"No Diggity" ranked at number 91 on Rolling Stone and MTV's "100 Greatest Pop Songs". It was also ranked at number 32 on VH1's "100 Greatest Songs of the '90s", number 407 on Q Magazine's "1001 Best Songs Ever",[2] number 33 on Blender's "Greatest Songs Since You Were Born",[3] and number 43 on NME's "100 Best Songs of the 1990s".[4]
At Future Records Recording Studios, Teddy Riley's former studio in Virginia Beach, Virginia, Riley heard William "Skylz" Stewart experimenting with a sample of "Grandma's Hands" by Bill Withers and insisted that Stewart give him the sample.[5][6] Riley originally offered the song to Guy as part of their short-lived reunion in 1996. After failing to record any material, he then suggested the song to Guy's lead singer Aaron Hall, who refused to take part in recording the song.[7] He then offered the song to his other group Blackstreet. In a 2010 interview, Riley revealed the song was initially a hard sell among group members. He stated:
"None of the guys liked 'No Diggity'. None of them. They would even say it. That's why I'm singing the first verse. You know how they say they pushed the little one out there to see if it tastes good and see if he would get egged? Well they pushed me out there – and it became a hit. And now they wish they were singing the first verse, so that they can have the notoriety like me. So they trust what I'm saying..."[8]
Upon the release of the finished recording by Blackstreet, Tupac and Death Row responded with a diss track containing numerous insults aimed at Dr. Dre over an instrumental sampling "No Diggity", but were forced to replace the production after Blackstreet issued the label with a cease and desist order stopping them from distributing the song.[9] An updated version of this response, "Toss It Up", would be released under his Makaveli alias just days after his death, featuring Aaron Hall.
The song garnered acclaim from music critics. Larry Flick from Billboard wrote, "Finally honing his Boz Scaggs-like vocal style, [Teddy] Riley utilizes his infallible production and recent free agent Dr. Dre to ensure the single's add to several radio formats, as well as club and personal boombox playlists." He added, "As always, other BLACKstreet members perform superbly."[11] James Bernard from Entertainment Weekly felt that "beatwise, it struts confidently, accompanied by a light keyboard action. Voices, including guest Dr. Dre's, croon and rap with a sexual urgency notable even by today's standards."[12] A reviewer from Knight Ridder described it as a "uptempo excursion" and a "pointed, post-hiphop strut".[13] Connie Johnson from Los Angeles Times felt "No Diggity" "is definitely one of this year’s most delectable dance releases."[14] Tony Farsides from Music Week'sRM Dance Update gave the song four out of five, commenting, "A real grower which is already popular in the clubs, the song features Blackstreet's trademark harmonies interspersed with rap and a killer grand piano sample following the chorus. Unlikely to cross over but a good bet for r&b fans and the lower reaches of the charts."[15]
Malaysian New Straits Times stated that sampling Bill Withers's bluesy "Grandma's Hands" and fitting it with a swingbeat base, "the song is instantly transformed into a hip-hop masterpiece of unimaginable brilliance."[16] Jon Pareles from New York Times noted that the track uses a spiky Bill Withers guitar lick and a rap by Dr. Dre promising that listeners will be "giving up eargasms with my mellow accent."[17]People Magazine's reviewer said that "by combining R&B vocals with hip hop's aggressive beats", "that powerful one-two punch flavors "No Diggity", which takes a nasty Delta blues riff and marries it to lip-smacking lasciviousness. The result is an instant, five-minute pop classic."[18] David Fricke from Rolling Stone felt that "when Blackstreet drop the bomb, though, you feel it. The guttural piano riff [...] is a kick that will not quit".[19] Michael A. Gonzales for Vibe wrote that "with a mellow D-Funk rap intro from Dr. Dre, this track pumps like a Lexus roaring down 125th Street as the Harlem neighborhood hotties look on with glee. "I can't get her outta my mind / I think about the girl all the time", Teddy whines about his object of desire, over haunting keyboards and astonishingly bouncy, minimalist production."[20]
The accompanying music video for the song is directed by Hype Williams[21] and features Blackstreet members in front of a beachhouse standing in the sand, dancers on a wet road in front of black limousines and marionettes throughout the video playing the piano sample, on guitar and a couple of replicas of the band members, respectively. The music video was released for the week ending on August 11, 1996.
Bill Lamb from About.com complimented the song as "the peak of the work" created by Teddy Riley, "a key architect of new jack swing. "No Diggity" is that genre fully refined."[22] Tom Ewing of Freaky Trigger remarked that the song "is first of all capitalism in its slinkiest form, in every sense classy. A hymn to money, sex, upward mobility, 'No Diggity' triumphs over every other swingbeat anthem because it walks it so much like it talks it."[23]NME called it "such a classy concoction of urban swagger and classic R&B".[24]
Q Magazine ranked it at number 407 in their list of "1001 Best Songs Ever" in 2003.[25]Blender listed "No Diggity" at number 33 on their ranking of "Greatest Songs Since You Were Born" in 2005.[26]Slant Magazine listed the song at number 15 in their ranking of "The 100 Best Singles of the 1990s" in 2011.[27]NME placed it at number 43 on their "100 Best Songs Of The 1990s" list in 2012.[28] Polish Porcys listed the song at number 80 in their ranking of "100 Singles 1990-1999" in 2012, noting that it "probably [is] Riley's most perfect pop moment."[29]Rolling Stone included "No Diggity" in their list of "500 Best Songs of All Time" in 2021 at No. 424.[30]VH1 put it on number 32 in their list of "100 Greatest Songs of the '90s". Billboard magazine ranked it number 91 in their "500 Best Pop Songs of All Time" in October 2023,[31] saying, "No song sounded like it at the time, and no song has re-captured its full effect since."
Published by Donrill Music/Zomba Enterprises, Inc. (ASCAP/Chauncey Black Music for Smokin' Sounds [ASCAP]/Queenpen Music (ASCAP)/Sidi Music (BMI)/Sony Songs Inc./Ain't Nothin' Goin' On But Fuckin' (ASCAP).
Track was mixed by Serban Ghenea and recorded by George Mayers, John Hanes, Sean Poland and Chris Johnson for Future Recording Studios, Virginia Beach, VA.
Track mastered by Herb Powers at Hit Factory, New York, NY.
Queen Pen appears courtesy of Funky Mama Productions/Interscope Records.
Dr. Dre appears courtesy of Aftermath Entertainment.
Track contains portions of "Grandma's Hands" written by Bill Withers and published by Interior Music Corp./Avant Garde Music Publishing, Inc. performed by Bill Withers, used courtesy of Sony Music Entertainment.
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
Makaveli released a single in less than 2 months titled Toss It Up featuring Danny Boy & Aaron Hall, who at that time had problems with Blackstreet. It contains disses towards Dr. Dre, whom left Death Row Records by March 1996.
Washington State produced a cover version "Dog Doogity" encouraging dog owners to pick up their pets' waste.[109]
Chicago's J.C. Brooks & The Uptown Sound performed a version of the song in June 2013 for The A.V. Club's A.V. Undercover series.[110]
^Farsides, Tony (September 28, 1996). "Hot Vinyl"(PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 10. Retrieved September 5, 2021.
^No Diggity (US cassette single sleeve). Blackstreet. Interscope Records. 1996. INTCS 97007.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (US maxi-CD single liner notes). Blackstreet. Interscope Records. 1996. INTDM-95003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (US maxi-cassette single sleeve). Blackstreet. Interscope Records. 1996. INTM-95003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (US 12-inch single sleeve). Blackstreet. Interscope Records. 1996. INT12-95003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (European CD single liner notes). Blackstreet. Interscope Records. 1996. IND 97502.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (UK CD single liner notes). Blackstreet. MCA Records, Interscope Records. 1996. IND 95003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (UK 12-inch single sleeve). Blackstreet. MCA Records, Interscope Records. 1996. INT 95003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (UK cassette single sleeve). Blackstreet. MCA Records, Interscope Records. 1996. INC 95003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^No Diggity (Australian CD single liner notes). Blackstreet. Interscope Records. 1996. INTDS-97007.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
