Sir Nicolas Dorigny was a French engraver, the youngest son of Michel Dorigny, and was born in Paris in 1652[1] or 1658.[2] His education prepared him for the legal field, and he followed that profession until he was thirty years of age, when, as a result of deafness, he turned to the arts. He died in 1746.
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Dorigny visited Italy, where he remained for twenty-eight years. His first plates were executed with the point. He is better known, however, for his technique unifying the point and the graver, characteristic of his later productions. He took for his model the admirable works of Gérard Audran.
Although he may not have equalled that celebrated artist, either in the style of his drawing, or in the picturesque effect of his light and shade, his prints will always be esteemed both for their merit as engravings and for the importance of the subjects which he chose.
In 1711, he was invited to England by Queen Anne to engrave the Cartoons of RaphaelatHampton Court, which he finished in 1719, and in the following year he was knightedbyKing George I. While he was in England he painted some portraits of the nobility, but with no great success. He returned to France in 1725, and was received into the Academy in the same year. He exhibited some pictures of sacred subjects at the Salon from 1739 to 1743, and died in Paris in 1746.
This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Dorigny, Sir Nicholas". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.| International |
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