| The Willoughbys | |
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Official release poster
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| Directed by | Kris Pearn |
| Screenplay by |
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| Story by | Kris Pearn |
| Based on | The Willoughbys byLois Lowry based on the book the weirdies written by Enid blyton |
| Produced by |
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| Starring |
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| Narrated by | Ricky Gervais |
| Cinematography | Sebastian Brodin |
| Edited by |
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| Music by | Mark Mothersbaugh |
Production |
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| Distributed by | Netflix |
Release date |
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Running time | 92 minutes |
| Countries |
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| Language | English |
The Willoughbys is a 2020 animated comedy film directed by Kris Pearn and co-directed by Rob Lodermeier (in his feature directorial debut), from a screenplay written by Pearn and Mark Stanleigh.[1] Based on the book of the same name by Lois Lowry, the film stars the voices of Will Forte, Maya Rudolph, Alessia Cara, Terry Crews, Martin Short, Jane Krakowski, Seán Cullen, and Ricky Gervais, who also narrates the film. The story follows four children trying to find new parents to replace their self-centered and neglectful ones.
The Willoughbys was released on April 22, 2020, with 37 million people viewing the movie. It received positive reviews for its animation, acting, story, and soundtrack by Mark Mothersbaugh, as well as Cara's song, "I Choose".[2] It has received six Annie Award nominations, including Best Animated Feature.
A cat narrates the story of the Willoughby siblings: Tim, Jane and twins both named Barnaby. The Willoughby family legacy has an accomplished history, but the children's parents only care about each other. They despise all children and deprive the siblings of love, food and music. Tim longs for his family's past glory and unity.
Jane discovers a baby on the family's doorstep. She brings the baby inside despite Tim's warnings, and the baby wreaks havoc. The Willoughby parents throw their children out of the house, forbidding them to return unless they get rid of the baby. The children follow a rainbow to the doorstep of Commander Melanoff's candy factory, and believing it to be a suitable home, name the baby "Ruth" and leave her there. On their way home, the siblings hatch a plan to improve their lives by getting rid of their parents. The siblings put together a vacation brochure full of deadly destinations that could potentially kill their parents and make them orphans.
Their parents are excited by the brochure and leave immediately. Tim tries to take care of his siblings alone, but flounders until the nanny hired by their parents arrives. The nanny, Linda, proves to be much warmer and more caring than their parents, and Jane and the Barnabys warm up to her almost immediately; Tim, however, remains distrustful. When Linda learns about Ruth, she rushes to the candy factory with the children in tow. Melanoff explains that he originally intended to hand the baby over to the Department of Orphan Services, but grew attached to her; Linda is assured that Ruth will be well cared for in the factory.
Meanwhile, the Willoughby parents have somehow survived several hazardous destinations, but soon discover they're out of money. Unwilling to return home, they decide to sell their house in order to further finance their vacation. They tell Linda by voice message, and Linda assures them she will take care of the children. Tim gets Linda's cell phone and finds the voice messages. He mistakenly assumes Linda means to dispose of the children, and secretly calls Orphan Services to report her.
The Willoughby parents hire a realtor to sell the house to potential buyers, but the children scare off all but one family. Linda scares the last family off for them. Tim finally realizes how much Linda cares. However, Orphan Services arrive in response to Tim's call. Heartbroken by Tim's betrayal, Linda leaves in tears, and the Willoughby siblings are forcibly taken away and placed in separate foster homes until their parents return. Tim repeatedly runs away from his well-meaning foster families and runs to the Willoughby home just in time to watch its demolition. Orphan Services decides to detain him in a cell at their Headquarters.
The narrator cat finally intervenes by giving Tim's helmet to Linda. She decides to reunite the children. Disguised as a janitor, Linda sneaks into Tim's cell, reconciles with him, and breaks him out with Orphan Services in pursuit. Linda then retrieves and reunites the other Willoughby children.
The children decide to go back to their parents so Orphan Services will leave them alone. With the help of Linda, Ruth, and Melanoff, the Willoughbys build a dirigible to rescue them from the "Unclimbable Alps" in Switzerland, which is the final and deadliest destination on their parents' trip. The siblings decide to take the dirigible and leave the adults and Ruth behind. As they reach their destination, they follow a trail of their mother's yarn to the top of the mountain, where they find their parents nearly frozen to death. The siblings and the cat save them. The children confess that they sent them away but hope to reunite as a family. However, their parents are selfish as always, stealing the dirigible and abandoning the children. However, not knowing how to steer the dirigible, Mr. and Mrs. Willoughby crash into the ocean.
With no way off the mountain, the siblings start to freeze to death, with no way down back, Jane sings for them. Thankfully, Ruth, Melanoff, and Linda followed the dirigible and heard Jane's song, finding the siblings just in time. Now officially orphans, the Willoughbys are adopted by Linda and Melanoff, living much happier lives together with Ruth and the Cat at Melanoff's candy factory. Meanwhile, Mr. and Mrs. Willoughby are shown to have survived the dirigible crash and are stranded at sea, whereupon they are eaten by a shark.
In November 2015, Bron Studios acquired the animated film rights to Lois Lowry's book The Willoughbys, and hired Kris Pearn to adapt it into a screenplay with Adam Wood to direct the film, with Aaron L. Gilbert and Luke Carroll producing.[3] In April 2017, Ricky Gervais was cast in the film to play the narrator as well as one of the characters and it was reported that Pearn would co-direct the film with Cory Evans.[4] The screenplay however was replaced by Pearn and Mark Stanleigh with a story by Pearn who also executive produced the film. In June 2017, the cast was expanded to include, Terry Crews, Maya Rudolph, Martin Short, Jane Krakowski, and Seán Cullen.[5] Will Forte and Alessia Cara (in her film debut) also provided their voices, with Netflix set to distribute the film.[6]
The film's animation was produced at Bron Animation studios in Burnaby[6] with characters being designed by Craig Kellman and Wesley Mandell being the animation supervisor. FX lead Helén Ahlberg created graphic compositions to carry the “once upon a time” tone that combines heightened textures, simple camera, lack of motion blur, and a strong depth of field to the film's stop motion-like style alongside the squash and stretch principles done by Maya's SyncSketch tool.
The music in the film was composed by Mark Mothersbaugh, who previously worked with Pearn on Cloudy with a Chance of Meatballs 2.[7] The original song "I Choose" (performed by Alessia Cara, who plays the voice of Jane in the film) was released independently by Def Jam Recordings.[8]
The film was digitally released on April 22, 2020, by Netflix.[9] It was viewed at least in-part by 37 million households over its first month of release.[10]
On the review aggregation website Rotten Tomatoes, the film has an approval rating of 91% based on 64 reviews, with an average rating of 6.8/10. The site's critical consensus reads: "An appealing animated adventure whose silliness is anchored in genuine emotion, The Willoughbys offers fanciful fun the entire family can enjoy."[11]OnMetacritic the film has a weighted average score of 68 out of 100, based on 14 critics, indicating a "generally favorable reviews".[12]
Renee Schonfeld of Common Sense Media, gave the film four stars out of five, noting that the film is a "wonderfully whimsical tale with dark themes [that] is softened by warmth, humor, and stellar performances by talented comic actors who brighten the already inventive and luminous animation."[13] The Hollywood Reporter's David Rooney said that "the Netflix animated family comedy-adventure has an oddball charm that works surprisingly well."[14] Natalia Winkelman of The New York Times said that the film "is charming on a moment-to-moment basis. Running gags, like how the nanny triggers a car pileup whenever she crosses the street, help to round out an unruly world. The composer Mark Mothersbaugh contributes a jazzy score and original song (performed by Cara) that punctuate the giddy mood. Though it tends to feel disjointed as a whole, 'The Willoughbys' thrives when it embraces its grim plot and lets mischief reign."[15]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
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| Critics' Choice Super Awards | January 10, 2021 | Best Animated Movie | The Willoughbys | Nominated | [16] |
| Best Voice Actor In An Animated Movie | Will Forte | Nominated | |||
| Martin Short | Nominated | ||||
| Terry Crews | Nominated | ||||
| Best Voice Actress In An Animated Movie | Maya Rudolph | Nominated | |||
| Best Villain in a Movie | Martin Short and Jane Krakowski | Nominated | |||
| Visual Effects Society Awards | April 6, 2021 | Outstanding Effects Simulations in an Animated Feature | Helén Ahlberg, Kyle McQueen, Russell Smith, Raehyeon Kim | Nominated | [17] |
| Annie Awards | April 16, 2021 | Best Animated Feature | Kris Pearn | Nominated | [18] |
| Editorial in an Animated Feature Production | Catherine Apple, Anna Wolitzky and Dave Suther | Nominated | |||
| Outstanding Achievement for Character Animation in an Animated Feature Production | Andrés Bedate Martin | Nominated | |||
| Outstanding Achievement for Music in an Animated Feature Production | Mark Mothersbaugh, Alessia Cara, Jon Levine, Colton Fisher | Nominated | |||
| Outstanding Achievement for Character Design in an Animated Feature Production | Craig Kellman | Nominated | |||
| Outstanding Achievement for Production Design in an Animated Feature Production | Kyle McQueen | Nominated |
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Films directed by Kris Pearn
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