| Virtuosity | |
|---|---|
Theatrical release poster
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| Directed by | Brett Leonard |
| Written by | Eric Bernt |
| Produced by | Gary Lucchesi |
| Starring |
|
| Cinematography | Gale Tattersall |
| Edited by | Conrad Buff Rob Kobrin B.J. Sears |
| Music by | Christopher Young |
Production | Gary Lucchesi Productions |
| Distributed by | Paramount Pictures |
Release date |
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Running time | 106 minutes |
| Country | United States |
| Language | English |
| Budget | $30 million |
| Box office | $37 million[1] |
Virtuosity is a 1995 American science fiction action film directed by Brett Leonard and starring Denzel Washington and Russell Crowe. Howard W. Koch Jr. served as an executive producer for the film. The film was released in the United States on August 4, 1995. Virtuosity had an estimated budget of $30 million and grossed $37 million worldwide.[1]
InLos Angeles, Parker Barnes is a former police officer imprisoned for killing political terrorist Matthew Grimes, who killed Parker's wife and daughter. Barnes killed Grimes but also accidentally shot two news reporters in the process and was sentenced to 17 years to life. In the year 1999, Barnes and John Donovan are testing a virtual reality system designed for training police officers. The two are tracking down a serial killer named SID 6.7 at a Japanese sushi restaurant in virtual reality. SID (short for Sadistic, Intelligent, Dangerous, a VR amalgam of the most violent serial killers throughout history) causes Donovan to go into shock, killing him. The director overseeing the project orders the programmer in charge of creating SID, Dr. Darrel Lindenmeyer, to shut down the project with Commissioner Elizabeth Deane and her associate, William Wallace, as his witnesses.
Following a fight with another prisoner, Big Red, Barnes meets with criminal psychologist Dr. Madison Carter. Meanwhile, Lindenmeyer informs SID that he is about to be shut down because Donovan's death was caused when SID disabled the fail-safes. At SID's suggestion, Lindenmeyer convinces another employee, Clyde Reilly, that a sexually-compliant virtual reality model, Sheila 3.2, another project created by Lindenmeyer, can be brought to life in a synthetically grown android body. However, Lindenmeyer replaces the Sheila 3.2 module with the SID 6.7 module. Now processed into the real world, SID 6.7 kills Reilly.
Once word gets out of SID being in the real world, Deane and LAPD Chief William Cochran offer Barnes a deal: if he catches SID and brings him back to virtual reality, he will be pardoned. Barnes agrees, and with help from Carter they discover that Matthew Grimes, the terrorist who killed Barnes's wife and daughter, is a part of SID 6.7's personality profile. After killing a family along with a group of security guards, SID heads over to the Media Zone, a local nightclub, where he takes hostages. Barnes and Carter go to the nightclub to stop him, but SID escapes.
The next day, SID begins a killing spree at the Los Angeles Olympic Auditorium where a UFC match is taking place. Barnes arrives at the Stadium to capture SID, and finds him on a train, where another hostage is being held by SID. Barnes seemingly kills the hostage in front of horrified witnesses and is sent back to prison. Having caught up with Barnes after the incident, Carter tries to prove Barnes's innocence, but Barnes is freed from his prisoner transport by SID, who once again escapes. Wallace and Deane are about to have Barnes terminated via a fail-safe transmitter implanted in his body but Cochran destroys the system after learning from Carter that Barnes didn't kill the hostage on the train.
SID kidnaps Carter's daughter Karin and takes over a television studio. Lindenmeyer, having come out of hiding, sees what SID is doing and is impressed, but is captured by Carter. After a fight on the roof of the studio Barnes ultimately destroys SID's body but is unable to learn where he hid Karin. They place SID back in VR to trick the location out of him which proves to be one of the fan enclosures on the studio roof. When SID discovers that he is back in virtual reality he goes into a rage. Cochran lets Carter out of VR, but Lindenmeyer kills Cochran before he can release Barnes. Barnes starts to go into the same shock that Donovan suffered, but Carter kills Lindenmeyer, and saves Barnes.
Barnes and Carter return to the building that SID took over in the real world and save Karin from a booby trap set up by SID that's similar to the one that killed Barnes' family. After Karin is saved, Barnes destroys the SID 6.7 module.
Washington restructured much of the story and dialogue during filming, entirely removing a romantic subtext between the Lt. Barnes and Dr. Carter characters from the original script.[2]
Principal photography for the film began on January 25, 1995. Parts of the film were filmed at the abandoned Hughes Aircraft plant in Los Angeles.[3]
| Virtuosity: Original Motion Picture Soundtrack | |
|---|---|
| Soundtrack album by
Various artists
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| Released | August 1, 1995 |
| Genre | Electronic, alternative rock, trip hop, synth-pop |
| Length | 71:05 |
| Label | Radioactive |
The soundtrack was released on MCA imprint Radioactive Records and contained music from Peter Gabriel, The Heads, Tricky and Live, among others.
An album containing the complete score by Christopher Young was released on July 26, 2019 on Intrada Records. A promo CD had previously been released.[4] Producer Gary Lucchesi hired Young after working with him previously on Jennifer 8. Much of Young's score is electronic-influenced while the last third of the film utilizes an orchestra.[5]
The film received mostly mixed to negative reviews. It has a rotten score of 32% on Rotten Tomatoes based on 34 reviews, with 32% of the audience indicating they liked it. The site's consensus states: "Woefully deficient in thrills or common sense, Virtuosity strands its talented stars in a story whose vision of the future is depressingly short on imagination."[6] It also has a score of 39 out of 100 on Metacritic based on 17 reviews.[7] Roger Ebert, however, wrote that the movie was "filled with bright ideas and fresh thinking" and "still finds surprises" despite a somewhat clichéd premise.[8]
The film was nominated for Best Picture at the Sitges Film Festival, losing to Citizen X.[9]
The film grossed $24 million in the United States and Canada and $37 million worldwide.[10][1]
In 1995, a novelization of the film by author Terry Bisson was published by Pocket.[11]
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Films directed by Brett Leonard
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