| Superman | |
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Promotional poster
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| Directed by | Spencer Gordon Bennet Thomas Carr |
| Written by | Lewis Clay Royal K. Cole Arthur Hoerl George H. Plympton Joseph F. Poland |
| Based on | |
| Produced by | Sam Katzman |
| Starring | Kirk Alyn Noel Neill Carol Forman Tommy Bond Forrest Taylor |
| Cinematography | Ira H. Morgan |
| Edited by | Earl C. Turner |
| Music by | Mischa Bakaleinikoff |
| Color process | Black and white |
| Distributed by | Columbia Pictures |
Release date |
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Running time | 15 chapters (244 minutes) |
| Language | English |
Superman is a 1948 15-part Columbia Pictures film serial based on the comic book character Superman. It stars an uncredited Kirk Alyn (billed on-screen only by his character's name, Superman; but credited as Kirk Alyn on the promotional posters) and Noel NeillasLois Lane. Like Batman (1943), it is notable as the first live-action appearance of Superman on film, and for the longevity of its distribution. The serial was directed by Thomas Carr, who later directed many early episodes of the Adventures of Superman television series, and Spencer Gordon Bennet, produced by Sam Katzman, and shot in and around Los Angeles, California. It was originally screened at movie matinées, and after the first three scene-setting chapters, every episode ends in a cliffhanger. The Superman-in-flight scenes are animations, in part due to the small production budget.
A "tremendous" financial success,[1] the serial was a popular success that made Kirk Alyn famous and launched Noel Neill's career. A sequel serial, Atom Man vs. Superman, also directed by Bennet, was released in 1950.
Superman is sent to Earth by his parents just as the planet Krypton blows up and is later raised as Clark Kent by a farm couple. They discover that he has great powers so they send him off to use his powers to help those in need. After his foster parents die, the Man of Steel heads to Metropolis under the bespectacled guise of Kent and joins the staff of the Daily Planet in order to be close to the news. Soon after he is sent out to get the scoop on a new rock that a man has found that he calls Kryptonite, and Clark passes out; then and there Superman discovers that his weakness is Kryptonite. Whenever emergencies happen, he responds in his true identity as Superman. This first serial revolves around the nefarious plot of a villain who calls herself the Spider Lady.[2]
Alyn, Neill, Watkin, and Bond reprised their roles in the 1950 sequel, Atom Man vs. Superman.
Republic Pictures tried twice to produce a Superman serial. The first attempt was replaced by Mysterious Doctor Satan (1940), when licensing negotiations with Superman publisher National Comics (later called DC Comics) failed. A second attempt was advertised for a 1941 release, but this time, two obstacles doomed production. National Comics insisted on absolute control of the script and production, and the rights to Superman were already committed to the Paramount cartoon series.[1] Sam Katzman acquired the live-action rights in 1947. He tried to sell them to Universal, but they no longer made serials by then. He also tried to sell to Republic, but they claimed that "a superpowerful flying hero would be impossible to adapt"—despite having already successfully done just that with Adventures of Captain Marvel in 1941. Also, Republic was no longer buying properties for adaptation by 1947. Columbia accepted the offer.[1]
Sam Katzman found Kirk Alyn after looking through photographs, but had a hard time selling the idea of casting Alyn to Whitney Ellsworth, National Comics' representative on the project. This was made even worse when Alyn came in for a screen test, sporting a goatee and moustache (as he was also shooting another project, a historical film). These initial reservations were eventually overcome, and Alyn got the part. Columbia's advertising claimed that it could not get an actor to fill the role, so it had "hired Superman himself", and Kirk Alyn was merely playing Clark Kent.[1]
George Plympton added a joke to script, substituting the Lone Ranger's "Hi-Yo Silver!" for the traditional "Up, up, and away". This did not survive in the script long enough to actually be filmed.[1] The Superman costume was grey and brown, instead of blue and red, because those colors photographed better on black and white film. It was never explained why his costume is shown as red and green on the one-sheet posters.[1]
Episode 1, "Superman Comes to Earth", features a line delivered by Edward Cassidy (as Eben Kent) to Kirk Alyn (as foster son Clark Kent): "Because of these great powers - your speed and strength, your x-ray vision and super-sensitive hearing - you have a great responsibility". Fourteen years later, Stan Lee's Amazing Fantasy #15 introduced Spider-Man and popularized the motto, "With great power comes great responsibility".
Superman's flight sequences were animated instead of live-action or model work. Harmon and Glut consider this to be the weakest point of the serial, explaining that the effects created by Republic for Adventures of Captain Marvel were more convincing or more routine ones for the Superman TV series.[1] While there were other effective special effects, in their opinion, they were undermined by the poorness of the flying sequences.[1] The film crew did test an alternative method of filming the flying sequences: Kirk Alyn spent an entire day painfully suspended by visible wires in front of a rear projection of moving clouds. Displeased with the results, Katzman fired the entire flight sequence production staff, and used the animated method instead.[1]
A peculiar characteristic of the mix of animated and live-action footage is that Superman's take-offs are almost always visible in the foreground, while his landings almost always occur behind objects, such as parked cars, rocks, and buildings. It was easier to shift from live footage of Kirk Alyn starting to take off, to animated footage, than it was to shift from an animated landing to live footage of the actor. As a consequence of the need to hide Superman's landings, Superman frequently lands at some distance from where he wants to be, and must run to arrive on-scene.
Budget limitations also dictated the frequent re-use of film footage, especially scenes of Superman flying. For example, one sequence showing Superman flying over a rocky hill (a shot of Stoney Point in Southern California's San Fernando Valley) was used at least once in almost every episode of the first serial.
Alyn's stunt double was Paul Stader. He had to perform only one stunt in the entire serial, leaping from the back of a truck. He almost broke his leg during this stunt, and had to leave the production.[1]
The Superman serial was first made available for purchase on VHS videotape in 1987 as a double tape box set. The serial was also offered available in two separate VHS tapes as "Volume 1" (Chapters 1 to 7) and "Volume 2" (Chapters 8 to 15).
It was officially released on DVDbyWarner Home Video, along with its sequel Atom Man vs. Superman, on November 28, 2006 as Superman: The Theatrical Serials Collection. Warner released the serials rather than Columbia, as Warner's subsidiary DC Comics acquired the rights to the serials several years beforehand. With the previous 2006 DVD release out of print for a few years, the serials were re-released as manufactured-on-demand (MOD) DVD from Warner Archive Collection on October 9, 2018.[3]
Source:[4]
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| Pre-war serials (1937–1941) |
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| War-time serials (1942–1945) |
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| Post-war serials (1945–1956) |
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