An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
The orchestral form first evolved in the 18th century, when composers including Antonio Vivaldi and George Frideric Handel wrote organ concertos with small orchestras; these organ parts rarely if ever call for the organ pedal board. During the Classical period the organ concerto became popular in many places, especially in Bavaria, Austria and Bohemia (whether called there a concerto, pastorella, or sonata), reaching a position of being almost an integral part of the church music tradition of jubilus character. From the Romantic era fewer works are known. Finally, there are some 20th- and 21st-century examples, of which the concerto by Francis Poulenc has entered the basic repertoire, and is quite frequently played.
Some works for organ and orchestra which clearly feature the organ in a solo, virtuoso role are not given the name concerto, e.g. the Symphonie concertante of Joseph Jongen.
In general, the term organ symphony is reserved for works for solo organ without orchestra, although the nickname "Organ Symphony" for the Saint-SaënsThird Symphony persists, though it is neither a concerto nor a true organ symphony.
Handel wrote organ concertos as interludes for his oratorios—playing the organ part himself while directing the orchestra. Some are arrangements of his earlier works, or of works by other composers. For more details see the list of Handel's concertos. Many alternatives exist, so it is difficult to precisely number his organ concertos, however it is generally accepted that he wrote 16:
HWV 289 – Op. 4 No. 1 in G minor: larghetto, allegro, adagio, andante
HWV 290 – Op. 4 No. 2 in B-flat major: tempo ordinario, allegro, adagio, allegro ma non troppo
HWV 291 – Op. 4 No. 3 in G minor: adagio, allegro, adagio, allegro
HWV 292 – Op. 4 No. 4 in F major: allegro, andante, adagio, allegro
HWV 293 – Op. 4 No. 5 in F major: larghetto, allegro, alla siciliana, presto
There are no true organ concerti (i.e., for organ and orchestral ensemble) by Bach, but several cantata movements contain extensive obbligato organ parts. Versions of six of these cantata movements had a later incarnation in the two harpsichord concertos BWV 1052 and 1053. Cantata 35 contains two instrumental Sinfonias with organ solo, the first of which agrees with the fragmentary keyboard concerto BWV 1059.[1] A recording of a reconstruction of this as an organ concerto was made by Ton Koopman.[2]
Bach's admiration for Antonio Vivaldi and the Italian style led to several transcriptions of instrumental concertos for solo organ, without an orchestra.
The Austrian composer Gregor Joseph Werner wrote a concerto in B-flat major for organ, 2 chalumeaux and string orchestra, dated 1753: Allegro – Largo – Tempo di menuet (manuscript: Országos Széchényi Könyvtár, Budapest: Ms.mus III.305; RISM: 530003636), as well as other concertos for organ and string or chamber orchestra. Besides these he wrote a pastorella in D major for organ and string orchestra: Andante – Larghetto – Allegro.
The German composer Marianus Königsperger wrote six concertos and two pastorellas for organ and string orchestra, with two trumpets or horns ad libitum, Op. 18 (Certamen musicum complectens VI. concerta communia et II. pastoritia, Augustae-Vindelicorum: sumptibus Joannis Jacobi Lotteri Haeredum, 1754).
The German composer Carl Philipp Emanuel Bach wrote several concertos for keyboard instrument (organ as one possible option), including the following:
Concerto in G major for organ (or harpsichord), strings and basso continuo, dated 1755 (Helm 444; Wq. 34): Allegro di molto – Largo – Presto.
Concerto in E-flat major for organ (or harpsichord), strings and basso continuo, with optional French horns, dated 1759 (Helm 446; Wq. 35): Allegro ma non troppo – Adagio sostenuto – Allegro assai.
Concerto No. 4 in B-flat major for organ and orchestra: Con spirito – Minuetto – Giga.
Concerto No. 5 in G minor for organ and orchestra: Largo – Allegro con spirito – Adagio – Vivace.
Concerto No. 6 in B-flat major for organ and orchestra: Allegro moderato – Minuetto – Variations.
The Austrian composer Georg Christoph Wagenseil wrote several concertos for organ (or harpsichord) and string orchestra, of which six were published in London in 1761 and another set of six also in London by Welcker ca 1765.
The Austrian composer Johann Georg Zechner wrote at least four concertos for keyboard instrument and (string) orchestra; either one of them or another work in F major is recorded by Franz Haselböck and Capella Academica Wien, conducted by Eduard Melkus, as an organ concerto: Allegro – Adagio – Presto (Hänssler Classic CD 94.052).
Joseph Anton Xaver Auffmann (ca 1720–1773 or later)[edit]
The German composer Joseph Anton Xaver Auffmann wrote at least three concertos for organ and chamber orchestra, Op. 1 (Triplex concentus organicus, seu III. concerti organici à octo instrumentis, Augustæ-Vindelicorum: sumptibus Joannis Jacobi Lotteri Hæredum, 1754).
The Czech composer František Xaver Brixi wrote at least six concertos for organ (or harpsichord) and chamber orchestra, e.g.:
Concerto in D major for organ and chamber orchestra (two horns, two violins and bass): Allegro moderato – Adagio – Allegro (manuscript: Universitäts- und Landesbibliothek, Bonn: Ec 252.5; RISM 450.064.567).
Concerto in D major for organ and chamber orchestra (two trumpets, two oboes, strings, bass, timpani): Allegro molto – Andante molto – Allegro molto (manuscript: Konvent minoritů v Praze, Prague: 16; RISM 551.000.016).
The Austrian composer Joseph Haydn wrote at least three concertos for organ:
Concerto Hob. XVIII:1 in C major for organ (or harpsichord) and orchestra, dated tentatively 1756.
Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra, composed no later than 1767.
Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra, composed no later than 1766.
Besides these, several of his keyboard concertos are performed with organ. There are also works attributed him, dubiously or spuriously:
Concerto Hob. deest in C major for organ and chamber orchestra (2 trumpets, 2 violins, basso continuo), composed no later than 1790–1810: Andante – Presto (manuscript: Slovenské národné múzeum – Hudobné múzeum, Bratislava: MUS XII 42; RISM 570.000.177).
The Austrian composer Johann Georg Albrechtsberger wrote a concerto in B-flat major for organ and string orchestra, dated 1762, and published as volume 1 in Musica rinata series (Budapest: Zenemükiadó, 1964).
The Austrian composer Michael Haydn wrote concerto MH 41 in C major for viola and organ (or harpsichord) with orchestra, dated 19 December 1761 (the year is uncertain).
The German-born English astronomer and composer Sir William Herschel wrote at least two concertos for organ and orchestra:
Concerto no. 1 in G major for organ and orchestra, composed 1767: [no title] – Andante assai – Allegro (manuscript: The British Library, London: MS Mus. 89; RISM 806.451.028).
Concerto [no. 2?] in D major for organ and string orchestra, composed 1767 (manuscript: The British Library, London).
The Czech-born Austrian composer Johann Baptist Waṅhal wrote at least nine organ concertos, which are only known from the inventory of the composer's estate. Concerto Bryan F1 in F major for harpsichord or piano and orchestra, composed no later than 1786, is edited and published in 1973 as an organ concerto in Diletto musicale series.
The Austrian composer Marian Paradeiser wrote a concertino for organ (or harpsichord), violin, violoncello and orchestra; a manuscript of this work is kept in the library of the Melk Abbey in Melk, Austria.
Italian-born Austrian composer Antonio Salieri wrote an organ concerto in C major in 1773. Manuscript of this work is in the collections of the National Library of Austria. An edition, by J.S. Hettrick, in published in Vienna in 1981.
The Czech composer Karel Blažej Kopřiva wrote at least eight concertos for organ and orchestra, but only the one in E-flat major for organ and chamber orchestra, with movements Allegro moderato – Adagio – Allegro di giusto, is known to have survived.
The Austrian composer Wolfgang Amadeus Mozart wrote seventeen Church Sonatas. These were meant for liturgical use (i.e. in a church service), rather than concert performance. Eight of these feature the pipe organ in an obbligato solo part.
No. 7 K. 224 (241a) in F major for organ, two violins, cello and bass (basso continuo), dated 1776
No. 8 K. 225 (241b) in A major for organ, two violins, cello and bass (basso continuo), dated 1776
No. 10 K. 244 in F major for organ, two violins, cello and bass (basso continuo), dated April 1776
No. 11 K. 245 in D major for organ, two violins, cello and bass (basso continuo), dated April 1776
No. 12 K. 263 in C major for organ, two trumpets, two violins, cello and bass (basso continuo), dated December 1776
No. 15 K. 328 (317c) in C major for organ, two violins, cello and bass, dated 1779
No. 16 K. 329 (317a) in C major for organ, two oboes, two horns, two trumpets, two violins, timpani, cello and bass (basso continuo), dated March 1779
No. 17 K. 336 (336d) in C major for organ, two violins, cello and bass (basso continuo), dated 1780
A Central-European composer Balthasar Anton Pfeyll (Balthasarus Antonius Pfeyll) composed at least one concerto in D major for organ and chamber orchestra (two horns, strings, bass): Allegro [and other movements?] (manuscript: Kloster Einsiedeln, Musikbibliothek, Einsiedeln: 18,19 (Ms.1837); RISM 400012780).
The Italian composer Matteo Andruzzi wrote at least one concerto in C major for organ and orchestra (manuscript: Škofijski arhiv, Koper: GA XXI/17; RISM 540.200.227).
An unrecognised Central-European composer called Skitner wrote at last one concerto in D major for organ and chamber orchestra, dated before 1802: Allegro (assai) – Allegro assai (manuscript at the Landesbibliothek Coburg: Ms Mus 374/1.52; RISM 450.107.181; another manuscript: Národní knihovna České republiky, Prague: no sigla; RISM 552.000.678).
Félix-Alexandre Guilmant Alexandre Guilmant, [1] wrote two of his organ sonatas in two versions [2], one as a symphony for organ and orchestra:
Sonata No. 1 in D minor / Symphonie No. 1 in D minor for organ and orchestra: Introduction et Allegro / Pastorale (Andante quasi allegretto) / Final (Allegro assai)
Sonata No. 8 in A major / Symphonie No. 2 in A major for organ and orchestra: Introduction et Allegro risoluto / Adagio con affetto / Scherzo: Allegro vivace / Andante sostenuto / Intermède et Allegro con brio
Concerto in A minor, Op. 100, for organ, string orchestra, 4 horns and timpani (Bossi wrote this concerto in two versions, the first in B-flat minor with a different orchestration but with the same opus number)
Konzertstück in C minor, Op. 130, for organ and orchestra
Fantasia Sinfonica, Op. 147, for organ and orchestra
