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Rawap front view
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| String instrument | |
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| Related instruments | |
| Rawap | |||||||||||
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| Uyghur name | |||||||||||
| Uyghur | راۋاپ | ||||||||||
| Chinese name | |||||||||||
| Traditional Chinese | 熱瓦甫 | ||||||||||
| Simplified Chinese | 热瓦甫 | ||||||||||
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| Alternative Chinese name | |||||||||||
| Traditional Chinese | 熱瓦普 | ||||||||||
| Simplified Chinese | 热瓦普 | ||||||||||
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| Second alternative Chinese name | |||||||||||
| Traditional Chinese | 拉瓦波 | ||||||||||
| Simplified Chinese | 拉瓦波 | ||||||||||
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| Third alternative Chinese name | |||||||||||
| Traditional Chinese | 喇巴卜 | ||||||||||
| Simplified Chinese | 喇巴卜 | ||||||||||
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The rawaporrubab (Tajik: Рубоб, Uzbek: rubob) is an Eastern Iranian fretted plucked long-necked stringed instrument also used in folk music by residents of the Uyghur autonomous region of Xinjiang, Western China. [1] The history of the instrument dates back to the Ancient Iran including modern Tajikistan and spreading in the 14th century to Turkic cultures including southern Xinjiang. It is an instrument of the Tajiks also used in Uzbekistan. It's particularly associated with Tajik music and culture including Tajiks of Bukhara and Samarkand.
The body of the instrument is a constructed box, a bowl (like the Neapolitan mandolin or the lute), or else the neck and bowl are carved from a single piece of mulberry wood. It is used to accompany songs, and is less common with larger instrumentation. Instead of a wooden soundboard, the opening across the top of the bowl has a dried snakeskin stretched across like on a banjo; alternatively, the hide of a donkey or sheep is used. It is strung with between three and nine strings, which run across the skin membrane on the bottom, up the long fretboard and connect to a pegbox, curved backward 180 degrees. Only some strings are struck with a plectrum. The rest are sympathetic strings, vibrating in reaction to the actively played strings. Something that sets this instrument apart visually are lateral extension above the wooden bowl, decorated goat horns mounted on the neck, curving toward the bowl. The neck is inlaid decorated. While the fingerboard is not fretted, photos of the instruments show that some instruments do have strings tied around the neck in the position of frets.
What the rawap is called among the Uyghurs varies according to each region, with names added as accessories. For example Kaxgar-Rawap is the variation of the town Kashgar. The design, size and style of play differ from one region to another. The Kaschgar-region instrument is 90 centimeters long, with strings tuned in fourths and fifths.
The rawap of the Dolan-population in the province Turpan has five melody strings. The first string is fingered and the others are resonance strings and drone strings.
For the Tajiks, the original instrument is called rubob and is made from the wood of the apricot tree. The Tajik original model is about 70 centimeters long. In the 1930s, the Uzbeks who borrowed from the original Tajik model, created a long-necked lute (rubap). The different forms are related to the rubob, an instrument Afghanistan which was part of ancient Iran.
Similar to a lute, it has 7 strings in 3 courses. Uyghur Rawaps have decorative goat horns above the body of the instrument and the body may be covered in hide or snakeskin. [2][3]
There are several varieties of rawap, among them: [2][3][4]
