| Round Midnight | ||||
|---|---|---|---|---|
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| Soundtrack album by | ||||
| Released | 1986 | |||
| Recorded | July 1–12 and August 20–23, 1985 | |||
| Studio | Live at Studio Eclair, Epinay Sur Seine, France, Studio Phillipe Sarde, Paris, France | |||
| Genre | Jazz, hard bop | |||
| Label | Columbia 40464 | |||
| Producer | Herbie Hancock | |||
| Herbie Hancock chronology | ||||
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| Dexter Gordon chronology | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
Round Midnight is a soundtrack albumbyHerbie Hancock featuring music recorded for Bertrand Tavernier's film Round Midnight released in 1986 on Columbia Records. The album features performances by Hancock, trumpeter Freddie Hubbard, bassist Ron Carter, drummer Tony Williams, vocalist Bobby McFerrin, tenor saxophonist Dexter Gordon, bassist Pierre Michelot, drummer Billy Higgins, guitarist John McLaughlin, trumpeter/vocalist Chet Baker, vibraphonist Bobby Hutcherson, saxophonist Wayne Shorter, vocalist Lonette McKee, and pianist Cedar Walton, most of whom appear in the film. It won the Academy Award for Best Music, Original Score in 1986, beating Ennio Morricone's The Mission and Jerry Goldsmith's Hoosiers, among others. Additional music recorded during the making of the film was released under Dexter Gordon's name as The Other Side of Round Midnight (1986).
| Chart (1987) | Peak position |
|---|---|
| Australia (Kent Music Report)[3] | 74 |
The awarding of the Oscar for Best Original ScoretoRound Midnight has been considered one of the most controversial wins in that category, beating out James Horner's score for Aliens, Jerry Goldsmith's score to Hoosiers and Ennio Morricone's score for The Mission. In his review of the score for Hoosiers, Christian Clemmensen of Filmtracks.com stated: 'The awarding of the original score Oscar for 1986 to Herbie Hancock for Round Midnight is considered one of the greatest of the many injustices that have befallen nominees for that category. Ennio Morricone and, to a lesser extent, James Horner were worthy of recognition that year, though Goldsmith's Hoosiers stands in a class of its own because of its immense, counterintuitive impact on the picture.'[4] Morricone, who had never won a competitive Oscar at the time, said in an interview: 'I definitely felt that I should have won for The Mission, especially when you consider that the Oscar-winner that year was Round Midnight, which was not an original score. It had a very good arrangement by Herbie Hancock, but it used existing pieces. So there could be no comparison with The Mission. There was a theft!'.[5]
