A wannabe director is given 48 hours by a producer to find the best groan of pain, worthy of an Oscar, as the only condition to back his film. Meanwhile, reality, dreams, and fiction repeatedly overlap.
The soundtrack consists of only the first five minutes of "Music With Changing Parts" by Philip Glass.[6]
This track by Philip Glass dates back to 1971. When you listen to it, in the film, it looks very simple but in reality it’s a piece of almost 1h30 that keeps evolving in a subtle way. I only use the first five minutes. I could have made a Canada Dry music that imitates Philip Glass but it would have been much less inspired.
I listened to Philip Glass’s entire discography. I was looking for the perfect thing and I fell in love with it. Given its duration, the idea at the beginning was to use several passages of the song, especially since we had managed to negotiate the rights with the publishers. But during the assembly I realized that if we do not have the start, the track is incomprehensible.
This way of using the first five minutes of the song creates an impression of endless loop, it becomes almost distressing. There is never a climax, we always come back to the same point. I came to this conclusion very quickly, on the set, even before thinking of Philip Glass. I did not want to do a BO, to accompany the film with small musical intentions as we usually do. You needed one piece of music that keeps coming back.[6]
On review aggregator Rotten Tomatoes, the film holds an approval rating of 64% based on 25 reviews, with an average rating of 6.13/10.[7] The French cinema site AlloCiné gave the film a rating of 3.6/5 stars based on 32 reviews.[8]
