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Nina Menkes in a 2022 interview
Nina Menkes is an independent filmmaker.[1] : 202 [2] : 82 The Great Sadness of Zohara (1983), Magdalena Viraga (1986), Queen of Diamonds The Bloody Child (1996), "Massacre (Massaker)" (2005), Phantom Love (2007), Dissolution (2010), and Brainwashed: Sex-Camera-Power Dissolution (2010) was filmed in black and white and is set in Israel.[3] [4] [3] California Institute of the Arts in Santa Clarita, California .[3] Academy Film Archive .[5]
Menkes was born in Ann Arbor, Michigan [2] : 82 [6] BA University of California at Berkeley ,[1] : 202 Master of Fine Arts at the University of California at Los Angeles .[2] : 82 California State University, Northridge , and then, from 1990, at the California Institute of the Arts in Santa Clarita ; she became an adjunct professor in film at the University of Southern California in the same year.[2] : 82
Films by Menkes include:
A Soft Warrior , 1981, an eleven-minute short[3]
The Great Sadness of Zohara , 1983, which was first shown at the Melnitz Theatre of the University of California, Los Angeles, in 1984, and later in the same year at the Edinburgh International Film Festival and the Mannheim International Film Festival ; also in 1984, it was awarded a special jury prize at the San Francisco International Film Festival and a silver medal at the Houston International Film Festival [2] : 82 [3]
Magdalena Viraga , 1986, had its première at Film and Television Archives of the University of California, Los Angeles, and won the Best Independent-Experimental Film Award of the Los Angeles Film Critics Association ; it was shown at the Festival du Nouveau Cinéma in Montreal in both 1986 and 1987, and at the Toronto International Film Festival and the Whitney Biennial in 1987.[2] : 83
Queen of Diamonds Sundance Film Festival in Park City, Utah , and in 1992 was shown at the Munich International Film Festival .[2] : 83 croupier in a casino in the desert.[7] restored by The Film Foundation and the Academy Film Archive in 2018, and was shown at the AFI Fest in November of that year.[7] [5]
The Bloody Child , 1996, was based on a murder; it was the last film Menkes and her sister Tinka made together, and the last film she made for about ten years.[3]
Massacre (Massaker ), 2005: camera, with co-directors Monika Borgmann , Lokman Slim , Hermann Theissen [8]
Phantom Love , 2007[9] [10]
Dissolution (Hitparkut ), 2010, was filmed in black and white and is set in Israel.[3] [4] [9]
Brainwashed: Sex-Camera-Power Catherine Hardwicke , Eliza Hittman , Joey Soloway , Julie Dash , Laura Mulvey , Penelope Spheeris , and Maria Giese .[11]
In 2018 Menkes presented an illustrated talk on "Sex and Power, the Visual Language of Oppression" in several venues, among them the Cannes Film Festival in Cannes and the Sundance Film Festival in Park City, Utah .[12] Brainwashed: Sex-Camera-Power (2022).[13] [14] Brainwashed: Sex-Camera-Power premiered at the Sundance Film Festival,[11] [15] [13] [16] [17] [18] [19]
Reception [ edit ]
Menkes became a fellow of the American Film Institute in 1991. She received a Guggenheim Fellowship in 1992,[2] : 82 [20] artist-in-residence in Berlin under the DAAD Artists-in-Berlin Program .[2] : 82
She has been nominated for a number of awards, and has won:
1986, Los Angeles Film Critics Association, Independent/Experimental Film and Video Award for Magdalena Viraga
2005, Berlin International Film Festival , FIPRESCI Prize for Panorama for Massaker [citation needed
2007, World Film Festival of Bangkok , Special Jury Prize for Phantom Love [21]
2010, Jerusalem Film Festival , Anat Pirchi Award for Best Drama for Hitparkut .[citation needed
2019, a lifetime achievement award at the Festival Internacional de Cine de Mar del Plata , where a complete retrospective of her work was also shown.[22]
Two of Menkes' films—Magdalena Viraga and Queen of Diamonds —have been preserved by the Academy Film Archive , in 2012 and 2019, respectively.[23]
References [ edit ]
^ a b Richard Armstrong, Richard Marshall, Lisa Phillips, John G. Hanhardt (1987). Biennial 1987 ISBN 9780393304398 .
^ a b c d e f g h i "Menkes, Nina. Appointed for film making". In: Elizabeth M. Gurl (editor) (1993). Reports of the President and of the Treasurer: 1992
^ a b c d e f g Dennis Lim (17 February 2012). "Retrospectives of the Filmmaker Nina Menkes" . The New York Times .
^ a b Jeannette Catsoulis (8 March 2012). Immersed in Anger and Smothered by Loneliness: ‘Dissolution,’ a Film Set in Israel by Nina Menkes . The New York Times . Archived 13 March 2012.
^ a b Nina Menkes Collection . Academy Film Archive. Accessed April 2020.
^ Resnick, Sarah. "Shadow Sides: The Spiritual Journeys of Nina Menkes" . The Criterion Collection . Retrieved 9 January 2022 .
^ a b AFI FEST Announces Cinema’s Legacy and Midnight Lineups . American Film Institute. Accessed May 2019.
^ "Massaker" (PDF) .
^ a b Phil Coldiron (26 May 2011). Nina Menkes' Dissolution and Phantom Love . LA Weekly . Archived 23 June 2016.
^ Robert Koehler (22 January 2007). Review: 'Phantom Love' . Variety . Archived 18 August 2018.
^ a b Kleinmann, James (25 January 2022). "Sundance 2022 Film Review: Brainwashed Sex-Camera-Power ★★★★★" . The Queer Review . Retrieved 15 May 2022 .
^ Sex and Power, the Visual Language of Oppression . American Film Institute. Accessed June 2019.
^ a b Luers, Erik (4 February 2022). " . Filmmaker Magazine | Publication with a focus on independent film, offering articles, links, and resources . Retrieved 15 May 2022 .
^ Rojas, Morgan (26 January 2022). "Sundance: 'Brainwashed: Sex-Camera-Power' Exposes the Male Gaze" . Cinemacy . Retrieved 15 May 2022 .
^ Wintermayr, Arabella (2022). "Brainwashed: Sex-Camera-Power (2022) | Film, Trailer, Kritik" . www.kino-zeit.de . Retrieved 15 May 2022 .
^ "Brainwashed: Sex-Camera-Power" . cphdox . Retrieved 15 May 2022 .
^ "The 23rd JEONJU International Film Festival" . JEONJU Intl. Film Festival . Retrieved 15 May 2022 .
^ "Brainwashed: Sex-Camera-Power" . Beldocs . 15 April 2022. Retrieved 15 May 2022 .
^ "Docaviv 2022 – Docaviv International Documentary Film Festival – Docaviv International Documentary Film Festival" . www.docaviv.co.il . Retrieved 15 May 2022 .
^ Nina Menkes . John Simon Guggenheim Memorial Foundation. Accessed September 2018.
^ Rithdee, Kong (5 November 2007). " . Variety . Retrieved 31 January 2017 .
^ Nina Menkes: la mirada transformadora (in Spanish). Festival Internacional de Cine de Mar del Plata. Accessed April 2020.
^ "Preserved Projects" . Academy Film Archive .
Further reading [ edit ]
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Nina_Menkes&oldid=1229436416 " C a t e g o r i e s : ● L i v i n g p e o p l e ● A m e r i c a n w o m e n f i l m d i r e c t o r s ● 2 1 s t - c e n t u r y A m e r i c a n w o m e n ● 2 1 s t - c e n t u r y A m e r i c a n J e w s ● 1 9 5 5 b i r t h s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● U s e d m y d a t e s f r o m J a n u a r y 2 0 1 7 ● A l l a r t i c l e s w i t h u n s o u r c e d s t a t e m e n t s ● A r t i c l e s w i t h u n s o u r c e d s t a t e m e n t s f r o m M a y 2 0 1 9 ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 6 J u n e 2 0 2 4 , a t 2 0 : 1 6 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
