| We Own the Night | |
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Theatrical release poster
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| Directed by | James Gray |
| Written by | James Gray |
| Produced by |
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| Starring |
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| Cinematography | Joaquín Baca-Asay |
| Edited by | John Axelrad |
| Music by | Wojciech Kilar |
Production | |
| Distributed by | Sony Pictures Releasing |
Release dates |
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Running time | 117 minutes |
| Country | United States |
| Language | English |
| Budget | $21–28 million[2][3] |
| Box office | $55.3 million[3] |
We Own the Night is a 2007 American action thriller film[4] directed and written by James Gray, co-produced by and starring Joaquin Phoenix and Mark Wahlberg, and co-starring Eva Mendes and Robert Duvall. It is the third film directed by Gray, and the second to feature Phoenix and Wahlberg together, the first being 2000's The Yards. The title comes from the motto of the NYPD's Street Crimes Unit, which disbanded in 2002.
The film premiered on May 25, 2007 at the 2007 Cannes Film Festival,[5] and was released in the United States on October 12, 2007, ultimately receiving mixed reviews from critics and grossing $55 million.
In 1988 Brooklyn, New York, Robert "Bobby" Grusinsky is the manager of the El Caribe nightclubinBrighton Beach, which is owned by his boss, fur importer Marat Buzhayev, whose nephew, drug lord Vadim Nezhinski, is a patron of the joint.
Estranged from his father Albert ("Burt"), an NYPD Deputy Chief, and brother Joseph, a newly-minted Captain, Bobby uses his late mother Carol's maiden name, Green, as a part of his work alias and opts to have a good life with his girlfriend Amada Juarez and best friend Louis "Jumbo" Falsetti, with a plan to soon run his own club in Manhattan. Joseph, who has just been named to be the head of a anti-drug unit, warns his brother that he will soon lead a bust on the spot with the aim of netting Vadim.
In the wake of the raid, Bobby is locked up for drug possession and resisting arrest, souring his ties with Burt and Joseph, who both bail him out of jail the next day; he and Joseph eventually come to blows in a harsh feud. That evening, a masked Vadim shoots Joseph in the face and firebombs his car, causing him to be confined at Jamaica Hospital Medical Center. Bobby agrees to the request of Michael Solo, a comrade of Burt, to go inside Vadim's drug operation behind Burt's back. When the transceiver hidden in his lighter is exposed, he evades death as Vadim is nabbed by the police.
The bond between Bobby and Amada decays while they are in hiding at the Cue Motor Inn, and they prep for a move to the Corona Hotel after Vadim flees from Rikers Island a year later. In the midst of a heavy deluge, his men ambush the three-car escort, one of whom fatally wounds Burt with a shot to the neck. Bobby passes out in the rain upon seeing his body, wakes up a few hours later on top of a bed in a suite at the Sheraton near Kennedy Airport, and is upset when Joseph tells him that Burt is dead. At Burt's funeral, Jack Shapiro, a colleague of Burt, donates Burt's Korean War combat ribbon to Joseph, and Michael informs him of a Russian cocaine shipment that will be arriving in the area next week.
Amada breaks up with Bobby once he chooses to join the NYPD to avenge his father's tragic death, upset because he neglected to ask for her input or consent in opting to pursue such a risky change of career. Sworn into the force due to his core expertise, provided that he will undergo his required training at the Police Academy once the case is finished up, he questions Jumbo on the night of April 2, 1989, who admits that he betrayed him by leaking word from Amada re the pair's location to Marat. The brothers plan a final sting set for that Tuesday, as he recounts that per Jumbo, Marat's grandchildren, whom he takes to Floyd Bennett Field on Tuesdays, act as his couriers. During the sting, Joseph is numbed by the memory of his prior injury and is thus unable to proceed, and so Bobby chases Vadim into the reed beds. As the police, having cuffed Marat, toss flares, he goes inside, defying Michael's pleas to wait until Vadim comes out. He then spots and kills him with a fatal blow to the chest from his gun.
On November 3, 1989, Bobby, now clad in his NYPD dress blues, graduates from the Academy with honors. Prior to the ceremony, Joseph reveals to him that he will transfer to a post in the Personnel Bureau to freely spend more time at home with his wife and 3 children. As the chaplain states in his opening remarks that Bobby will deliver the valedictorian address after the invocation, noting that he was the highest academic achiever of his class, Bobby eyes a young lady seated in the crowd who faintly resembles Amada and accepts their love affair has ended. During the invocation, the siblings, seated next to each other on stage, softly express their brotherly love.
OnRotten Tomatoes, 57% of 153 critics gave the film positive reviews, with an average rating of 5.8/10. The website's critical consensus reads, "Bland characters, clichéd dialogue and rickety plotting ensure We Own The Night never lives up to its potential."[6]OnMetacritic, the film has a weighted average score of 59 out of 100, based on 33 critics, indicating "mixed or average reviews".[7] Audiences surveyed by CinemaScore gave the film a grade『B−』on an A+ to F scale.[8]
Roger Ebert of the Chicago Sun-Times wrote: "This is an atmospheric, intense film, well acted, and when it's working it has a real urgency."[9] Peter TraversofRolling Stone called it "defiantly, refreshingly unhip" and gave it 3 out of 4.[10]
In its opening weekend in the United States and Canada, the film grossed $10.8 million in 2,362 theaters, ranking #3 at the box office.[11] The film grossed a total of $55.3 million worldwide — $28.6 million in the United States and Canada[2] and $26.7 million in other territories.[3]
In April 2006, after acquiring multiple international rights, Universal Pictures announced its acquisition of domestic rights to the film.[12] However, Sony Pictures later paid $11 million for the domestic rights, releasing it through its Columbia Pictures division.[13]
By June 2017, the film had totaled $22 million in DVD sales[3] and $32 million in DVD rentals.[14]
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Films directed by James Gray
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