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M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
Q u i n q u i ( f i l m g e n r e )
7 l a n g u a g e s
● C a t a l à ● E s p a ñ o l ● E u s k a r a ● ف ا ر س ی ● F r a n ç a i s ● G a l e g o ● I t a l i a n o
E d i t l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Cine quinqui or cine kinki (meaning "delinquency cinema") is a Spanish exploitation[1] film genre that was most popular at the end of the 1970s and in the 1980s.[2]
Features [ edit ]
The films were centered around underclass delinquents , drugs, and love, and usually starred non-professional actors picked off the street.[2] José Antonio de la Loma [es and Eloy de la Iglesia , even if other directors such as Carlos Saura , Manuel Gutiérrez Aragón and Vicente Aranda also reproduced the quinqui social imaginaries in some of their films.[3]
Quinqui films focused on marginalized working-class adolescents in the outskirts of Spanish cities involved in small-scale robbery and street crime .[4] heroin use.[4]
The genre draws inspiration from Italian neorealism and the French New Wave .[4] [2] AIDS . Some of them include José Luis Manzano [es (prostitute at age 16, died from overdose at age 30), El Pirri [es (heroin user at age 14, found dead in a wasteland at age 23),[5] El Torete [es (died from AIDS, age 31) and José Antonio Valdelomar [es (died from heroin overdose, around age 44).[6]
Notable films [ edit ]
Navajeros [2]
Deprisa, deprisa [2]
Colegas [2]
El pico [2]
What Have I Done to Deserve This? [4]
Yo, el Vaquilla [es [7]
La estanquera de Vallecas [7]
El Lute: camina o revienta [7]
After the demise of the quinqui trend, some directors have looked back to the quinqui era themes in films such as Makinavaja, el último choriso Semos peligrosos (uséase Makinavaja 2) [es Stories from the Kronen What You Never Knew 7 Virgins My Quick Way Out El mundo es nuestro [es Criando Ratas [es Outlaws [7] or Caged Wings [8]
References [ edit ]
^ Imbert, Gérard (2015). "Cine quinqui e imaginarios sociales. Cuerpo e identidades de género" [Quinqui cinema and social imaginaries. Body and gender identities]. Área Abierta . 15 3 ). Madrid: Ediciones Complutense : 61. doi :10.5209/rev_ARAB.2015.v15.n3.48937 hdl :10016/28606
^ a b c d e Moral, Pedro (4 January 2019). "Heroína y crónica negra: guía básica del cine quinqui" . Cinemanía 20 minutos . Retrieved 3 February 2020 .
^ Belategui, Oskar (18 April 2018). "Los héroes caídos del cine quinqui" . El Correo
^ Casas, Quim (12 February 2021). "Cinco actores del cine quinqui: de la delincuencia a la gran pantalla" . El Periódico de Catalunya
^ a b c d Rosado, Ricardo (8 October 2021). "Las mejores películas del cine quinqui" . Fotogramas
^ Escobar Rivas, Ana (22 August 2023). "Mario Casas y Óscar Casas prenden las redes a golpe de cadera y bachata: "Tenemos una propuesta indecente" . Los 40
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Quinqui_(film_genre)&oldid=1221921285 " C a t e g o r i e s : ● C i n e m a o f S p a i n ● F i l m g e n r e s ● E x p l o i t a t i o n f i l m s H i d d e n c a t e g o r i e s : ● C S 1 S p a n i s h - l a n g u a g e s o u r c e s ( es ) ● C S 1 E u r o p e a n S p a n i s h - l a n g u a g e s o u r c e s ( e s - e s ) ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● U s e d m y d a t e s f r o m F e b r u a r y 2 0 2 0
● T h i s p a g e w a s l a s t e d i t e d o n 2 M a y 2 0 2 4 , a t 1 9 : 5 7 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
