After spending six years in the bush, Stuart, a young Aboriginal man, is trying to get in contact with his nine-year-old son, who lives with his white mother and grandfather in a well-to-do area, goes to a Christian Brothers school, and is unaware of his father's existence.[4]
Merritt started working on the script in 1981 and wanted to direct himself. However he was worried about getting the project financed with him as director and instead decided to work with George Ogilvie, had directed Merritt's play The Cake Man in 1976,[3] and was a member of staff at Merritt's Eora Centre for the Visual and Performing ArtsinSydney.[7]
The film was partly funded by the New South Wales Film Corporation. Shooting started in April 1985 and went for seven weeks. There were some technical problems making the movie which held up its release.[8][7]
The film was not a box-office success, but it remains notable as one of the first films by an Aboriginal writer. National Film & Sound Archive curators later described it as a depiction of "the daily struggle for dignity of a contemporary black man caught between two worlds", and called it "a successful collaboration between an Indigenous writer and a non-Indigenous director".[7]
Critic David Stratton wrote that it was "an excellent film which presents a very vital problem with great sympathy, understanding and fairness... one of the most interesting, low-budget, urban Australian films to have come out in recent years".[4]
