Tania Modleski (born 1949) is an American feminist scholar and cultural critic, Professor of English at the University of Southern California.
Modleski's Loving with a Vengeance, "to begin a feminist analysis of women's reading", considered three popular fictional genres: the Harlequin romance, the Gothic novel and the daytime US soap opera.[1] Modleski argued that the formulaic nature of these genres gave readers the freedom to construct their own response, at a distance from the text. Her next book, The Women Who Knew Too Much, examined seven Hitchcock films: Blackmail, Murder, Rebecca, Notorious, Rear Window, Vertigo and Frenzy. Modelski now challenged the terms of taking 'distance' from a text, arguing that "the desire for distance itself [is] ... bound up with the male's insistence on his difference from woman." By contrast to male violence, the 'feminine' could embrace "narrative empathy, spectatorial passivity, and the subconscious imaginary".[2]
InFeminism Without Women, Modleski argued that "male power frequently works to efface female subjectivity by occupying the site of femininity", and that the writer has a responsibility to re-articulate women's shared experience.[2]
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