50°46′00″N 0°16′43″E / 50.7666°N 0.2785°E / 50.7666; 0.2785
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| Established | 1920 (bequest) |
|---|---|
| Location | College Road, Eastbourne, East Sussex |
| Visitors | 110,000 (2012)[1] |
| Website | Towner Art Gallery |
Towner Eastbourne (formerly Towner Art Gallery) is an art gallery located in Eastbourne, East Sussex, on the south coast of England. In 2019, German artist Lothar Götz was chosen from a call out to design a mural for the building's exterior. Götz transformed the exterior walls of the gallery with his large-scale, colourful geometric artwork, Dance Diagonal.[2]
Towner is celebrating its centenary year in 2023, and will be hosting the Turner Prize.
The gallery hosts one of the most significant public art collections in the South of England and draws over 100,000 visitors a year. It was described by ITV News as "the region's biggest art gallery", in 2017.[3]
It was established with a bequest in 1920, from John Chisholm Towner who had served as a local alderman. It was first homed in Manor Gardens, adjacent to Gildredge Park in the Old Town area of Eastbourne. Opening there in 1923, it closed when the building was sold in 2005. In 2009, it re-opened in a purpose-built facility adjacent to the Congress Theatre, near Eastbourne's seafront. The venue will host the 2023 Turner Prize.[4]
The Towner Gallery was established as a project in 1920 following the death that year of Alderman John Chisholm Towner, who left 22 paintings, £6,000 and instructions for the establishment of an art gallery. This bequest was made for the benefit of the people of Eastbourne; the undertaking was entrusted to a local group of supporters and the local council.[5]
For 72 years, the Gallery was located within a Manor House on the High Street in the Old Town area. The Manor House, located within its own Manor Gardens, dated to the 18th century, but was taken over in the 1920s for public use as a public gallery and local museum, following Towner's bequest.
A noted historic building in Eastbourne, the Manor House is dwarfed in age by its neighbours; being opposite the Lamb Inn, dating back to 1180AD[6] and St Mary's Church, from the same period.[7] Despite having been owned by the town as a public facility for most of the 20th century, the Manor House and gardens were sold in 2005/6 by the local authority, Eastbourne Borough Council.[8]
In 2009, after a gap of several years during which Eastbourne had no local art gallery or museum, Towner reopened in a purpose-built gallery building adjacent to the Congress Theatre. Funders of the new gallery included the Heritage Lottery Fund and Eastbourne Borough Council.
Designed by Rick Mather Architects and built mainly from concrete, at a cost of £8.6m,[9] the new gallery building was planned to be more easily accessible to the public and to store the 4,000 works of the growing collection in a safe and climate-controlled manner.[5] Visually, it was designed to reflect the chalk cliffs of the Eastbourne Downs.
Unlike the old building, no provision was made to incorporate a local museum, though substantially more space was created for a café, shop and larger exhibitions.
In 2014, Eastbourne Borough Council transferred operation of the Gallery to a newly-created independent charitable trust. David Dimbleby was appointed the Chair of Trustees.[10] The Council retained ownership of the Gallery's building and its collection of artworks.
Despite no longer directly operating the Gallery, Eastbourne Borough Council remained a major annual funder, alongside Arts Council England.
In 2017, cuts in the local authority's funding of 50% were proposed. This threatens the gallery with closure to some or all of its services and the greater use of admission charges for access to public art.[11][12][3]
From 2021 to 2022 the Gallery significantly remodelled its ground floor and cinema to "improve the visitor experience, build visitor engagement and increase Towner’s financial sustainability."[13] Design was led by architects Manalo & White.[14]
The Towner Collection is one of the most significant public art collections in the South East of England.
It boasts in excess of 5,000 works of art by historic, modern and contemporary artists including: Lawrence Alma-Tadema, John Gascoigne Lake, Vanessa Bell, David Bomberg, Alan Davie, Tacita Dean, Olafur Eliasson, Anya Gallaccio, Thomas Jones, Peter Liversidge, Harold Mockford, Henry Moore, Cedric Morris, William Nicholson, Julian Opie, Ian Potts, Victor Pasmore, Pablo Picasso, Eric Ravilious, Eric Slater, Wolfgang Tillmans, Alfred Wallis, Christopher Wood, Joseph Wright of Derby and Carol Wyatt.
The initial collection consisted mainly of Victorian narrative painting, especially pictures of animals and children. The current collection now includes oil paintings, watercolours, works on paper, etchings, prints, sculpture, wood cuts, ceramic objects, installations and video art.
Since the gallery was established it has received donations of work by significant artists including: Walter Sickert, Pablo Picasso, Henry Moore, Victor Pasmore, Alfred Wallis, Frances Hodgkins, Phelan Gibb and David Bomberg.
By 1962 the Observer said it was "the most go-ahead municipal gallery of its size in the country". This was mainly because of the purchase of a group of works by modern abstract artists of the 1950s and 1960s. In 1962, the Rector of Berwick Church gave over 35 studies and sketches for the Berwick Church murals.
As a result of the first curator's ‘Pictures of Sussex’ policy the Towner Collection gradually increased. Pictures were acquired of subjects relating to Sussex. This scheme was later extended to allow inclusion of pictures executed by Sussex artists regardless of subject matter.
A key element of the collection is the work of Eric Ravilious, who studied and taught at Eastbourne School of Art. In 1982, the family of the artist deposited on loan an important body of his work. The Towner holds the broadest collection of paintings, illustrations and commercial designs in the world, by this important modern British artist of the early 20th century.
Throughout 2023 Towner Eastbourne is partnering with iniva (Institute of International Visual Arts) for the third and final year of Future Collect, a project that will reimagine the future of public collections to better reflect our culturally diverse society.[15]
