| Please Turn Over | |
|---|---|
 | |
| Directed by | Gerald Thomas |
| Written by | Norman Hudis Basil Thomas (play) |
| Produced by | Peter Rogers |
| Starring | Ted Ray Leslie Phillips Julia Lockwood |
| Cinematography | Edward Scaife |
| Edited by | John Shirley |
| Music by | Bruce Montgomery |
| Color process | Black and white |
Production | Beaconsfield Productions |
| Distributed by | Anglo-Amalgamated Film Distributors |
Release date |
|
Running time | 87 minutes |
| Country | United Kingdom |
| Language | English |
Please Turn Over (also known as P.T.O.) is a 1959 British comedy film directed by Gerald Thomas and starring Ted Ray, Julia Lockwood, Jean Kent, Joan Sims, Leslie Phillips, Charles Hawtrey, Lionel Jeffries and Victor Maddern.[1] It was written by Norman Hudis based on the 1959 play Book of the Month by Basil Thomas[2] and produced by Peter Rogers. An English town is thrown into chaos when the daughter of one of the residents publishes a book detailing the supposed secrets of the inhabitants.
In a quiet English town, seventeen-year-old Jo Halliday lives a fairly boring life working as a hairdresser and living at home, with her nagging mother, pompous father, and fitness-obsessed aunt. Her father, an accountant, continually wishes that his dreamy, untidy daughter could be more like his secretary, Miss Millicent Jones.
One morning, the local newspaper reveals that Jo has written a book—Naked Revolt—which is an instant bestseller. It tells the story of a young girl who discovers the truth about her family and neighbours, and flees to London to become a prostitute.
Unfortunately, the town's residents believe the book to be a true portrait of the family. Her father finds himself under suspicion at work, as his colleagues believe he has been stealing money, and her mother is regarded as a harlot who has been conducting a twenty-year affair with a retired army officer who gives her driving lessons and is Jo's real father. Her local doctor is portrayed as a philanderer who is sexually involved with a number of his patients while ignoring the desperate advances of his drunken assistant, Jo's aunt.
In fact, none of this is true: her father is scrupulously honest and in love with her mother; the local doctor is a shy man, and the former army officer is simply a family friend. Jo has left town for London with a young playwright, Robert Hughes, who is interested in turning her book into a play. After discovering they are kindred spirits, the two become engaged.
When they return home, Jo is confronted by her angry family and neighbours. The doctor is threatening to sue, and her father and mother have begun questioning each other's fidelity. But when he hears of the Doctor's planned lawsuit, Jo's father rises to her defense; stating that he approves of her talent if not her methods. Aunt Gladys further calms the Doctor by confessing her unrequited love for him, and they become a couple.
Kine Weekly called it a "money maker" at the British box office in 1960.[3]
The Monthly Film Bulletin wrote: "Though the complementary plot-within-a-plot construction of this stage farce aims its satire at middle-class life, precocious writers and current fashions in writing, the material is for the most part rather thin and uncinematic. Several of the characters, too, fail to come off, though Joan Sims is enjoyable in the small role of a daily help, and Lionel Jeffries extracts the maximum amount of comedy from a driving lesson scene."[4]
The Radio Times Guide to Films gave the film 3/5 stars, writing: "Notwithstanding its Carry On credentials, this gentle comedy of embarrassment could not be further from the bawdy humour of the celebrated series. Adapted by Norman Hudis, it boasts Leslie Phillips, Joan Sims and Charles Hawtrey among those aghast at the revelations contained in a potboiling novel populated by local luminaries. It's a one-joke affair, but director Gerald Thomas ensures the cast keeps it light and frothy."[5]
