ENGLAND – A room at Hampstead heath – Sir Richard Devine refuses to be blackmailed by Crofton, alias John Rex – The Scapepgrace Dick Devine quarrels with his father, Sir Richard Devine is cast off forever – Sir Richard awaiting Parson North is murdered by Rex – North discovers the body and secures his own forged bills – Dick, accused of murder gives his name as Rufus Dawes – Parson North denounces Rex as a notorious highwayman.
VAN DIEMEN'S LAND – the convict settlement at Hell's Gate; life on the chain gang; Gabbet's escape and capture; the Rev. Meakin visits his flock; Chaplain North gives the convicts tobacco; Lt Frere threatens to report him; Major Vickers announces the move to Port Arthur; the attack by the convicts; the prisoner Troke saved by North; the departure from the settlement.
THE MUTINY – on board the Osprey; the capture of the Osprey; the mutineers maroon the survivors
WRECK OF THE OSPREY – the morning after.
MAROONED – two weeks later Rufus Dawes saved by Sylvia Vickers. Rex, Crow and Gabbett starving, draw lots to decide who should be killed. The Ruffian Gabbett. Three months. Rufus Dawes builds a boat of goat skins to enable Mrs Vickers and Sylvia to escape from the island. Major Vickers and party search for the castaways. Rev Meekin's morning walk interrupted by Gabbet. Mrs Vickers killed by Gabbett. The shock deprives Sylvia of her memory. Lt Frere accuses Rufus Dawes of the crime.
PORT ARTHUR – Dawes escapes from prison. Sylvia Vickers, now Mrs Frere, fails to recognise him at first but then it comes back. Her memory returning she demands to see him. Major Vickers returns with recaptured convicts. Lady Devine arrives to see her son.
THE END – Rex and Gabbett confess to the murders of Sir Richard and Mrs Vickers. His innocence established and a pardon for Rufus Dawes.[12][13]
Unlike the original novel and 1908 film version, this had a happy ending. This was in line with Spencer's version of Robbery Under Arms which had a happier ending than the original novel.
It is likely the film was retitled to avoid confusion with another movie version of the novel that had been released in 1908.[16]
Raymond Longford worked on the movie and later claimed to have been the actual director.[17]
It appears from contemporary reviews that there was some filming at Port Arthur.[18]
Scenes involving Raymond Longford, who played Gabbett, were shot at La Perouse, Sydney. According to a later article in Everyone's:
Longford, stripped to the waist, tattered and blood bespattered, was at the head of a cliff many yards away from the camera and the rest of the company, who were preparing to scale the cliff to attempt his capture. Longford forgot that he would be visible to those on the other side of the cliff, and was startled to hear a piercing shriek and turned in time to see a woman on the beach below, running as though for her life. He signalled to the others to stop the action, which they did, thinking that something had gone wrong. Longford then turned around to see it he could appease the woman’s alarm. She was not to be seen, but creeping towards him in single file he saw some fishermen and stragglers, armed with sticks, oars and any handy weapon. The position looked ugly, and he reckoned he was in for a bad time, so rising to his feet, he gave a hail, intending to reassure the attackers that all was well. As soon as they caught sight of him and his accrutrements they dropped their weapons and incontinently fled. After that scouts were posted around the locations to warn sightseers what they might expect to see.[14]
The film was released in Sydney on 19 June 1911 at the Broadway Theatre.[19] It was released in Melbourne on 27 November 1911 at the Olympic Theatre.[13] It debuted in Launceston on 22 January 1912.[20] (During the Launceston season, the film caught fire one night and the theatre had to be evacuated.[21][22])
Distribution of the film was blocked from legal action by Marcus Clarke's daughter, Marion Clarke.[23]
The Sydney Truth called it "a striking production".[2] It was described by The Argus as "an entirely original pictorial adaptation".[2][24] The Kalgoorlie Miner wrote "the subject is treated magnificently, and every detail is perfectly carried out."[25]
^Vagg, S., & Reynaud, D. (2016). Alfred Rolfe: Forgotten pioneer Australian film director. Studies in Australasian Cinema, 10(2),184-198. doi:10.1080/17503175.2016.1170950
^"Advertising". The Referee. Sydney. 31 May 1911. p. 16. Retrieved 31 March 2015 – via National Library of Australia.
^"An Australian Film Pioneer.", Everyones., 4 (294 (21 October 1925)), Sydney: Everyones Ltd, nla.obj-570545333, retrieved 29 February 2024 – via Trove
^"PRINCESS THEATRE". The Examiner (DAILY ed.). Launceston, Tasmania. 22 January 1912. p. 6. Retrieved 31 March 2015 – via National Library of Australia.
^"Fire at a Theatre". The Examiner (DAILY ed.). Launceston, Tasmania. 27 January 1912. p. 6. Retrieved 31 March 2015 – via National Library of Australia.
