Torri was born in Peschiera del Garda.[2] From 1684 to 1688, he served as the organist and choirmaster of the MargraveofBayreuth, and later entered into the service of the Elector of Bavaria Maximilian II Emanuel. In 1692 he followed the prince with some gentlemen of the court orchestra to the Spanish Netherlands and later settled with them in Brussels where Torri married the daughter of the ballet master François Rodier.[1][3][4][5]
In 1715 he returned to Munich, where he occasionally composed cantatas; and an opera annually. In 1726 Maximilian died, and his son Charles Albert succeeded him to the throne of Bavaria. For this occasion, Torri composed a musical tribute to the new ruler: the allegorical cantata Bavaria. This work alluded to an early Bavarian claim to the throne of the Holy Roman Empire. On the death of Giuseppe Antonio Bernabei in 1732, he was finally officially appointed as choirmaster at the court of Bavaria. Charles Albert was elected emperor in 1726 as Charles VII Albert and Torri became a musician at the imperial court.[1][4] He died in Munich.
Missa pro Defunctis: Requiem mass for the Elector (died in 1726). The composition is for SSATB singers and an orchestra consisting of oboes, strings and continuo (organ).[106][107]
Torri wrote more oratorios than any composer before George Frideric Handel (see also several dramatic oratorios mentioned above among Torri's dramatic works):[110]
The Mus.ms. 30299 manuscript of the Berlin State Library not only contains a copy of Torri's Magnificat, but also following sacred music, from the same composer:[118][119]
The Trastulli (trifles) is a collection of 60 short vocal works surviving in a four-volume autograph, written between 1692 and 1701. The first of these volumes contains 14 chamber cantatas, each consisting exclusively of a recitative and a da capo aria. The other volumes contain such arias without recitative. The Trastulli are, at least in part, extracted from larger vocal works:[136][137]
The first volume contains 14 Recitative and Aria pairs:
Con insoliti fregi (aria: "Non si scorge più dipinto"; S, vdg)[138][139]
Dalle spine da i Numi (aria: "Le rose odorose"; S, b, fl)[140][141]
Non v'è nube importuna (aria: "Di Vulcan nelle prigioni"; B, b, 2fl/2vl)[142][143]
Volano d'ogni intorno (aria: "I molli zeffiretti con le fronde"; S, b, ob)[144][145]
Passan di ramo in ramo (aria: "Dal petto canoro"; S, b, fl/ob)[146][147]
Con dolci melodie (aria: "Ciò che vegeta"; S, b, vdg/ob)[148][149]
Le ninfe più vezzose (aria: "Con placido incanto"; B, b, fl, fld)[150][151]
Le Castalide suore (aria: "Qui soggiorna un vago nume"; S, b, vdg)[152][153]
Bella diva (aria: "Per te sola sorge l'alba"; S, b, vdg/fl)[154][155]
Seguono i tuoi vestigi (aria: "Quante pompe ha la bellezza"; B, b, fl)[156][157]
Del Latio antico e delle Greche scole (aria: "Ben traluce nell'aspetto"; S, b, vdg/ob)[158][159]
Or va con tanta luce (aria: "Due seni più felici"; S, b, vdg/ob)[160][161]
L'opre nostre e i pensieri (aria: "Voi sarete con"; S, b, fl)[162][163]
Vi piova il ciel benigno (aria: "L'aureo stame vital"; S, b, fl)[164][165]
The second volume contains 17 arias, ten of which are excerpted from the Briseide dramma per musica:
From Briseide act 3 scene 8: "Godi giubila alma mia" (S, ob/vl, b)[166][167]
From Briseide act 1 scene 9: "Vieni o cara amata sposa al mio cor" (S, b, fl, ob)[168][169]
From Briseide act 1 scene 4: "Agitati miei pensieri" (S, b, ob)[170][171]
From Briseide act 2 scene 5: "Onde chiare imparate a non amare" (S, b, fl/vl, ob/vl)[172][173]
From Briseide act 2 scene 2:『Dolce auretta che sì grata』(S, b, fld)[174][175]
From Briseide act 2 scene 10: "Un core o pianti o sassi" (S, b, fld)[176][177]
"Luci serene se per voi moro" (S, b, fld)[178][179]
"Di pastorella oh quanto è bella" (S, b, fl)[180][181]
Musik am Hofe des Kurfürsten Max Emanuel von Bayern is a 1970s LP recording (Musica Bavarica MB 904) of the Münchener Kammerorchester conducted by Hans Stadlmair, containing extracts of these works by Torri:[259]
Echoes of Love: Eighteenth-Century Italian Cantatas is a 1993 CD containing Torri's V'amo si, care luci, a three-movement cantata, consisting of a recitative preceded and followed by an aria (soprano Lia Serafini and Ensemble Barocco Sans Souci; Dynamic CDS106):[260]
"V'amo, si, care luci adorate" (= Trastulli IV/4)[236][237][260]
Six arias of the Trastulli, sung by soprano Tania d'Altann, are included on a CD that was recorded in 1884 and released in 1998 (Arts 47399-2):[261][262]
The recording combines these arias by Torri with canzonettas from Biagio Marini's Op. 5. The Accademia Claudio Monteverdi is the accompanying orchestra, and Hans Ludwig Hirsch is the conductor on this recording.[261][262][263]
Torri's Missa pro Defunctis is included in Pro defunctis: Liturgy for the death of the baroque area, performed by Paul Dombrecht conducting Il Fondamento, Passacaille 933 (recorded 2000, released 2001).[107][263]
La Baviera performed by Christoph Hammer conducting the Neue Hofkapelle München [de], Ars Produktion 38 001 (recorded 2002, released 2003).[263] Other compositions by Torri contained on this SACD recording:[49]
Le Triomphe de la Paix performed by Christoph Hammer conducting the Neue Hofkapelle München, ORF CD 424 (2004 live recording, released 2005).[263] Other compositions by Torri contained on this SACD recording:[2]
La prima diva: Arie per Faustina Bordoni is a 2014 CD (recorded 2013) on with arias composed for Faustina Bordoni, among which『Se amori ascolterò』from Torri's Griselda, sung by Agata Bienkowska accompanied by Barockwerk Hamburg and Ira Hochman (Tactus TC 670003).[268]
Another aria from Griselda, "Vorresti col tuo pianto", is included in Xavier Sabata's Catharsis album (Armonia Atenea, George Petrou; recorded 2015, released 2017; Aparté Music AP 143).[269]
Terry Wey's 2017 Pace e guerra: Arias for Bernacchi album (recorded 2016; with Rubén Dubrovsky and the Bach Consort Wien; Deutsche Harmonia Mundi 88985410502) contains a few arias which Torri composed for the castrato singer Antonio Bernacchi:[270]
"Amorosa rondinella" from Nicomede, sung by Nuria Rial, accompanied by Kammerorchester Basel (conductor: Stefano Barneschi) is included in Baroque Twitter, an album recorded in 2017 and released in 2018 (Deutsche Harmonia Mundi 88985497582)[271]
Recitative ("La sua disperazione") and Aria ("Se a ammollire il crudo amante") from Amadis di Grecia, sung by soprano Mary Bevan accompanied by Bridget Cunningham conducting London Early Opera, is included in Handel’s Queens (Signum SIGCD579, 2019).[272]
Erato's La vanità del mondo, recorded in June 2020 by Philippe Jaroussky and Ensemble Artaserse, was released in November 2020.[273][274] The album contains these arias by Torri:[275]
Isacco's『Perché più franco』from Abramo
Piacere's "Esiliatevi pene funeste" from La vanità del mondo
Gerber, Ernst Ludwig (1812–1814). Neues historisch-biographisches Lexikon der Tonkünstler (in German). Leipzig: A. Kühnel. Volumes I – II – III – IV
Groote, Inga Mai (2003). Pietro Torri, un musicista veronese alla corte di Baviera. Sette note (in Italian). Vol. I. Broz, Barbara (Appendix: "I musicisti veneti in Europa ai tempi del Torri"). Verona: Della Scala. ISBN8885099734. OCLC681975493.
Wolff, Christoph (1968). Stile antico in der Musik Johann Sebastian Bachs: Studien zu Bachs Spätwerk [Stile antico in the music of Johann Sebastian Bach: Studies on Bach's late work]. Beihefte zum Archiv für Musikwissenschaft (in German). Vol. VI. Wiesbaden: Steiner. OCLC651793960.
Münster, Robert[in German] (1976). "Neu aufgefundene Opern, Oratorien und szenische Kantaten von Pietro Torri" [Newly discovered operas, oratorios and scenic cantatas by Pietro Torri]. Musik in Bayern (in German). 13. Munich: Gesellschaft für Bayerische Musikgeschichte: 49–58.
Media related to Pietro Torri at Wikimedia Commons
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