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P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
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P e t e r a n d t h e C o m m i s s a r
A d d l a n g u a g e s
A d d l i n k s
● A r t i c l e ● T a l k
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● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
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A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
1964 studio album by Allan Sherman
Peter and the Commissar Allan Sherman , recorded live with Arthur Fiedler conducting the Boston Pops Orchestra and five guest jazz musicians. The title track pokes fun at communism in the Soviet Union, and is a spoof of Peter and the Wolf by Sergei Prokofiev , with original spoken rhymed verse by Sherman.
Track listing
[ edit ]
Side One
[ edit ]
"Peter and the Commissar" (24:16)
Side Two
[ edit ]
"Introduction" (3:10)
"Variations On How Dry I Am " (9:28) (hiccups solo by Arthur Fiedler )
"The End Of A Symphony" (8:00)
t
e
Studio albums
Singles
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Peter_and_the_Commissar&oldid=1127801841 " C a t e g o r i e s : ● 1 9 6 4 a l b u m s ● A l l a n S h e r m a n a l b u m s ● A l b u m s c o n d u c t e d b y A r t h u r F i e d l e r ● R C A V i c t o r a l b u m s ● C o l l e c t o r s ' C h o i c e M u s i c a l b u m s ● M u s i c a l p a r o d i e s ● 1 9 6 0 s c o m e d y a l b u m s H i d d e n c a t e g o r i e s : ● A r t i c l e s l a c k i n g s o u r c e s f r o m J u n e 2 0 1 9 ● A l l a r t i c l e s l a c k i n g s o u r c e s ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h h A u d i o m i c r o f o r m a t s ● A l b u m a r t i c l e s l a c k i n g a l t t e x t f o r c o v e r s ● A r t i c l e s w i t h M u s i c B r a i n z r e l e a s e g r o u p i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 6 D e c e m b e r 2 0 2 2 , a t 1 8 : 5 3 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
