She was also an eloquent advocate of the music of her contemporaries, singing and recording to advantage Tippett's A Child Of Our Time, Britten's ingenuous A Charm Of Lullabies, Lennox Berkeley's tender Four Poems Of St Teresa Of Avila, and the role of Isabella in Bernard Hermann's opera Wuthering Heights. Malcolm Arnold wrote his Five William Blake Songs with Bowden in mind.
Between 1954 and 1979, when she retired, she gave more than 750 performances and/or broadcasts under the most distinguished conductors of the day, among them Josef Krips, Paul Sacher, Solti, Sargent, Boult, Mackerras and Boulez. The consistency of her contributions derived from her innate musicianship and innate sense of the appropriate style.
Bowden's operatic appearances were limited to some with the English Opera Group and the role of Madame Larina in Tchaikovsky's Eugene Onegin, at both Glyndebourne and Covent Garden. Her interpretation of that part, sympathetic and well-pointed as regards the text - she sang it in both Russian and English - showed what the stage lost through the infrequency of her excursions into opera.
In retirement, she had a fruitful career as a singing teacher, an administrator and adjudicator. As I recall from working with her on juries, her judgment was always judicious and assured. While searching for the best in any participant's performance, she was also acute in her ability to put her finger on faults. She was also president of the Incorporated Society of Musicians.[5]
She married the racing driver Derrick Edwards[6] in 1960. He died in 2000: they had two children.[7]
