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Biography
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Barion studied sculpture at the National Institute for Fine Arts in Antwerp en and achieved a master's degree in Art History at Ghent University .[2] After he graduated in 1974, he became a professor of contemporary art at the Academy of Art and Design St. Joost in Breda , the Netherlands . Barion worked here until his retirement in 2010.
Barion has made, next to his part-time job as a professor, several drawings, sculptures and paintings. His paintings are usually very large and painted with the airbrush technique. His paintings contain different spatial perspectives and other architectural elements.[3]
In the 1980s Barion exhibited at the Technical University of Delft , the Technical University of Eindhoven , Freidus/Ordover Gallery in New York and the International Cultural Center in Antwerp. In 2014 he had a solo exhibition at Extra City Kunsthal in Antwerp.[4] His solo exhibition Isometric Landscapes (2016) at Upstream Gallery in Amsterdam got attention in the Dutch media.[5] [6] [1] [3]
Selected exhibitions
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'Parallel Perspectives', Kunstfort bij Vijfhuizen (2017)
'Less is a Bore', KAI 10, Arthena Foundation, Düsseldorf (2016)
'Isometric Landscapes', Upstream Gallery Amsterdam (2016)
'Machines Célibataires: 100 jaar later', Pictura Tekengenootschap, Dordrecht (2015)
'Of Lenses and Arenas', Extra City Kunsthal, Antwerpen (2014)
'Isometrische Landschappen', Technische Universiteit Eindhoven (1984)
'Machinale Metamorfosen', Technische Universiteit Delft (1983)
References
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^ a b Prisser, Jeanne, "Vreemde plek, de voorhoede" , de Volkskrant , 3 June 2016
^ Raymond Barion - of lenses and arenas
^ Ruyters, Domeniek, "De democratisering van de aanslag" , Metropolis M , 18 June 2017
^ Metz, Tracy, "Raymond Barion ziet alles graag scheef" , NRC Handelsblad , 26 May 2016
External links
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International
National
Artists
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Raymond_Barion&oldid=1198789285 "
C a t e g o r i e s :
● 1 9 4 6 b i r t h s
● L i v i n g p e o p l e
● 2 0 t h - c e n t u r y D u t c h p a i n t e r s
● 2 1 s t - c e n t u r y D u t c h p a i n t e r s
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● G h e n t U n i v e r s i t y a l u m n i
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H i d d e n c a t e g o r i e s :
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a
● A r t i c l e s w i t h I S N I i d e n t i f i e r s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● A r t i c l e s w i t h R K D a r t i s t s i d e n t i f i e r s
● A r t i c l e s w i t h U L A N i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 2 5 J a n u a r y 2 0 2 4 , a t 0 2 : 1 7 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
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