| Trade | |
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Promotional poster
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| Directed by | Marco Kreuzpaintner |
| Screenplay by | Jose Rivera |
| Story by | Peter Landesman Jose Rivera |
| Based on | "The Girls Next Door" by Peter Landesman |
| Produced by | Roland Emmerich Rosilyn Heller |
| Starring | Kevin Kline Cesar Ramos Paulina Gaitán Alicja Bachleda |
| Cinematography | Daniel Gottschalk |
| Edited by | Hansjörg Weißbrich |
| Music by | Leonardo Heiblum Jacabo Lieberman |
Production |
Centropolis Entertainment |
| Distributed by | Roadside Attractions Lionsgate (United States) 20th Century Fox (Germany)[1] |
Release date |
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Running time | 120 minutes |
| Countries | United States Germany |
| Languages | English Spanish Polish Russian |
| Box office | $1,455,890[1] |
Trade is a 2007 drama film directed by Marco Kreuzpaintner and starring Kevin Kline. It was produced by Roland Emmerich and Rosilyn Heller. The film premiered January 23, 2007, at the 2007 Sundance Film Festival and opened in limited release on September 28, 2007. It is based on Peter Landesman's article "The Girls Next Door" about sex slaves, which was featured as the cover story in the January 24, 2004, issue of The New York Times Magazine.[2]
The film follows two people who are kidnapped by an international sexual slavery gang in Mexico City. Adriana (Gaitán), a 13-year-old local girl, is captured while riding her bike. Veronica (Bachleda), a young woman from Poland, is kidnapped upon arriving at the airport. She soon realizes that the whole trip was orchestrated by the gang. They are held along with some Latin American women and a young Thai boy.
Adriana's 17-year-old brother, Jorge, learns that his sister was kidnapped. He asks his friends to help him find her, but they balk when they learn how powerful the gang is. Jorge finds out that the kidnappers "sell" their victims as sex slaves through a connection in New Jersey. While searching for Adriana, he sees her among the other victims as they are hurried into a van by the kidnappers. He steals his friends' car and manages to follow the van to Juárez, but then loses track of it.
Adriana, Veronica and the Thai boy are smuggled into the US with the help of corrupt Mexican policemen, but the group is caught by the US Border Patrol. The gang members keep the kidnapped people from telling the police that they were kidnapped by threatening to harm their families. The kidnappers and victims are sent back to Mexico, after which they sneak into the US again.
When Jorge finds the house in Juárez where the victims were kept, they are already gone. An American, Ray (Kline), also arrives to investigate the house. Jorge hides in the trunk of his car, revealing himself once they have crossed back into Texas. Ray decides to help Jorge to rescue his sister. Jorge learns that Ray was in Juárez to search for his estranged daughter, who may have also been a victim of the gang. They travel to New Jersey, where the victims are being taken and where an internet auction will be held to sell them to the highest bidder. At a rest-stop diner with Ray, Jorge recognizes the young boy. Ray frees him and forces the man who had purchased him to give him access to the auction.
At a stop, Adriana and Veronica manage to escape. Veronica sees a policeman and tells Adriana to tell him what is happening, while Veronica herself phones her parents in Poland to tell them, but learns that her little son has already been taken by the criminal organization. Adriana fails to tell the policeman, and during the phone call Adriana and Veronica are recaptured by the kidnappers. At another stop, Veronica commits suicide by jumping from a cliff, telling the kidnapper that he will pay for his sins. The kidnapper arrives with Adriana at a house where his boss keeps more victims. She scolds him for losing Veronica.
Ray and Jorge ask the New Jersey police to free Adriana, but they refuse; it would disrupt their strategy against the gang's larger criminal organization. Ray, assisted by Jorge, then participates in the auction and buys the girl for $32,000, to free her. Ray brings the money to the house, but asks the gang boss a personal question, which makes her suspicious. He then has to prove that he is not a cop by having sex with Adriana before leaving. Instead, Ray and Adriana convince the male kidnapper to let them leave. The police, checking on the house after all, arrest the two kidnappers and free several children they find in the basement. The siblings are flown back to Mexico City, where Adriana is joyfully reunited with her mother, and Jorge seeks revenge.
Following the release of his first film Summer Storm, director Marco Kreuzpaintner was contacted by Roland Emmerich who was impressed by his debut film and struck up a dialogue with Kreuzpaintner.[3] During one of Kreuzpaintner's visits to Emmerich in Los Angeles, Kreuzpaintner came across the script for Trade in his Emmerich’s office Inspired by the New York Times Magazine story "The Girls Next Door" by Peter Landesman and written by Jose Rivera.[3] Kreuzpaintner confessed to jealousy at Emmerich being attached to direct the script.[3] Emmerich had already been looking for another director to helm Trade due to his commitments to 10,000 BC and offered Kreuzpaintner the job.[3]
The film opened in limited release in the United States and Canada on September 28, 2007, and grossed an estimated $114,000 in 90 theaters, an average of $1,266 per theater.[1]
Trade received mixed to negative reviews from critics. On review aggregator website Rotten Tomatoes, the film holds a 34% approval rating, based on 73 reviews with an average rating of 5/10. The website's critics consensus reads: "With an exploitative style that seems more suited for TV shows like CSI, Trade's message about the reality of child exploitation is easily lost".[4]OnMetacritic, the film had an average score of 42 out of 100, based on 22 reviews indicating "mixed or average reviews".[5]
Robert Koehler of Variety said that "With all of the earmarks of being a serious and thoughtful drama written and based on Peter Landesman's investigative work on the international sex slave trade network, it comes as something of a shock to discover that the final film is little more than a exploitative thriller".[6]
Jeannette Catsoulis of The New York Times called Trade "[a]n eagerly prurient dip into the sex-trafficking trough", adding that "[it] teeters between earnest exposé and salacious melodrama, but criticizing film's "near-visible weight of conscience", which if not for it, would have guaranteed a success in the second category.[7]
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Films directed by Marco Kreuzpaintner
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