Sergey Vasilyevich Malyutin (Russian: Сергей Васильевич Малютин; 4 October 1859 – 6 December 1937) was a Russian painter of fine crafts, (scenic) designer, illustrator and architect; initially associated with the Arts and Crafts Movement.[1] Most of his oil paintings are portraits. Outside of Russia, he is perhaps best known for designing the first set of Matryoshka dolls, created by Vasily Zvyozdochkin in 1890.
That same year, he was employed as a designer by the Private OperaofSavva Mamontov and, over the following decade and a half, would create sets for numerous operas and ballets, including the Nutcracker at the Mariinsky Theater.[1]
From 1891 to 1893, he was an instructor at the Elizabethan Institute [ru] and became a member of the Moscow Art Society [ru] in 1896. During this time, he also created illustrations for the works of Pushkin and some Russian folk tales.[2]
In 1900, he went to the art colony in Talashkino, near Smolensk, where he was involved in the ceramic and carving workshops of Princess Maria Tenisheva and joined the movement known as "Mir Iskusstva". While there, he designed a building for the school library (named "Teremok [ru]", after a Russian folktale) and decorated the theater.[1] He remained there until 1903. His designs for a church were later realized by the architect Vladimir Suslov. Later, he would work with Nikolai Zhukov [ru] to create the "Pertsov House" in Moscow.[2] His architectural designs were basically part of the Russian Revival movement, but were also embellished with fantastic folk motifs.
From 1903 to 1917, he taught at the MSPSA. During that time, he joined the Peredvizhniki (1913) and was named an "Academician" by the Imperial Academy of Arts (1914).[2] After the 1917 Revolution, he worked as an instructor at the "Higher Artistic and Technical Workshops" known as Vkhutemas ("ВХУТЕМАС"); a school established by Vladimir Lenin. He was there until 1923. From 1918 to 1921, he also participated in the creation of the propaganda posters known as "Rosta Windows". In 1922, he was one of the co-founders of the Association of Artists of Revolutionary Russia, which held its first meeting at his home, and became an advocate for Socialist Realism.[1]
