Kathleen Annie Pannonica de Koenigswarter
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Pannonica de Koenigswarter in 1947
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| Born | Kathleen Annie Pannonica Rothschild (1913-12-10)10 December 1913
London, UK
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| Died | 30 November 1988(1988-11-30) (aged 74)
New York City, US
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| Known for | Patronage of jazz |
| Notable work | Three Wishes: An Intimate Look at Jazz Greats |
| Spouse |
(m. 1935; div. 1956) |
| Parent(s) | Charles Rothschild Rózsika Rothschild |
Baroness Kathleen Annie Pannonica de Koenigswarter (née Rothschild; 10 December 1913 – 30 November 1988) was a British-born jazz patron and writer. A leading patron of bebop, she was a member of the Rothschild family.
Kathleen Annie Pannonica Rothschild was born in December 1913, in London, the youngest daughter of Charles Rothschild and his wife, Hungarian baroness Rózsika Edle von Wertheimstein, daughter of Baron Alfred von Wertheimstein of Bihar County. She was born into a branch of the wealthiest family in the world at the time.[1] Her paternal grandfather was Nathan Rothschild, 1st Baron Rothschild. She grew up in Tring Park Mansion as well as Waddesdon Manor, among other family houses. The name "Pannonica" (shortened to "Nica" as a nickname) derives from Eastern Europe's Pannonian plain. Her friend Thelonious Monk reported that she was named after a species of butterfly her father had discovered, although her great-niece has found that the source of the name is a rare species of moth, Eublemma pannonica.[2] She was a niece of Walter Rothschild, the 2nd Baron Rothschild, and her brother Victor Rothschild became the 3rd Baron Rothschild. Her elder sister was the zoologist and author Dame Miriam Rothschild.[2]
In 1935, she married French diplomat Baron Jules de Koenigswarter, later a Free French hero.[3] In 1937, they bought and moved to the Château d'Abondant, a 17th-century château in north-west France they acquired from the family of American banker Henry Herman Harjes (who had acquired the château in 1920 from the Duchesse de Vallombrosa).[4] She worked for Charles de Gaulle during World War II. The couple, who had five children, separated in 1951, and she left the family and moved to New York City, renting a suite at The Stanhope Hotel.[5] The couple eventually divorced in 1956.[3] In 1958, she purchased a house in Weehawken, New Jersey with a Manhattan skyline view, originally built for film director Josef von Sternberg.
Koenigswarter died of heart failure in 1988, aged 74, at the Columbia-Presbyterian Medical Center, in New York City. She had five children, two grandchildren, and four great-grandchildren.[6]
She joined the Free French Army to fight against Nazi Germany during World War II. She had refused to participate in the North African Campaign, but she joined clandestinely to fight alongside her husband. The war imposed a suspension of her marital and family duties but she managed to send her children from France to America, secretly moving across continents.[3] She served as a decoder, ambulance driver, and radio host for the Free French.[7]: 113 At the close of the war she was decorated as a lieutenant by the allied armies.[3]
In New York, de Koenigswarter became a friend and patron of leading jazz musicians, hosting jam sessions in her hotel suite, often driving them in her Bentley when they needed a lift to gigs,[3] as well as sometimes helping them to pay rent, buy groceries, and making hospital visits.[2] Although not a musician herself,[2] she is sometimes referred to as the "bebop baroness"[8] or "jazz baroness"[5] because of her patronage of Thelonious Monk and Charlie Parker among others. Following Parker's death in her Stanhope rooms in 1955,[6] de Koenigswarter was asked to leave by the hotel management; she re-located to the Bolivar Hotel[7]: 184 at 230 Central Park West, a building commemorated in Thelonious Monk's 1956 composition "Ba-lue Bolivar Ba-lues-are".
She was introduced to Thelonious Monk by jazz pianist/composer Mary Lou Williams in Paris while attending the "Salon du Jazz 1954".[5] She championed his work in the United States, writing the liner notes for his 1962 Columbia album Criss-Cross. She even took criminal responsibility when she and Monk were charged with marijuana possession by Delaware police in 1958, spending a few nights in jail.[3] De Koenigswarter was sentenced to three years in prison. After a two-year legal battle that was financed by her family, the case was dismissed in a court of appeals on a technicality.[5]
She was a regular visitor to many of New York's jazz clubs, including the Five Spot Café, Village Vanguard, and Birdland.[8] In 1957, she bought a new piano for the Five Spot because she thought the existing one was not good enough for Monk's performances there.[7]: 196 She also did the cover art for Bud Powell's album A Portrait of Thelonious. During the 1950s, she was licensed as a manager by the American Federation of Musicians. Her clients included Horace Silver, Hank Mobley, Sir Charles Thompson, and The Jazz Messengers.[7]: 186 Horace Silver said about her : "I recall playing a week with the Jazz Messengers at a jazz club in Youngstown, Ohio. The club owner refused to give Art Blakey any money because the band had started late several times and we hadn't drawn a crowd. There we were in Youngstown, Ohio, with a week's hotel bill to pay and none of us had any money. I could just picture myself being put in jail because I couldn't pay my hotel bill. But Art called the Baroness, and she wired us some money so we could pay our hotel bills and return to New York. She was a great lover of jazz music and a wonderful person."[9]
Hampton Hawes recalled in his memoir Raise Up Off Me:[10]
Her place became a pad to drop in and hang out, any time, for any reason. She'd give money to anyone who was broke, bring bags of groceries to their families, help them get their cabaret cards, which you needed to work in New York. This bitch was so rich she had permanent tables reserved at all the clubs and a number you could call from anywhere in New York to get a private cab. If I was sick or fucked up I'd call the number and the cab would come and carry me direct to her pad. On my off nights she'd sometimes pick me up in her Bentley and we'd go around to the clubs. I suppose you would call Nica a patron of the arts, but she was more like a brother to the musicians who lived in New York or came through. There was no jive about her, and if you were for real you were accepted and were her friend.
After Monk ended his public performances in the mid-1970s, he retired to de Koenigswarter's house in Weehawken, New Jersey, where he died in 1982.[3]
She used her wealth to pay for the funerals and burial grounds for several jazz musician friends, including Bud Powell, Sonny Clark and Coleman Hawkins.[7]: 215
There are many compositions dedicated to her: Thelonious Monk's "Pannonica", Gigi Gryce's "Nica's Tempo", Sonny Clark's "Nica", Horace Silver's "Nica's Dream", Kenny Dorham's "Tonica", Kenny Drew's "Blues for Nica", Doug Watkins' "Panonica", Freddie Redd's "Nica Steps Out", Barry Harris's "Inca", Tommy Flanagan's "Thelonica", Frank Turner's "Nica" and more were all named after her.[7]: 253 The San Francisco art rock band Oxbow released a recording entitled "Pannonica" (unrelated to the Thelonious Monk composition) with reissues of their 1991 album King of the Jews. A famous jazz club in Nantes, France, is called "Le Pannonica".[11]
De Koenigswarter (Nica) appears prominently in "El perseguidor", a one-hundred page story by Julio Cortázar in the book Las armas secretas (The Secret Weapons, 1959). The latter four stories of this book appeared in translation in the volume Blow-up and Other Stories (alternatively titled The End of the Game and Other Stories); "El perseguidor", ("The Pursuer"), is a homage to Charlie Parker.
In October 2006, the French company Buchet Chastel published de Koenigswarter's book Les musiciens de jazz et leurs trois vœux ("The jazz musicians and their three wishes"). Compiled between 1961 and 1966, it is a book of interviews with 300 musicians who told her what their "three wishes" would be, and is accompanied by her Polaroid photographs. The book was edited for publication by Nadine de Koenigswarter, whom Nica always introduced to people as her granddaughter but who was in fact her great-niece.[12] An English-language version was published in 2008 as Three Wishes: An Intimate Look at Jazz Greats.[13] In October 2023, Buchet Chastel published de Koenigswarter's book L'Oeil de Nica ("The Eye Of Nica"). A photobook of her photographs capturing jazz musicians but also views of Manhattan, moments captured in jazz clubs and deep America shots. A visual testimony to the American and particularly New York 1950-1960s, enhanced by the singular colors of the Polaroid. The photographs are from different boxes that were recently repatriated to France. Buchet Chastel also reissued the French edition of Three Wishes: An Intimate Look at Jazz Greats.
Her photographs were exhibited in 2007 at the Rencontres d'Arles festival.[14][15]
Nica was played by Diane Salinger in the Clint Eastwood biographical film Bird (1988) about Charlie "Bird" Parker. In the Eastwood-produced documentary film Thelonious Monk: Straight, No Chaser (1988) she is seen in library footage and heard in an interview.[7]: 170–172
In April 2009, a television portrait entitled The Jazz Baroness, written and directed by her great-niece Hannah Rothschild, was broadcast on the television channel BBC Four[16] and repeated on 19 February 2012. It was broadcast in the US by HBO on 25 November 2009.[17] A radio documentary by Rothschild of Nica, The Jazz Baroness, was broadcast on BBC Radio 4 on 12 February 2008.[18][19] Rothschild has also written the biography detailed below.
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