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This article is about UK scene and genre. For umbrella term, see
Bass music .
UK bass , also called bass music , is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house , grime , dubstep , UK garage , R&B , and UK funky .[1] The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass -led rhythm .[2]
UK bass is sometimes conflated with bassline or post-dubstep .[3] [4] It is not to be confused with the hip hop and electro -based genre Miami bass , which is sometimes called "bass music" as well.[5]
Origins [ edit ]
The breadth of styles that have come to be associated with the term preclude it from being a specific musical genre. Pitchfork writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas… you can't dismiss all these acts as unrelated."[3] Dubstep producer Skream is quoted in an interview with The Independent in September 2011 as saying:
The word dubstep is being used by a lot of people and there were a lot of people being tagged with the dubstep brush. They don't want to be tagged with it and shouldn't be tagged with it – that's not what they're pushing... When I say 'UK bass', it's what everyone UK is associated with so it would be a lot easier if it was called that."[6]
In the United Kingdom , bass music has had major mainstream success since the late 2000s and early 2010s, with artists such as James Blake ,[3] Benga , Burial , SBTRKT , Sophie , Rustie , Zomby ,[7] and Skream .[8] The term "post-dubstep " has been used synonymously to refer to artists, such as Blake and Mount Kimbie whose work draws on UK garage, 2-step, and other forms of underground dance music, as well as ambient music and early R&B .[9] [10] [11] [12] [13] Outside of nightclubs, UK bass has mainly been promoted and played on Internet radio stations such as Sub.FM and Rinse FM .[14] [15]
References [ edit ]
^ timi. "The Best UK Bass Music of 2012 (so far)" . Archived from the original on 7 May 2019. Retrieved 28 June 2020 .
^ a b c Clark, Martin (4 May 2011). "Grime / Dubstep" . Pitchfork . Retrieved 12 June 2011 .
^ Richards, Sam (14 June 2011). "The UK leads the way" . The Guardian . Retrieved 23 August 2016 .
^ See for example: Allmusic biography on electro act Dynamix II .
^ Moir, Sam (13 September 2011). "Skream: "I want to make sure once this fad dies out, I'm still standing" " . The Independent . London. Archived from the original on 26 December 2011. Retrieved 4 January 2012 .
^ "Zomby: Ultra Album Review – Pitchfork" . Pitchfork .
^ Fitzpatrick, Rob (30 June 2011). "Example: 'I have a formula now' " . The Guardian .
^ Aaron, Charles (4 March 2011). "10 Post-Dubstep Artists Who Matter" . Spin .
^ Moore, Thad (12 July 2011). "SBTRKT adds to post-dubstep genre" . The Daily Gamecock . Archived from the original on 16 July 2011.
^ Guidry, Jake (19 May 2011). "Blawan takes post-dubstep and UK house out of its comfort zone" . XLR8R . Archived from the original on 2 September 2011.
^ "Fantastic Mr Fox (No 910)" . The Guardian . 6 January 2011.
^ "A profile of James Blake – post-dubstep artist" . BBC News . 6 January 2011.
^ Tidey, Jimmy (5 April 2008). "The Rise of Online Radio" . Archived from the original on 19 July 2018. Retrieved 29 May 2017 .
^ Clark, Martin (17 November 2010). "Grime / Dubstep" . Pitchfork . Retrieved 10 September 2017 .
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R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=UK_bass&oldid=1220113184 "
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