Gist was reared around the stockyards of Chicago, Illinois, during the Great Depression. Reform school-bound after injuring another boy in a fistfight, Gist instead ended up at Chicago's Hull House, a settlement house originally established by social worker Jane Addams. There he first became interested in acting. [citation needed]
Gist directed the world premiere of Edna St. Vincent Millay's Conversation at Midnight, produced by Worley Thorne and Susan Davis, in November 1961, on stage, at the Coronet TheatreinLos Angeles. Playing only on the three "off-nights" the theatre was available, Monday through Wednesday, the production was received enthusiastically by critics and audiences, and the small 160-seat theatre was filled to capacity each night for six weeks. [citation needed] With that success, the production moved to the larger Civic Playhouse, where it ran for more than four more months. In the cast were James Coburn, Jack Albertson, Eduard Franz, Hal England, Sandy Kenyon, Frank DeKova and Bill Berger. Three years later, Gist directed another production of the piece on Broadway, at the Billy Rose Theatre, again produced by Thorne, in association with Davis, with some of the first cast. However, notably absent in key roles were James Coburn and Jack Albertson. The "play," a dramatic dialogue of ideas, delivered in various poetic forms, did not do well on Broadway and closed within the week.[citation needed]
He was married to actress Agnes Moorehead from 1954 to 1958, although they separated in 1955. They met during the filming of The Stratton Story (1949).
In a 1970 interview with David Frost, Gist discussed his involvement with and commitment to Synanon.[1]
Robert Gist was appointed Head of the School of Arts at the Darling Downs Institute of Advanced Education (DDIAE)
now the University of Southern Queensland, Toowoomba, Australia from the beginning of 1973 to the end of 1975.
Also, during the 1960s, he made himself into a Hollywood acting coach, forming one of the actors' workshops of that time. In 1964, he used its members—who he named "The Group"—to perform several evenings of Carl Sandburg's poetry. The event was titled The People Yes.
Lenore Robbins [nee Lee], Australian dancer and choreographer. Contemporary dancer who, following a brief but highly successful performance career, has influenced a generation of young dancers through a succession of regional dance schools in Queensland, Australia.
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