1986, London
1986 – Emmy Award nomination for Ballerina, a four-part documentary TV series, which was conceived, written and narrated by Makarova, BBC London/WNET
1991/92 – American Library Association Award – for Makarova's recordings of the stories Snow Maiden, The Frog Princess & Firebird – Delos Records
Royal Ballet: - Manon; Song of the Earth; A Month in the Country; Concerto; Cinderella; Voluntaries; Dances at a Gathering; Serenade; Elite Syncopations; Concerto; Checkmate; Les Biches; Kenneth MacMillan's Romeo and Juliet; Swan Lake, Giselle, The Sleeping Beauty, Les Sylphides, Van Manen's Adagio Hammerklavier; MacMillan's Pas de Deux and Ashton's Dream Pas de Deux.
As Guest Artist with ballet companies throughout the world her repertoire included: the classical repertoire (Giselle, Swan Lake, Les Sylphides, La Sylphide) as well as Onegin (Cranko); Notre Dame de Paris, Carmen, Proust, Le Jeune Homme et la Mort (Petit); Romeo and Juliet (Cranko), Swan Lake (Cranko), Neumeier's Illusions - Like Swan Lake 2nd Act, Bach Sonata (Bejart); Nutcracker (Neumeier); Romeo & Juliet (full-length version Tchernishov); Le Rossignol (Ashton); Rosalinda (Hynd); Tchaikovsky Pas de Deux (Balanchine); Apparitions (Ashton); Afternoon of a Faun (Robbins); Meditation (Haigen) The Real McCoy (Feld) The Lesson (Flindt), The Toreador (Bourneville); Dying Swan; Corsaire Pas de Deux & Don Quixote Pas de Deux.
Original productions staged and directed by Makarova[edit]
1974 – Kingdom of the Shades – American Ballet Theatre
