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Paul Wegener (11 December 1874 – 13 September 1948) was a German actor, writer, and film director known for his pioneering role in German expressionist cinema.
At the age of 20, Wegener decided to end his law studies and concentrate on acting, touring the provinces before joining Max Reinhardt's acting troupe in 1906. In 1912, he turned to the new medium of motion pictures and appeared in the 1913 version of The Student of Prague. It was while making this film that he first heard the old Jewish legend of the Golem and proceeded to adapt the story to film, co-directing and co-writing the script with Henrik Galeen. His first version of the tale The Golem (1915, now lost) was a success and firmly established Wegener's reputation. In 1917, he made a parody of the story called Der Golem und die Tänzerin, but it was his reworking of the tale, The Golem: How He Came into the World (1920) which stands as one of the classics of German cinema and helped to cement Wegener's place in cinematic history.
Another of his early films was Der Yoghi (1916), in which he played the role of a yogi and young inventor, and which provided him with the opportunity to accommodate three of his interests, trick photography (it was one of the first films to feature invisibility), the supernatural and Eastern mysticism.
When in 1933 the Nazis came to power, theatre companies were disbanded and many of the actors and directors were arrested, persecuted or exiled. However Wegener became an actor of the state and appeared in Nazi propaganda films such as Mein Leben für Irland in 1941 and Kolberg, a 1944–45 propaganda film epic about the Napoleonic Wars.[2] As the war closed Wegener was one of the first to rebuild cultural life in Berlin. He appeared in the title role in a production of Lessing's "Nathan the Wise" at the Deutsches Theater in Berlin in September 1945.[1] Despite ill health, he became president of an organization to improve standards for its inhabitants.
Wegener's last film was Der Grosse Mandarin (1948). In July 1948 he reprised his old role as Nathan the Wise at the Deutschen Theatre, but in the very first scene he collapsed and the curtain was brought down. Two months later, on 13 September 1948, he died in his sleep.
Monty Jacobs: Der Schauspieler Paul Wegener. Verlag Erich Reiß, Berlin [ca. 1924]
Kai Möller, ed.: Paul Wegener. Sein Leben und seine Rollen. Rowohlt, Hamburg 1954
Wolfgang Noa: Paul Wegener. Henschel, Berlin 1964
Herbert Pfeiffer: Paul Wegener. Rembrandt, Berlin 1957
Heide Schönemann: Paul Wegener. Frühe Moderne im Film. Menges, Stuttgart 2003 ISBN3-932565-14-2
Hans Günther Pflaum: 'Kinetische Lyrik. P. W.s『Rübezahls Hochzeit』1916' in: Peter Buchka, ed.: Deutsche Augenblicke. Eine Bilderfolge zu einer Typologie des Films (Reihe: "Off-Texte" 1, des Münchener Filmmuseums) Belleville, München 1996 ISBN3-923646-49-6
Hans Günther Pflaum: 'Ins eigene Herz. P. W.s "Student von Prag" 1919' in: Peter Buchka, ed.: Deutsche Augenblicke; pp. 20f.
