The festival in Shinjō, and in particular their use of floats called yatai (屋台), is thought to have been initiated in 1756 in the midst of a famine during the Hōreki era. The event was planned by Tozawa Masanobu (1720–1756) who was the head of the Shinjō domain. The festival served not only to serve as a time of prayer for the upcoming harvest, but also to improve morale among the populace. The floats appearing in the festival are thought to have been initially influenced by the Gion Matsuri, but have since focused on themes related to kabuki, legendary animals, and elaborate scenes in nature.[1]
[edit]A float featuring a snake during the initial yoi matsuri of the Shinjo Matsuri.
The festival has three stages: yoi matsuri (宵まつり, "night festival"), hon matsuri (本まつり, "main festival"), and go matsuri (後まつり, "latter festival"). Floats will parade through the city while being accompanied by performers who play flutes, cymbals, taiko, and shamisen on a set repertoire of four pieces. The floats themselves are constructed by various municipalities within the city, and each municipality has its own associated performance group. Approximately 20 groups are represented in total. Generally, floats include life-size versions of famous kabuki performers, animals, and historical figures that are depicted in nature such as on mountains or rivers.[1][3] One performance specific to the Shinjō Matsuri is the shishi-odori (鹿子踊り), a local dance that features men wearing deer-like hoods.[3]
In 2015, event coordinators began using GPS systems to position floats for the parade, help event attendants locate floats, and to ease concerns over traffic congestion.[4]
^ abLancashire, Terence A. (2011). An Introduction to Japanese Folk Performing Arts. Farnham, Surrey, England: Ashgate Pub. pp. 75–76, 171. ISBN1409431339.
