| The End of Violence | |
|---|---|
Theatrical release poster
| |
| Directed by | Wim Wenders |
| Written by | Nicholas Klein Wim Wenders |
| Produced by | Nicholas Klein Deepak Nayar Wim Wenders |
| Starring |
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| Cinematography | Pascal Rabaud |
| Edited by | Peter Przygodda |
| Music by | Ry Cooder |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 122 minutes |
| Country | United States |
| Language | English |
| Budget | $5 million |
| Box office | $386,673 |
The End of Violence is a 1997 American drama film by the German director Wim Wenders. The film's cast includes Bill Pullman, Andie MacDowell, Gabriel Byrne, Traci Lind, Rosalind Chao, and Loren Dean, among others. It also features a soundtrack marked with the signature sounds of Wenders regulars Jon Hassell, Ry Cooder, and Bono. The film was praised by a select few critics for its cinematography, but performed poorly in the box office. It was entered into the 1997 Cannes Film Festival.[1]
The film had a budget of $5 million, but only received $386,673 in its domestic box office.
Like many other of Wenders' American films, the film was shot in multiple locations, for instance the Griffith ObservatoryinGriffith Park and the Santa Monica Pier.
A scene in the film shows a live recreation of the painting NighthawksbyEdward Hopper.
Film producer Mike Max meditates on the paranoia of fear of attack, in the film industry and life in general, as his wife Paige announces she is leaving him. He receives a document via email from a NASA employee who he met earlier at a conference. Before opening it, Mike is kidnapped and almost killed, a scene captured by surveillance cameras and witnessed by computer scientist Ray Bering on surveillance footage scene in his laboratory at the Griffith Observatory.
However, it soon turns out the two men have been shot, Max has escaped and now is accused of killing them. He takes shelter with, and goes to work for, the Mexican gardeners who find him and they help him investigate who is trying to kill him and why. Bering, who originally sent Max the email and recognized Max in the surveillance footage, has a conversation with an intelligence agent who makes it clear that anyone who gets in the way of a new “anti-crime” satellite surveillance program not yet approved by Congress will be dealt with terminally.
Detective Dean Brock suspects Max is not a killer and on a tip meets with Bering, who is assassinated by a gunshot as they begin to speak. Max gives up his business and money to his wife and the film ends as he meditates on how a real attack has freed him from paranoia.
The End of Violence received some negative reviews from critics. It holds a 29% rating on Rotten Tomatoes based on 35 reviews with an average rating of 5/10.[citation needed] Writing in Time Out New York, Andrew Johnston (critic) observed: "Many of Wenders's best films have been road movies and Violence qualifies as one thanks to all the time the characters spend on L.A.'s freeways. Like Robert Altman's Short Cuts (which it resembles in a lot of ways), it cleverly exploits its Southern California locale and offers a truly challenging analysis of American life."[2]
