White Noise are an English experimentalelectronic music band formed in London in 1968, after American-born David Vorhaus, a classical bass player with a background in physics and electronic engineering, attended a lecture by Delia Derbyshire, a sound scientist at the BBC Radiophonic Workshop.[2] Derbyshire and Brian Hodgson, then both former members of electronic music project Unit Delta Plus, joined Vorhaus to form the band.[3]
In June 1969 White Noise released the groundbreaking album An Electric StormonIsland Records. The album was created using a variety of tape manipulation techniques, and used the first British synthesizer, the EMS Synthi VCS3. Amongst many oddities, the first track on the album, Love Without Sound, employed sped-up tape edits of Vorhaus playing the double bass to create violin and cello sounds. Although not initially commercially successful for Island, the album is now considered an important and influential album in the development of electronic music,[4] namechecked by contemporary artists like The Orb and Julian Cope, influencing contemporary acts such as Broadcast, Add N to (X), and Secret Chiefs 3.[2]Peter KemberofSpacemen 3 included 'Firebird' on his 2004 curated compilation Spacelines.
Following the departure of Derbyshire and Hodgson, to pursue other projects, Vorhaus released a second album, the largely instrumental White Noise 2 - Concerto for SynthesizeronVirgin Records in 1974. It was recorded in his own studio in Camden, North London. The album further utilized the EMS VCS 3, as well as prototype sequencers. A third album, the single track 'space fantasy' White Noise III - Re-Entry was released by Pulse Records in 1980. A further two albums were released, the atmospheric White Noise IV - Inferno (AMP Music) (1990) incorporated the use of samples, and White Noise V - Sound Mind (AMP Music; 2000), an experiment in what Vorhaus called "dark ambient".
It means I won't be getting on Top Of The Pops, but I felt the category was broad enough that I could redefine it in ways that I couldn't redefine other genres, such as country and western - much as I'd like to! There's a lot of scope for experimentation and on one track, 'Dark Matter', anything that is recognisable is out - no harmony, no pitch, no rhythm. It's so dark, you can't even see the stars[5]
In 2011, Vorhaus enlisted Mike Painter and toured as White Noise. In a 2015 The Quietus interview, Vorhaus stated his continued interest in experimentation with modern technology, saying there are less limits than there used to be.[6]
To mark the fiftieth anniversary of An Electric Storm, a new album Lighting Strikes Twice was released in 2021. The album featured Vorhaus and Painter, both using MANIAC (Multiphasic ANalog Inter‑Active Cromataphonic, or software simulation of it), Vorhaus on the Kaleidophon (his string instrument invention using ribbon controllers)[7] and Painter using a Virtual Reality Glove.[8]
From 1980's Vorhaus has made electronic library music recordings for KPM Music, De Wolfe Music using Fairlight CMI.[9] Vorhaus has written music for TV and film and his music features on TV commercials and TV themes.[7] His recordings include:
