She has earned degrees from the University of Barcelona and the University of Pennsylvania. She served as President of Feministas Unidas, Inc., President of ALDEEU (Spanish Professionals in America), and President of AEGS (Association of Gender and Sexuality Studies).
Her creative work has been defined as a crossover between literary writing, digital art, video and multimedia projects.[7]
In the year 2000 she published the hypertextual poem VeloCity, considered a pioneer in the field of digital poetry in Spanish,[5] and one of "the first hypertextual works written by women."[6]
According to scholars and media critics María Goicoechea and Laura Sánchez,『Hypertext is, for Tina Escaja, the insignia of this new cyberfeminism that proposes a ‘non-essential modern subject’.』 The same critics note a change in this perception in Escaja's project Código de barras, a project based on barcode technology: “now technology is used to compel us to think about a perturbing reality of control and dominion.”[6]
Media critic Maya Zalbidea sees in her interactive hypertextual novel Pinzas de metal an example of electronic Cut-up technique,[8] and also states that "the multilinearity of the story provides the reader a feeling of intrigue and bewilderment."[9]
Regarding her award-winning poetry collection Caída libre, the writer and critic Sabas Martín finds connections with the innovating poetry of César Vallejo, and the images created by Federico García Lorca and Gabriela Mistral.[10]
Her work has been featured at Ciberfeminismos, tecnotextualidades y transgéneros. Literatura digital en español escrita por mujeres. Isabel Navas Ocaña and Dolores Romero Eds. Universidad Complutense, 2023[11] and Voces encendidas. Mujeres, arte y tecnología. María Goicoechea y Laura Sánchez (ed.) Madrid, Consejo Superior de Investigaciones Científicas, 2023[12]
Her work has been translated into six languages, and has been included in anthologies such as the Electronic Literature Collection, Volume 3;[23]Escenario de crisis: dramaturgas españolas del nuevo milenio;[24][25]Tasting Asia: An Anthology of Poems of the 2016 Taipei Poetry Festival;[26]Dos Poemas y un Café: Mujeres poetas visuales II;[27][28]L'altra Penelope: Antologia di scrittrici di lingua spagnola;[29]Escritores españoles en Estados Unidos;[30]The Americas Poetry Festival of New York 2015;[31]Pegasos de dos siglos: Poesía en Kentucky 1977-2007;[32]Que no cesen rumores. Antología poética;[33]Trilogía Poética de las mujeres en Hispanoamérica (Pícaras, místicas y rebeldes);[34] and The WRUV Reader. A Vermont Writers’Anthology;[35]
Respiración mecánica / Respiració mecànica / Hats hartze mekanikoa & VeloCity (2014) Translations by María Cinta Montagut (Catalan), Mariña Pérez Rei (Galician) and Itxaro Borda (Basque). Prologue by Marta SegarraISBN9788498885736
“Mar y Virus / Virus and the Sea.” Messages from the Anthropocene. Flynndog Gallery, Burlington, VT. November 2020-June 2021.[38]
Pinzas de metal. “Afterflash: Showcasing Flash Fiction, Poetry, and Essays from The NEXT.” Collective digital exhibition curated by Dene Grigar. Electronic Literature Lab. January, 2021.[39]
“According to your likeness / my Image.” University of Central Florida Art Gallery, Orlando, July 2020.[40]
"Emblem/as". collection.eliterature.org/4. 2017–2019. Also shown in The Glucksman Museum. Cork, Ireland, July 11–17, 2019.[41]
Por un lenguaje inclusivo: Estudios y reflexiones sobre estrategias no sexistas en la lengua española. Co-ed with Natalia Prunes. ANLE, 2021.
Resistencia: Poems of Protest and Revolution. Co-ed with Mark Eisner. Introduction by Julia Alvarez. Tin House, 2020. ISBN978-1-951142-07-0
Diáspora Española: Migración y exilios. Actas seleccionadas de la XXXVII Asamblea General y Congreso Internacional de ALDEEU. Co-ed with Marta Boris Tarré. Lakeville, MA: ALDEEU, 2020. ISBN Nueva York en español: Intersecciones hispánicas en EEUU. Actas seleccionadas del XXXVI
Congreso Internacional de ALDEEU, Co-ed with Marta Boris Tarré. Lakeville, MA: ALDEEU, 2017. ISBN978-0-692-87378-6
^Ana María Díaz Marcos, ed. (2018). Escenario de crisis: dramaturgas españolas del nuevo milenio. Benilde Teatro. ISBN978-84-16390-77-9.
^鴻鴻主編, ed. (2016). Tasting Asia: An Anthology of Poems of the 2016 Taipei Poetry Festival. Department of Cultural Affairs, Taipei City Government. ISBN9789860498080.
^J. Seafree; R. Bullón Acebes, eds. (2014). "Dos Poemas y un Café: Mujeres poetas visuales II". Dos Poemas y Un Café. ISSN2340-5015.
^Brigidina Gentile, ed. (2008). L'altra Penelope: Antologia di scrittrici di lingua spagnola'. Oedipus. ISBN978-8873411253.
^Gerardo Piña-Rosales, ed. (2007). Escritores españoles en Estados Unidos. Academia Norteamericana de la Lengua Española. ISBN978-0865150348.
^Carlos Aguasaco & Yrene Santos, ed. (2015). The Americas Poetry Festival of New York 2015. Artepoética Press. ISBN978-1940075372.
^Richard K. Curry & Eduardo Espina, ed. (2007). "Pegasos de dos siglos: Poesía en Kentucky 1977-2007". Hispanic Poetry Review. ISSN1531-0167.
^Rei Berroa, ed. (2010). Que no cesen rumores. Antología poética. Libros dela Luna. ISBN978-9945003260.
^Leticia Luna, ed. (2008). Trilogía Poética de las mujeres en Hispanoamérica (Pícaras, místicas y rebeldes)'. La Cuadrilla de la Langosta. ISBN978-8873411253.
^Chris Evans, ed. (2012). The WRUV Reader. A Vermont Writers'Anthology. CreateSpace. ISBN978-1461176688.
