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Urso learned clarinet as a child and switched to tenor sax while in high school . He served in the Navy during World War II and then moved to New York City in 1947. There he played with Elliot Lawrence (1948–50), Woody Herman (1950-51), Terry Gibbs , Miles Davis (1952), Oscar Pettiford (1953), Jimmy Dorsey , and Bob Brookmeyer (1954). In 1955, he first began working with Chet Baker , and was a prominent contributor to Baker's Pacific Jazz releases in 1956. Urso and Baker would collaborate sporadically for some 30 years.[1]
Urso worked with Claude Thornhill late in the 1950s, but receded from national attention in later decades. He moved to Denver and continued performing locally into the 2000s.
Discography
[ edit ]
As leader
[ edit ]
Sentimental Journey with Bob Banks (Regent, 1956)
Salute Chet Baker with Carl Saunders (Jazzed Media, 2003)
The Philosophy of Urso: Phil Urso's 1953–1959 Sessions (Fresh Sound, 2016)
As sideman
[ edit ]
With Chet Baker
With others
Louis Armstrong , Louis and the Angels (Decca, 1957)
The Hi-Lo's & Jerry Fielding , The Hi-Lo's and the Jerry Fielding Orchestra (Kapp, 1956)
Gerry Mulligan & Chet Baker, Mulligan and Baker! (Jazztone, 1957)
Art Pepper , The Artistry of Pepper (Pacific Jazz, 1962)
Oscar Pettiford , The New Oscar Pettiford Sextet
References
[ edit ]
Bibliography
[ edit ]
Phil Urso at Allmusic
Leonard Feather and Ira Gitler, The Biographical Encyclopedia of Jazz . Oxford, 1999, p. 659.
The New Grove Dictionary of Jazz , Second Edition, Volume 3, Edited by Barry Kernfeld, Grove, 2002, p. 816.
International
National
Academics
Artists
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Phil_Urso&oldid=1118651696 " C a t e g o r i e s : ● 1 9 2 5 b i r t h s ● 2 0 0 8 d e a t h s ● A m e r i c a n j a z z s a x o p h o n i s t s ● A m e r i c a n m a l e s a x o p h o n i s t s ● M u s i c i a n s f r o m J e r s e y C i t y , N e w J e r s e y ● S a v o y R e c o r d s a r t i s t s ● 2 0 t h - c e n t u r y A m e r i c a n s a x o p h o n i s t s ● 2 0 t h - c e n t u r y A m e r i c a n m a l e m u s i c i a n s ● A m e r i c a n m a l e j a z z m u s i c i a n s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h B I B S Y S i d e n t i f i e r s ● A r t i c l e s w i t h B N E i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h I C C U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h C I N I I i d e n t i f i e r s ● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s ● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 2 8 O c t o b e r 2 0 2 2 , a t 0 4 : 1 6 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
