![]() |
This article uses bare URLs, which are uninformative and vulnerable to link rot. Please consider converting them to full citations to ensure the article remains verifiable and maintains a consistent citation style. Several templates and tools are available to assist in formatting, such as reFill (documentation) and Citation bot (documentation). (September 2022) (Learn how and when to remove this message)
|
![]() |
This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.
Find sources: "Vlado Martek" – news · newspapers · books · scholar · JSTOR (June 2013) (Learn how and when to remove this message) |
Vlado Martek (born 1951) is a Croatian artist whose work is based on visualising poetry. In his art pieces he works with poems and fragments of poems by putting them into collages, photographs, plots, graphics, sketches, drawings, art actions and agitations, graffiti and wallpapers. Vlado Martek lives in Zagreb, where he works as a librarian since 1979.
Vlado Martek was born in Zagreb (SR Croatia) where he studied philosophy and literature at Zagreb University. In the early 1970s Martek wanted more than writing poems. The first work he installed in public was a wallpaper-action with the photographer Željko Jerman and the art-student Boris Demur. In 1975 he founded the Group of Six Artists (Grupa šestorice autora) with Mladen and Sven Stilinović, Fedor Vučemilović, Boris Demur and Željko Jerman.[1][2] Active until 1979, they performed over 20 art pieces in Zagreb and launched the magazine MAJ/75 (1978 – 1984).[3]
Martek`s work is based on the discourse between art, philosophy and poetry. He is working with the negation and construction of words to create a reality behind the letters. He describes his work as Pre-poetry - the reduction and concentration of poem. In his own words: “Pre-poetry is controlling, an evasion into space before writing, controlling my head, my motives as to why I write, my responsibility, a tidying up before I write a poem. In that sense it is a provocation in language, by destruction but also construction.“ [4] Martek uses critical, ironic and analytic methods to question social structures in combination with a wide range of media and materials.
International |
|
---|---|
National |
|
Artists |
|
Other |
|