Theodore BendixorTheo. Bendix (July 25, 1862 – January 15, 1935) was an American composer, classical violinist, musical director, and opera conductor.[1][2] He became a professional musician at the age of thirteen and was hired as a conductor for an opera company when he was sixteen. Before he was eighteen, he had written the music for the show, resulting in the hit song "My Sweetheart".
Bendix worked with numerous theaters and opera companies and was a musical director and composer with Florenz Ziegfeld, Henry Wilson Savage, Klaw and Erlanger. He was the musical director for several Broadway shows, including TheBelle of New York, Ben-Hur, and Beauty and the Beast. He also established a music publishing firm, Theo Bendix Music Publishing Co. in New York City. In his time, Bendix was one of the best-known musical directors of popular music.[3]
Bendix was born on July 25, 1863, in Detroit, Michigan.[1] He was the son of German-born Jewish parents, Bertha (née Tobias) and William Bendix, a composer.[4][5] His mother was a cousin of the German composer Felix Mendelssohn and was an heir to his estate.[4][6] His brother, Max Bendix, was also a composer, violinist, and conductor.[1][6][3]
In 1872, his family moved to Cleveland, Ohio where his father was the orchestra leader at the Euclid Avenue Opera House.[7][5] He first studied music under his father, learning the piano and the violin.[7][8] When he was thirteen years old, Bendix played with his father's orchestra at the Euclid Avenue Opera House.[7]
While he studied music, Bendix worked as an actor.[1][3] When he was sixteen in 1880, he was hired as the conductor of the Alice Oates Opera Company.[7][5] In 1887, he became the director of the Aimee Opera Company.[5] In 1881, he wrote the popular tune, "My Sweetheart" and other music for a play by the same name that was performed by this company.[7][9] Bendix went on to compose many songs for the pianos and orchestras that were popular in their era.[1][7][8] His most famous composition was "The Dawn of Love".[7]
He became the director of the Chestnut Street Theatre in Philadelphia, followed by directing the orchestra of Pope's Theatre in St. Louis.[7][5] In 1886, he composed the music and was the musical director for the show Marita and wrote some of the music for Over the Garden Wall.[10] Next, he worked in Boston for nine years, directing the orchestras at the Globe Theatre and the Park Theatre from 1889 to 1900.[5][8] While at the Globe, he conducted the first performances of Gilbert and Sullivanoperettas in the United States.[6] He was orchestra leader at the National Theatre in Washington, D.C.[1] He also organized the Bendix String Quartet which headlined at the Orpheum Theatre in Los Angeles for three seasons.[5][6][8]
In the early 20th century, Carl Fischer Music published and distributed a collection of Bendix's compositions for use with silent films.[11] By In 1906, Bendix formed the Theo Bendix Music Publishing Co. in New York City.[5] He also coached opera and concert singers.[8]
He was the conductor for the Majestic Theatre in Los Angeles from 1920 to 1930.[5] In November 1920, he was the music director at the Alcazar Theatre in San Francisco for several weeks.[6] In 1928, he was the conductor of the orchestra at Erlanger's Biltmore Theatre in the Millennium Biltmore Hotel in Los Angeles.[17][1] He returned to New York City in 1931 and operated a musical library off-Broadway in New York City; this collection was sold to a larger organization.[3]
"The Busy Bee" or "Morceau Characteristique" in The Witmark Theatre & Concert Collection for Orchestra, No.48. New York: M. Witmark & Sons, 1899. Plate 242-20.[22]
"The King's Bal Masque" with four movements "The Dervishes (Fanatical Dance)New", "Blue Beard and Fatima", "Hindoo Priests (Incantation)", and "The Cossacks (Russian Dance)" in The Witmark Theatre & Concert Collection for Orchestra, Nos.36-39. New York: Carl Fischer & M. Witmark & Sons, 1899. Plate 194-19.[23]
"A Southern Reverie". New York: M. Witmark & Sons, 1900. Plate 3546.[24]
"The Star Dreamer". New York: Carl Fischer & M. Witmark & Sons, 1900. Plate 800-19.[25]
"The Butterfly Dance" (7 inch Performed). Performed by Sousa's Band. Victor, October 5, 1900.[2]
"A Southern Reverie (10 inch Performed). Performed by Metropolitan Orchestra. Victor, January 10, 1901.[2]
"Norwegian Episode" in The Witmark Theatre & Concert Collection for Orchestra, No.133. New York: M. Witmark & Sons, 1901. Plate 3451.[26]
"La Gazelle" (10 inch Performed). Performed by Sousa's Band. Victor, April 4, 1901.[2]
"American Frantasie" (10 inch Performed). Performed by Sousa's Band. Victor, April 5, 1901.[2]
"The Girl from Maxim's" (7 and 10 inch Performed). Performed by Metropolitan Orchestra. Victor, June 13, 1901.[2]
"In Beauty's Bower" (7 and 10 inch Performed) Performed by Kendle's First Regiment Band. Victor, December 26, 1901.[2]
"An American Fantasy" (7 and 10 inch Performed). Performed by Sousa's Band. Victor, December 31, 1901.[2]
"A Trip to Buffalo". New York: M. Witmark & Sons, 1901.[18]
"Cousin Kate", dedicated to Ethel Barrymore. New York: M. Witmark & Sons, 1903. Plate 5862-6.[27]
"Floral Suite including "Roses", "Pansies (For Thoughts)", and "Daisies" in The Witmark Theatre & Concert Collection for Orchestra, Nos.186-7. New York: M. Witmark & Sons, 1905. Plate 1039-19.[28]
"'Tis Better to Have Loved and Lost". B. Johnson and G. Schirmer, words, 1905 [5]
^ abHamersly, Lewis Randolph; Leonard, John W.; Mohr, William Frederick; Knox, Herman Warren; Holmes, Frank R.; Downs, Winfield Scott (1907). "Max Bendix". Who's who in New York City and State. L.R. Hamersly Company. p. 113 – via Google Books.
^ abcde"Theodore Bendix at the Alcazar". Town Talk: The Pacific and Bay Cities; Weekly. Vol. 37, no. 1482. November 6, 1920. p. 13. Retrieved November 3, 2023.
