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Contents

   



(Top)
 


1 Jain tradition  



1.1  Birth  





1.2  Life before renunciation  





1.3  Renunciation  





1.4  Nirvana and moksha  





1.5  Previous births  





1.6  Disciples  







2 Legacy  



2.1  Worship  





2.2  Literature  





2.3  Iconography  



2.3.1  Colossal statues  







2.4  Temples  







3 See also  





4 Notes  





5 References  



5.1  Citations  





5.2  Sources  



5.2.1  Books  





5.2.2  Web  


















Shantinatha






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(Redirected from Shantinath)

Shantinatha

16th Tirthankara, 5th Chakravarti, and 11th Kamadeva

Venerated inJainism
PredecessorDharmanatha
SuccessorKunthunatha
SymbolDeerorAntelope
Height40 bows (120 metres) (393.701 feet)
Ageover 700,000 years
TreeNandi tree
ColorGolden
Genealogy
Born
Died
Parents
  • Viśvasena (father)
  • Acalādevī (mother)
  • SpouseYaśomatī
    DynastyIkshvaku dynasty

    Śāntinātha (Sanskrit: शान्तिनाथ) or Śānti is the sixteenth TīrthaṅkaraofJainism in the present age (Avasarpini).[2] According to traditional accounts, he was born to King Vishvasena and Queen Aćira of the Ikshvaku dynasty in the north Indian city of Hastinapur. His birth date is the thirteenth day of the Jyest Krishna month of the Indian calendar. He was also a Chakravarti and a Kamadeva. He ascended to the throne when he was 25 years old. After over 25,000 years on the throne, he became a Jain monk and started his penance.

    After renunciation, the legends state that he travelled without food and sleep and after sixteen years received his first ahara (food) after achieving kevala jnana. He attained MokshaonSammed Shikharji and became a siddha, a liberated soul which has destroyed all of its karma.

    Along with Rishabhanatha, Neminatha, Parshvanatha and Mahavira, Shantinatha is one of the five Tirthankaras who attract the most devotional worship among the Jains. His icons include the eponymous deer as his emblem, the Nandi tree, Garuda Yaksha, and Nirvani Yakshi.

    Śhāntinātha is believed to be an idea of peace and tranquillity, hence prayed to avert calamities and epidemics and bestows welfare to worshippers and hymns to Śhāntinātha are recited during the last rites.

    Jain tradition

    [edit]

    According to Jain cosmology, 24 Tirthankaras have appeared on earth; Shantinatha is the sixteenth tirthankaraofAvasarpiṇī (the present time cycle).[2][note 1]ATirthankara (ford-maker, saviour or spiritual teacher) signifies the founding of a tirtha, a passage across the sea of birth-and-death cycles.[4][5]

    Birth

    [edit]

    He was born to King Vishvasena and Queen Aćira at Hastinapur on the 13th day of Jestha Krishna in the Ikshvaku clan.[6] Before the birth of Shantinatha, Queen Aćira dreamt the most auspicious dreams (fourteen according to the Śvetāmbara tradition and sixteen according to the Digambara tradition).[7] According to Śvetāmbara monk Acharya Hemachandra, epidemics, evils and misery were destroyed when Shantinatha was in his mother's womb. According to Jain tradition, Indra named him Śhānti due to Jinas' love for peace.[6]

    Life before renunciation

    [edit]

    Shantinatha spent 25,000 years as a youth (kumāra kāla) and married a beautiful princess Yaśomatī.[8][7][9] Jain texts portray Shantinatha as tall; his height was given as 120 feet (37 m).[10] He ruled his kingdom for 50,000 years.[11] During his rule, armoury was blessed with divine chakraratna. During his reign he conquered all six divisions of the earth in all directions, acquiring elephants, horses, nine-fold most precious treasures and fourteen ratna (jewels). Shantinatha became the fifth Chakravartin.[8][12][9]

    During his time, an epidemic of epilepsy broke out and he helped to control it.[9] Shantinath became the idea of peace and tranquillity by averting epidemics, fire, famine, foreign invasions, robbers, etc., giving him the name of Shantinath. He is also associated with special right to ward of diseases known as Shantikarma.[13][14]

    Renunciation

    [edit]
    Raja Dharma Mitra offering first meal toTirthankara Shantinatha, 19th century (Digambara Tradition)

    Shantinatha, when made aware of his previous incarnations, renounced his worldly life and became a Jain ascetic.[12] According to Jain texts, Shantinatha neither slept nor ate during his penance and meditated under nandi tree. After his sixteen years of asceticism, on the ninth bright day of the month of Pausha (December–January), he achieved kevala jnana .[13]

    After achieving kevala jnana he visited Somanasapur, and was offered first ahara (food) by King Dharma Mitra and his wife.[15]

    Nirvana and moksha

    [edit]

    He is said to have lived 1 lakh (100,000) years and spent many years spreading his knowledge.[8] On the 13th day of the dark half of the month Jyestha (May–June), he attained nirvanaatSammed Shikharji,[13][12][note 2] known contemporaneously as the Parasnath Hills in northern Jharkhand.[18]

    The yaksha and yakshi of Shantinatha are Kimpurusha and Mahamanasi according to Digambara tradition and Garuda and Nirvani according to Śvētāmbara tradition.[13]

    Previous births

    [edit]
    King Megharath, one of the Shantinatha previous incarnation, saving pigeons life by sacrificing his own limbs

    Disciples

    [edit]

    According to Jain texts, Cakrayudha Svami was the leader of the Shantinatha disciples.[12][6]

    Legacy

    [edit]

    Worship

    [edit]
    Miniature painting of Shantinatha surrounded by ascetics, devotees and animals, 18th century

    Śhāntinātha being an idea of peace and tranquillity, it is believed that chanting the name Śhāntinātha averts calamities and epidemics and bestows welfare to worshippers.[24] In the Śvetāmbara tradition, Nirvāṉi, the yakshi of Śhāntinātha, is also associated with Shantinatha as Śhānti-devī in prayers for peace.[13] During the last rites, recitation of Namokar Mantra and hymns to the Jina and Śhāntinātha are performed.[25]

    Shanti Snaatra Puja is a special prayer for universal peace and the welfare of all living beings. During the prayer, offerings are made 27 or 108 times to Shantinatha.[26] The Laghnu-Shanti-stavaa, compiled by Manadeva suri in the 7th century, is a hymn to Shantinatha full of tantric usage and identify Shantinatha as Siva, the Lord of Shanta.[27] According to Jinaprabha Suri, the temples dedicated to Shantinatha existed in Kishkindha, Lanka and Trikuta.[13]

    According to Santistava compiled by Acharya Manadevasuri, an Acharya of the Śvetāmbara sect in the third century, mere recitation of Shantinatha's name negates all bad omens, brings peace and protects devotees from problems.[28] Santistava is considered by Śvetāmbaras as one of the four most beautifully written stavans (hymn[29][30]).[31] Jinastotrāņi is a collection of hymn dedicated to Shantinatha along with Munisuvrata, Chandraprabha, Neminatha, Mahavira, Parshvanatha and Rishabhanatha. Other Śvetāmbara hymns that are dedicated to Shantinatha are the Ajit-Shanti Stotra (a hymn dedicated to Shantinatha and the 2nd Tirthankara Ajitanatha) and the Bruhad-Shanti Stotra (a hymn dedicated to Shantinatha that is recited during the Snaatra Puja as per the Śvetāmbara tradition). During the Chaityavandan (a ritual that consists of a series of hymns in obeisance to a Tirthankara), lay-followers of the Śvetāmbara tradition recite a hymn Sakalkushalvalli which is dedicated to Shantinatha and the 23rd Tirthankara Parshvanatha.[32]

    Samantabhadra's Svayambhustotra praises the twenty-four tirthankaras, and its eight shlokas (songs) adore Shantinatha.[33] One such shloka reads:

    First, Lord Śhāntinātha Jina, for a long period of time, wielded supremacy as a king and provided protection to his subject from enemies; later on, on his own, became an ascetic and, as the embodiment of benevolence, pacified evil tendencies.

    — Svayambhūstotra (16-1-76)[34]

    Literature

    [edit]
    Image of Shantinath on a leaf from Yogaśāstra, 12th century

    The Shantinatha Charitra, by Acharya Ajitprabhasuri in 14th century, describes the life of the 16th Jain Tirthankara Shantinatha. This text is the oldest example of miniature painting and has been declared as a global treasure by UNESCO.[35] * Santyastaka is a hymn in praise of Śāntinātha composed by Acharya Pujyapada in the fifth century.[36] Acharya Hemachandra's Trishashti-Shalakapurush-Charitra describes the previous births as well as the final birth of Shantinatha in detail as per the Śvetāmbara tradition. Shantipurana, written around the 10th century by Sri Ponna, is considered to be one of the three gems of Kannada literature.[37][38][39]

    AjitasantiorAjita-Śhānti-stava composed by Acharya Nandisenasuri, a seventh century Jain monk, a famous Śvetāmbara hymn, has alternate verses praising Ajitnatha and Shantinatha.[40][13] Mahapurusha Charitra, compiled by Merutunga in the 13th—14th centuries, talks about Shantinatha.[41] Santikara was compiled by Munisundarasuri in the 15th century.[42]

    Iconography

    [edit]

    Shantinatha is usually depicted in a sitting or standing meditative posture with the symbol of a deer or antelope beneath him.[43][44] Every tīrthankara has a distinguishing emblem that allows worshippers to distinguish similar-looking idols of the tirthankaras.[45][46][47] The deer or antelope emblem of Shantinath is usually carved below the legs of the tirthankara. Like all tirthankaras, Shantinath is depicted with Shrivatsa[note 5] and downcast eyes.[48]

    Colossal statues

    [edit]

    In 2016, the tallest statue of Shantinatha, with a height of 54 feet (16 m), was erected in Ajmer.[49] The 32-foot (9.8 m) statue of Shantinath at Prachin Bada Mandir, Hastinapur and Shantinath Jinalaya, Shri Mahavirji. Aggalayya Gutta in Warangal has a 30-foot (9.1 m) image carved in 11th century CE.[50] The 22.5-foot (6.9 m) statue of Shantinath at Bhojpur Jain Temple.

    Aharji enshrines a 22-foot (6.7 m) idol installed in 1180 CE.[51] Shantinatha basadi, Halebidu houses a 18 feet (5.5 m) idol.[52] Naugaza Digambar Jain templeinAlwar has 17.5-foot (5.3 m) colossi dated 922 CE.[53] The 15-foot (4.6 m) image at Shantinatha temple, Khajuraho and Shantinath Basadi, Chandragiri.[54] The 12.5-foot (3.8 m) statue in Bahuriband and Pawagiri, built in the 12th century.[55][56]

    Temples

    [edit]
    Shantinath Temple, Deogarh

    Along with Rishabhanatha, Neminatha, Parshvanatha and Mahavira, Shantinatha is one of the five Tirthankaras who attract the most devotional worship among the Jains.[57] Various Jain temple complexes across India feature him, and these are important pilgrimage sites in Jainism. Hastinapur, for example, is a hilly part of Uttar Pradesh, which is believed to have been a place of Shantinath, along with Aranatha and Kunthunath.[58][59] Important Shantinatha temple complexes include Shantinatha TempleinKhajuraho (UNESCO World Heritage Site), Semliya Śvetāmbara Tirth, Bhopawar Śvetāmbara Tirth, Shantinatha temple, Halebidu, Prachin Bada Mandir, Hastinapur, Shantinath TempleinDeogarh, Shantinatha Basadi, Jinanathapura, Shantinath Jain Teerth, Aharji Jain Teerth, Shantinath Jain temple, Kothara, Odegal basadi, Pavagiri Tirth, Kanch MandirofIndore, Ladnu Jain temple and Shantinath Jain Temple in Leicester, United Kingdom.[60]

    See also

    [edit]

    Notes

    [edit]
    1. ^ Heinrich Zimmer: "The cycle of time continually revolves, according to the Jainas. The present "descending" (avasarpini) period was preceded and will be followed by an "ascending" (utsarpini). Sarpini suggests the creeping movement of a "serpent" (sarpin); ava- means "down" and ut- means up."[3]
  • ^ Some texts refer to the place as Mount Sammeta.[16] This place is revered in Jainism because 20 out of 24 Jinas died here.[17]
  • ^ 1 sagars is several million years[19]
  • ^ 1 Purva is 8,400,0002 years[20]
  • ^ A special symbol that marks the chest of a Tirthankara. The yoga pose is very common in Buddhism, Hinduism, and Jainism. Each tradition has had a distinctive auspicious chest mark that allows devotees to identify a meditating statue as a symbolic icon for their theology. There are several srivasta found in ancient and medieval Jain artworks, and these are not found on Buddhist or Hindu art works.
  • References

    [edit]

    Citations

    [edit]
    1. ^ Tandon 2002, p. 45.
  • ^ a b Tukol 1980, p. 31.
  • ^ Zimmer 1953, p. 224.
  • ^ Zimmer 1953, p. 181.
  • ^ "Tirthankara | Definition, Names, & Facts". Encyclopaedia Britannica. Archived from the original on 15 October 2013. Retrieved 15 October 2013.
  • ^ a b c Shah 1987, p. 151.
  • ^ a b c d e f g Johnson 1931.
  • ^ a b c d von Glasenapp 1925, p. 307.
  • ^ a b c Mittal 2006, p. 689.
  • ^ "Shantinatha, Śāntinātha, Shanti-natha". Wisdom Library. 6 July 2017. Retrieved 4 February 2023.
  • ^ Jain 2015, p. 198.
  • ^ a b c d Jain 2015, p. 199.
  • ^ a b c d e f g Shah 1987, p. 152.
  • ^ Mehta 1970, p. 138.
  • ^ Art and Culture & Raja Dharma Mitra offering food to Tirthankara Shantinatha.
  • ^ Jacobi 1964, p. 275.
  • ^ Cort 2010, pp. 130–133.
  • ^ Kailash Chand Jain 1991, p. 13.
  • ^ "Sagara, Sāgara, Sāgāra, Sāgarā". Wisdom Library. 12 April 2009. Retrieved 6 February 2023.
  • ^ "Purva, Pūrvā, Pūrva". Wisdom Library. 30 September 2017. Retrieved 6 February 2023.
  • ^ Shah 2004, p. 67.
  • ^ Jain 2011, p. 26.
  • ^ Mehta 1970, p. 21.
  • ^ Shah 2004, p. 179.
  • ^ Shah 2004, p. 208.
  • ^ Shah 2004, p. 182.
  • ^ Shah 2004, p. 193.
  • ^ Cort 2001, p. 198.
  • ^ Chapple 2015, p. 246.
  • ^ Kelting 2001, p. 9.
  • ^ Kelting 2001, p. 96.
  • ^ Lienhard 1984, p. 137.
  • ^ Jain 2015, pp. 104–167.
  • ^ Jain 2015, p. 104.
  • ^ Shāntinātha Charitra, UNESCO.
  • ^ Jain 2014, p. 15.
  • ^ Das 2005, p. 143.
  • ^ Rice 1982, p. 30.
  • ^ Surebankar 2013, p. 215.
  • ^ Cort 2001, p. 236.
  • ^ Dalal 2014, p. 791.
  • ^ Cort 2001, p. 197.
  • ^ Doniger 1999, p. 550.
  • ^ Dalal 2010, p. 369.
  • ^ Encyclopædia Britannica.
  • ^ Krishna 2014, p. 34.
  • ^ Zimmer 1953, p. 225.
  • ^ Moore 1977, p. 138.
  • ^ Tiwari 2016.
  • ^ The New Indian Express 2019.
  • ^ Reddy 2023, p. 197.
  • ^ ASI & Shantinatha Basti, Halebid.
  • ^ Neelkanth.
  • ^ Javid & Javeed 2008, p. 209.
  • ^ Cunningham 1879, p. 40.
  • ^ Mishra 1973, pp. 149–150.
  • ^ Cort 2010, p. 215.
  • ^ Chapple 2020, p. 173.
  • ^ Mercer & Maher 2014, p. 88.
  • ^ Wilson & Ravat 2017, p. 23.
  • Sources

    [edit]

    Books

    [edit]
  • Chapple, Christopher Key (2020), Living Landscapes: Meditations on the Five Elements in Hindu, Buddhist, and Jain Yogas, State University of New York, ISBN 9781438477954
  • Cort, John E. (2010), Framing the Jina: Narratives of Icons and Idols in Jain History, Oxford University Press, ISBN 978-0-19-538502-1
  • Cunningham, Alexander (1879), Archaeological Survey of India: Reports 1862-1884, Government Press, retrieved 1 June 2017
  • Dalal, Roshen (2010), The Religions of India: A Concise Guide to Nine Major Faiths, Penguin Books India, ISBN 9780143415176
  • Dalal, Roshen (2014), The Religions of India: A Concise Guide to Nine Major Faiths, Penguin UK, ISBN 9788184753967
  • Das, Sisir Kumar (2005), A History of Indian Literature, 500-1399: From Courtly to the Popular, Sahitya Akademi, ISBN 9788126021710
  • Doniger, Wendy, ed. (1999), Encyclopedia of World Religions, Merriam-Webster, ISBN 0-87779-044-2
  • Jacobi, Hermann (1964), Max Muller (The Sacred Books of the East Series, Volume XXII) (ed.), Jaina Sutras (Translation), Motilal Banarsidass (Original: Oxford University Press)
  • Jain, Kailash Chand (1991), Lord Mahāvīra and His Times, Motilal Banarsidass, ISBN 978-81-208-0805-8
  • Jain, Tanu (2011), Ahimsa—The Right Path Stories on Non-Violence, Allied Publishers, ISBN 9788184246667
  • Jain, Vijay K. (2014), Acarya Pujyapada's Istopadesa – The Golden Discourse, Vikalp Printers, ISBN 9788190363969
  • Jain, Vijay K. (2015), Acarya Samantabhadra's Svayambhustotra: Adoration of The Twenty-four Tirthankara, Vikalp Printer, ISBN 9788190363976, Non-Copyright
  • Javid, Ali; Javeed, Tabassum (2008). World Heritage Monuments and Related Edifices in India. Algora. ISBN 978-0-87586-482-2.
  • Johnson, Helen M. (1931), Shantinathacaritra (Book 5 of the Trishashti Shalaka Purusha Caritra), Baroda Oriental Institute
  • Kelting, M. Whitney (2001), Singing to the Jinas: Jain Laywomen, Mandal Singing, and the Negotiations of Jain Devotion, Oxford University Press, ISBN 9780198032113
  • Krishna, Nanditha (2014), Sacred Animals of India, Penguin UK, ISBN 9788184751826
  • Lienhard, Siegfried (1984), A History of Classical Poetry: Sanskrit, Pali, Prakrit, A history of Indian literature: Classical Sanskrit literature, vol. 1, Harrassowitz Verlag, ISBN 978-1-84511-625-5
  • Mercer, C.; Maher, D. (2014), Transhumanism and the Body: The World Religions Speak, Palgrave Studies in the Future of Humanity and its Successors, Springer Publishing, ISBN 9781137342768
  • Mehta, Jodh Sinha (1970). Abu to Udapiur. Motilal Banarsidass. ISBN 9788120829848.
  • Mittal, J.P. (2006), History Of Ancient India From 4250 BC To 637 AD, vol. 2, Atlantic Publishers & Distributors, ISBN 9788126906161
  • Mishra, Vibhuti Bushan (1973). Religious Beliefs and Practices of North India during the Early Mediaeval Period. Handbook of Oriental Studies. Vol. 3. Netherland: Brill. ISBN 978-90-04-03610-9.
  • Moore, Albert C. (1977), Iconography of Religions: An Introduction, Chris Robertson, ISBN 9780800604882
  • Reddy, P. Chenny (2023). Kalyana Mitra: A treasure house of history, culture and archaeological studies. Vol. 5. Blue Rose Publishers. ISBN 978-93-5741-111-0.
  • Rice, E. P. (1982) [first published 1921], Kannada Literature, New Delhi: Asian Educational Services, ISBN 81-206-0063-0
  • Shah, Natubhai (2004) [First published in 1998], Jainism: The World of Conquerors, vol. I, Motilal Banarsidass, ISBN 81-208-1938-1
  • Shah, Umakant Premanand (1987), Jaina-rūpa-maṇḍana: (Jaina iconography), vol. 1, Abhinav Publications, ISBN 9788170172086
  • Tandon, Om Prakash (2002) [1968], Jaina Shrines in India (1 ed.), New Delhi: Publications Division, Ministry of Information and Broadcasting, Government of India, ISBN 9788123024547
  • Tukol, T. K. (1980). Compendium of Jainism (PDF). Dharwad: University of Karnataka.
  • von Glasenapp, Helmuth (1925), Jainism: An Indian Religion of Salvation, Delhi: Motilal Banarsidass Publishing House (Reprinted 1999), ISBN 978-81-208-1376-2
  • Wilson, Tom; Ravat, Riaz (2017). Learning to Live Well Together: Case Studies in Interfaith Diversity. Jessica Kingsley Publishers. ISBN 9781784504670.
  • Zimmer, Heinrich (1953) [April 1952], Campbell, Joseph (ed.), Philosophies Of India, London: Routledge & Kegan Paul Ltd, ISBN 978-81-208-0739-6
  • Web

    [edit]
  • INTERNATIONAL MEMORY OF THE WORLD REGISTER - Shāntinātha Charitra (PDF), UNESCO
  • Tiwari, Raktim (16 June 2016). "Ajmer will have tallest Jain statue". Rajasthan Patrika.
  • "1,000-year-old Aggalayya Gutta in Warangal to open for tourists soon", The New Indian Express, 8 July 2019
  • "Shantinatha Basti, Halebid". Archaeological Survey of India. Archived from the original on 28 November 2016. Retrieved 10 June 2017.
  • Britannica Tirthankar Definition, Encyclopædia Britannica
  • Shantinatha Purana.
  • Shantinatha Charitra (PDF). Archived from the original (PDF) on 13 July 2019. Retrieved 28 August 2015.
  • "Neelkanth". Archaeological Survey of India.
  • "Raja Dharma Mitra offering food to Tirthankara Shantinatha". artsandculture.google.com.

  • Retrieved from "https://en.wikipedia.org/w/index.php?title=Shantinatha&oldid=1235213004"

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