J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 P a r t i a l f i l m o g r a p h y
2 R e f e r e n c e s
3 E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
W i l l i a m C . T h o m p s o n ( c i n e m a t o g r a p h e r )
3 l a n g u a g e s
● ا ل ع ر ب ي ة ● F r a n ç a i s ● م ص ر ى
E d i t l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
William C. Thompson
Born 30 March 1889 Died 22 October 1963 (age 74) Occupation Cinematographer
William C. Thompson (30 March 1889 in Bound Brook, New Jersey [1] Los Angeles ) was an American cinematographer .
He started his career in the 1910s and is best remembered today as the cinematographer of many of the films of Ed Wood , including Glen or Glenda Jail Bait The Sinister Urge Night of the Ghouls The Violent Years (1955), Bride of the Monster Plan 9 from Outer Space Maniac Dementia (1955), Journey to Freedom The Astounding She-Monster
Partial filmography [ edit ]
References [ edit ]
^ Todorov, Jordan; and Blevins, Joe. Dad Made Dirty Movies: The Erotic World of Stephen C. Apostolof McFarland & Company , 2020.ISBN 9781476668680 . Accessed December 31, 2023. "William C. Thompson (1889–1963). A showbiz veteran with a résumé stretching back to the days of silent movies, Thompson spent most of his career working on low-budget exploitation and sexploitation flicks. Born in 1889 in Bound Brook, New Jersey, he began racking up film credits during the earliest days of Hollywood, working on such exotic-sounding fare as Absinthe (1914, dir. Herbert Brenon) and The Demon (1918, dir. George D. Baker)."
External links [ edit ]
International
National
Other
t
e
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=William_C._Thompson_(cinematographer)&oldid=1221092795 " C a t e g o r i e s : ● A m e r i c a n c i n e m a t o g r a p h e r s ● 1 8 8 9 b i r t h s ● 1 9 6 3 d e a t h s ● P e o p l e f r o m B o u n d B r o o k , N e w J e r s e y ● A m e r i c a n c i n e m a t o g r a p h e r s t u b s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s n e e d i n g a d d i t i o n a l r e f e r e n c e s f r o m J a n u a r y 2 0 2 4 ● A l l a r t i c l e s n e e d i n g a d d i t i o n a l r e f e r e n c e s ● A r t i c l e s w i t h h C a r d s ● N o l o c a l i m a g e b u t i m a g e o n W i k i d a t a ● A r t i c l e s w i t h F A S T i d e n t i f i e r s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h B N E i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h I C C U i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h N K C i d e n t i f i e r s ● A r t i c l e s w i t h S U D O C i d e n t i f i e r s ● A l l s t u b a r t i c l e s
● T h i s p a g e w a s l a s t e d i t e d o n 2 7 A p r i l 2 0 2 4 , a t 2 0 : 5 0 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
