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Patricia Collinge

Patricia Collinge
Collinge in 1941
Born	Eileen Cecilia Collinge (1892-09-20)September 20, 1892
Died	April 10, 1974(1974-04-10) (aged 81) New York City, U.S.
Resting place	St. Mary's Cemetery Nantucket, Massachusetts, U.S.
Occupation(s)	Actress, writer
Years active	1904–1967

Eileen Cecilia^{[citation needed]} "Patricia" Collinge (September 20, 1892 – April 10, 1974) was an Irish-American actress and writer. She was best known for her stage appearances, as well as her roles in the films The Little Foxes (1941) and Shadow of a Doubt (1943). She was nominated for an Academy Award and won a NBR Award for The Little Foxes.

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Gladys Cooper, Alexandra Carlisle and Patricia Collinge in the Drury Lane production of Everywoman (1912)

Douglas Fairbanks, William H. Crane, Amelia Bingham, and Patricia Collinge in the Broadway production of The New Henrietta (1913)

Collinge first appeared on the stage in 1904 in Little Black Sambo and Little White Barbara at the Garrick TheatreinLondon. She immigrated to the United States with her mother in 1907. Soon after, she appeared as a flower girl in The Queens of the Moulin Rouge (1908) ^[1] and as a supporting player in The Thunderbolt (1910) starring Louis Calvert, which was staged at the New Theatre (Century Theatre).^[2]

In 1911, Collinge played Youth in the Broadway production of Everywoman, with Laura Nelson Hall in the title role.^[3] She reprised the role in the 1912 London production starring Alexandra Carlisle.^[4] She appeared as Agnes with Douglas Fairbanks, Sr., Amelia Bingham, and William H. CraneinThe New Henrietta, a play based on a comedy by Bronson Howard, produced at the Knickerbocker Theatre on Broadway in December 1913. In 1914, she again appeared with Fairbanks in He Comes Up Smiling.^[5]

Collinge toured in A Regular Businessman, was the original Pollyanna Whittier in Pollyanna, and toured with Tillie in 1919. In 1932, she appeared in Autumn Crocus. Her acting was acclaimed by a New York Times critic, who wrote, "Miss Collinge plays with the soft, pliant sincerity that makes her one of the most endearing actresses."^{[citation needed]}

She was a member of the original Broadway cast of The Little Foxes with Tallulah Bankhead as the lead in 1939, playing the role of the tragic Birdie Hubbard. In 1941, she played the same part in the motion picture version, which starred Bette Davis. Other stage work included roles in productions of The Heiress, Just Suppose, The Dark Angel, The Importance of Being Earnest, To See Ourselves, and Lady with a Lamp. Her final stage appearance came in December 1952 in I've Got Sixpence^[6] at the Ethel Barrymore Theatre.

Collinge's film debut in 1941's The Little Foxes earned her an Academy Award for Best Supporting Actress nomination. Other films included Shadow of a Doubt (1943), Tender Comrade (1943), and The Nun's Story (1959).^{[citation needed]}

According to the featurette included with the DVD of Shadow of a Doubt,^{[citation needed]} Collinge rewrote the scene that takes place in the garage between Teresa Wright and Macdonald Carey, since Director Alfred Hitchcock and the actors were unhappy with the dialogue. Hitchcock was delighted with her work and used it in the film. She also worked with Alma Reville (Hitchcock's wife) and Ben Hecht on the screenplay for Hitchcock's Lifeboat (1944), which also starred Tallulah Bankhead.^{[citation needed]}

Collinge appeared in four episodes of the popular series Alfred Hitchcock Presents. In one episode, "The Cheney Vase", based on the play Kind Lady, she played a vulnerable, elderly, wealthy woman kept hostage in her own home by ruthless crooks (Darren McGavin and Ruta Lee) attempting to steal a valuable Primitive style vase. She also appeared in such television dramas as Laramie (1961), The United States Steel Hour (1962), East Side/West Side (1963), and N.Y.P.D. (1967).^{[citation needed]}

Collinge wrote the play Dame Nature (1938), an adaptation of a French drama by André Birabeau, in addition to some short stories for The New Yorker, and contributed to The New York Times Book Review.^[7] She also wrote The Small Mosaics of Mr. and Mrs. Engel, a travelogue that earned her a gold medal from the Italian government, and The B.O.W.S., which she co-authored with Margalo Gillmore.^[8]

Collinge had no children.^{[citation needed]}

Collinge died on April 10, 1974, in New York City, New York, at the age of 81 of a heart attack.^[8][7] She is buried with her husband at Saint Mary's Cemetery in Nantucket, Massachusetts.^{[citation needed]}

This list is incomplete; you can help by adding missing items. (April 2017)

• Collinge, Patricia (April 4, 1925). "Plots". The New Yorker. 1 (7): 22.
• — (January 2, 1926). "Western Union, please ...". The New Yorker. 1 (46): 30.

• "All About The Winsome Actress Seen In Tillie". Iowa Citizen. December 29, 1919. p. 6.
• "Many New Plays Bid For Favor". New York Times. November 6, 1910. p. X1.
• "News and Comment of the Stage". New York Times. March 12, 1911. p. X2.
• "Crane at Knickerbocker December 22, 1913". New York Times. December 6, 1913. p. 11.
• "Patricia Collinge, 81, Actress In Many Leading Plays, Dies". New York Times. April 11, 1974. p. 38.

Wikimedia Commons has media related to Patricia Collinge.

• Patricia Collinge photo album NY Public Library, Billy Rose Collection
• Patricia CollingeatFind a Grave
• Patricia CollingeatIMDb
• Patricia Collinge at the Internet Broadway Database