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Timothy Archambault
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| Born | (1971-02-09) February 9, 1971 (age 53) |
| Nationality | American |
| Alma mater | Rhode Island School of Design |
| Occupation(s) | architect, composer, musician |
| Years active | 1990s–present |
Timothy Archambault (orTim Archambault; born 1971) is an American architect, composer, and musician who plays Native American flute. He lives in Miami, Florida.[1]
Timothy Archambault was born on February 9, 1971, in Willimantic, Connecticut.
Archambault self-identifies as being of Kichesipirini Algonquin First Nation and Métis descent.[1] There is no federally recognized Kichesipirini group in Canada.
He graduated with two degrees (bachelor of architecture and bachelor of fine arts) from the Rhode Island School of Design, taking courses in music theoryatBrown University during this time. [2]
Archambault began playing the Native American flute in 1989 and has devoted intensive study to the earliest recordings of the instrument, dating back to the early 20th century. He has also studied informally with the Native American flutists Kevin Locke (Lakota) and Edmund Wayne Nevaquaya (Comanche), and has collected songs of his Kichesipirini heritage, from elders in Canada as well as from archival wax cylinder recordings made in the early 20th century.[3]
In addition to performing in traditional styles, since the early 21st century, he performs contemporary classical music on the instrument. He plays complex chromatic music on the Native American flute. He has performed the music of Native American composers David Yeagley, George Quincy, and Raven Chacon. His recording of Yeagley's Wessi vah-peh, for Native American flute and orchestra, performed with the National Polish Radio Symphony Orchestra Katowice, will be released by Opus One Records in late 2008. He was the first person to use the old warble technique (in which a single flute tone "splits" into a multiphonic oscillation) within the context of contemporary classical music.[3]
Archambault is planning to record, in late 2008, a solo album of compositions by David Yeagley entitled Suite Tragique which is dedicated to the Kichesipirini Algonquin First Nation, as well as a collaborative composition utilizing traditional Anishinaabeg musical notation with the Navajo composer Raven Chacon. He recorded an orchestral work entitled The Choctaw Diaries by the Choctaw composer George Quincy, which was released by Lyrichord Classical on June 17, 2008.[4] In 2008, he joined a Native American orchestra called The Coast Orchestra.[5]
As a composer, in the spring of 2007 he composed a work for solo cello for the Mohawk cellist, as a part of her North American Indian Cello Project; this work, Anoki, was released on CD in late 2008.[6]Archambault is a member of the First Nations Composer Initiative and performed at the National Museum of the American IndianinWashington, D.C. in November 2006. In August 2007, he recorded traditional Kichesipirini flute songs for the National Museum of the American Indian archives, and in 2008 he was one of the First Nations Composer Initiative panelists[7] who awarded several grants to American Indian musicians.[8]Architectural careerArchambault lived in Beijing, China, where he was a project manager at the Beijing office of the Office for Metropolitan Architecture. Before taking this position he worked as a Project Architect in Rotterdam and New York City, working on the designs for the Prada Soho Store, the Lehmann Maupin Gallery in Chelsea, Manhattan (commissioned in 2001 and completed in 2002), and the Dee and Charles Wyly Theatre at the Dallas Center for the Performing ArtsinDallas, Texas (commissioned in 2004 and scheduled to be completed in 2008). Prior to joining OMA in 1999, and helping to establish its New York office, he worked for Pasanella+Klein Stolzman+Berg Architects in New York on the Pratt Stabile Hall Dormitory, and for Frank O. Gehry and Associates in Los Angeles on the Samsung Museum of Contemporary Art and the Walt Disney Concert Hall.[2]
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