Rachel Moss is an Irish art historian and professor specialising in medieval art, with a particular interest in Insular art, medieval Irish Gospel books and monastic history.[1][2] She is the current head of the Department of the History of Art at Trinity College Dublin, where she became a fellow in 2022.[3]
Moss has said that her interest in the medieval came from her grandfather, an archaeologist living in County Sligo, who took her on digs when she was a child. She remembered "vividly when I was six and he took me to see a dig. One of the archaeologists put a human jawbone in my hand and told me about how you could tell she was a young woman.[1] As a post-graduate, she worked on literacy projects in the then deprived Fatima Mansions area of Dublin.[1]
Her 2014 survey『Medieval c. 400—c. 1600』was published by Yale University Press as part of their five-volume Art and architecture of Ireland series.[6] Her book was described by the Royal Irish Academy as "an unrivalled account of all aspects of the rich and varied visual culture of Ireland in the Middle Ages. Based on decades of original research, the book contains over three hundred lively and informative essays."[7] Writing for History Ireland, Peter Harbison said that Moss' book "covers a much greater span of time than all the others, and also deals with a much wider range of material. The major attractions are the famous manuscripts and metalwork from the earlier period, but there is a lot more besides—including the recently discovered Faddan More Psalter of c. 800. Stonework is covered extensively from the earlier medieval period: high crosses, round towers and all the church buildings from [the] Gallarus OratorytoCormac's Chapel."[6]
Moss lives in Dublin and Sligo with her husband Jason Ellis, a sculptor.[1][8]
"Art and Visual Literacy in the Early Irish Church". In: Boyle, Elizabeth. A Companion to the Church in Early Ireland, c. 400-c.1150. Dublin: Dublin Institute for Advanced Studies, 2020
"Resilience, restoration and revival: Insular art in later medieval Ireland". In: Thickpenny, Cynthia (ed). "Peopling Insular Art: Practice, Performance, Perception". Oxford: Oxbow, 2020
"Irish Parish Churches: 1350-1550". In P. Barnwell (ed.) Places of Worship in the British Isles: 1350-1550, Donington, Shaun Tyas, 2019
"Material culture: c. 1200-1550". In B. Smith (ed.). Cambridge History of Ireland Volume 1. Cambridge: Cambridge University Press, 2018
"The Art and the Pigments: A study of four Insular Gospel Books in the Library of Trinity College Dublin". In Panayotova and Ricciardi (eds) *Manuscripts in the Making: Art and Science. London and Turnhout: Brepols, 2017
"Collective memory and municipal identity in the early modern Irish town". In Dany Sandron (ed.), Le Passé dans la Ville. Paris: Presses de l'université Paris-Sorbonne, 2016[11]
"Romanesque Chevron Ornament: the language of British, Norman and Irish sculpture in the twelfth century". British Archaeological Reports Limited, 2009
"Making and Meaning in Insular Art: Proceedings of the Fifth International Conference on Insular Art Held at Trinity College Dublin, 25-28 August 2005". Dublin: Four Courts Press, 2007[12]
^Review: "Art and Architecture of Ireland Volume I: Medieval c. 400–c. 1600". Royal Irish Academy, 2015, volume 1, p. 571
^Cosgrove, Peter. "Reviewed Work: Making and Meaning in INSULAR ART by Rachel Moss". Seanchas Ardmhacha: Journal of the Armagh Diocesan Historical Society, volume 22, No. 2, 2009. JSTOR25747036
^Dr. Rachel Moss". Trinity College Dublin. Retrieved 18 July 2021
