Using a combination of interviews and archival footage including live band performances, the film traces the life and career of Hanna from her troubled upbringing and her start in spoken word performance poetry, through her riot grrrl zines, her prominent punk and dance-punk bands, her coining of the phrase "Smells Like Teen Spirit" for Kurt Cobain, her solo career as Julie Ruin, her feminist activism, her marriage to Beastie Boys member Adam Horovitz, and ending with Hanna's 2010 diagnosis of late-stage Lyme disease and the severe treatments she endures to combat it.[1]
Anderson filmed Hanna off and on for a year starting in July 2010.[2] Hanna had already amassed a collection of archival footage and ephemera; these and further finds were worked into the documentary.[3] Horovitz appears as a strong, steadying supporter of his wife, and he filmed one of the more troubling scenes himself.[1] Co-producer Davis, the wife of Beastie Boy Mike D, came to the project near the end to help finish it. Anderson funded the film through various ways, initially with a benefit concert including Sonic Youth's Kim Gordon performing at the Knitting Factory and then through a Kickstarter campaign which raised $46,000.[4][5][6] The film, Anderson's first feature-length documentary, premiered in March 2013 at SXSW (South by Southwest) in Austin, Texas, where it was positively reviewed.[7] The film was picked up for distribution in North America by Sundance Selects.[8][9] On November 29, 2013, its general theatrical release was initiated in New York and Los Angeles, as well as a digital release on iTunes.[10][11]
The film was the first public announcement of Hanna's battle with Lyme disease.[2][12][13] Since 2005, Hanna had been struggling with symptoms of the disease without knowing the cause; this resulted in her telling her Le Tigre bandmates that she was finished as a singer/songwriter, that she had written all she ever intended to write.[14] In the film Hanna says that this explanation was not true, that instead she was suffering nervous system troubles and that she did not want to admit she was unable to perform on stage.[15] The film was also the first public revelation of certain details of Hanna's childhood and her marriage.[1]
Hanna determined that the number of men interviewed should be minimal. She told Anderson not to feature Thurston MooreofSonic Youth, Ian MacKayeofFugazi, or Calvin JohnsonofBeat Happening, even though she liked them and respected their opinions. She said, "I want women to be the experts. I don't want these male experts to come in to make it legitimate."[1] Hanna wanted Tobi Vail, zine writer and bandmember of Bikini Kill to be interviewed in the film, but Vail chose to keep her privacy.[10] In the film, Vail appears in archival footage to talk about Hanna and the punk scene.
