The term "Nut Art" was coined by artist Roy De Forest (in conversation with writer David Zack) to describe an approach to art making which embraced humor along with the phantasmagorical. According to De Forest, Nut artists sought to create fantasy worlds reflective of their own quirks and eccentricities. As such, Nut Art placed a high degree of emphasis on evolving visions, of which specific artworks were produced as part of the ongoing process of self-definition, or in service to creating new personas and personal mythologies.[1] (Among these personas was that of Ralph "Doggy" Dinsmore, a persona used by De Forest.)
As with Conceptual art, the idea or underlying concept with Nut Art was paramount.[1] As a result, the creation of the Nut artist was not restricted by style or medium, allowing the movement to embrace emerging formats such as performance, text pieces, and appropriation, in addition to more traditional two and three dimensional mediums such as drawing, photography, and sculpture. Because of the emphasis on concept and satire, Nut Art welcomed contributions from participants without formal artistic backgrounds as well as those with advanced technical skill and training.[1] Nut Art also reflected the importance of process over product, which had been a central tenet of the Action painters a generation previous.[2]
David Zack, who was both a poet and an art critic, reviewed many of the group's exhibitions.[1]
The first major exhibition of Nut Art took place in 1972 at the University Art Gallery of California State University, Hayward. The show was co-curated by Clayton Bailey (then art faculty) and Gallery Director Irene Keil.[4] The show produced a catalog which included a preface written by De Forest.[1]
^ abcdeLinhares, Diana L. Daniels ; with essays by Philip E.; Frank, Patrick (2011). Clayton Bailey's world of wonders. Sacramento, CA: Crocker Art Museum. pp. 8, 24. ISBN978-1-8840-3822-8.{{cite book}}: CS1 maint: multiple names: authors list (link)
^ abAlbright, Thomas (1985). Art in the San Francisco Bay area, 1945-1980 : an illustrated history. Berkeley, Calif.: University of California Press. p. 231. ISBN0-520-05193-9.
^Fineberg, Jonathan (2013). A troublesome subject : the art of Robert Arneson. Berkeley: University of California Press. p. 104. ISBN978-0-520-27383-2.
^ abDePaoli, G. Joan; Clayton Bailey (2000). Clayton Bailey : happenings in the circus of life (1st ed.). Davis, Calif.: John Natsoulas Press. ISBN1-881572-82-X.
