Atritonic scale is a musical scaleormode with three notes per octave. This is in contrast to a heptatonic (seven-note) scale such as the major scale and minor scale, or a dodecatonic (chromatic 12-note) scale, both common in modern Western music. Tritonic scales are not common in modern art music[citation needed], and are generally associated with indigenous and prehistoric music.[2]
Early Indian Rig Vedic hymns were tri-tonic, sung in three pitches with no octave: Udatta, Anudatta, and Swarita.
In a 1969 study, Mervyn McLean noted that tritonic scales were the most common among the Maori tribes he surveyed, comprising 47% of the scales used.[3]
The pre-Hispanic herranza ritual music of the Andes is generally tritonic, based on a major triad, and played on the waqra phuku trumpet, violin, and singer with a tinya drum. The tritonic scale is largely limited to this ritual and to some southern Peruvian Carnival music.[4]
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