 |
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (July 2020) (Learn how and when to remove this message)
|
| Arohanam | S R₂ G₃ P M₂ G₃ P D₂ N₃ D₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ D₂ P M₂ G₃ M₁ R₂ S |
| Carnatic music |
|---|
Tanjavur-style tambura
|
| Concepts |
| Compositions |
| Instruments |
|
|
|
Yamunakalyani is the janya ragaofMechakalyani, the 65th Melakarta ragam.[1][2] It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.
Yamunakalyani / Yaman kalyan / Yaman Kalyani is a Sampoorna Bhashanga Raga.It is said to be borrowed from Hindustani music and is the Carnatic adaptation of the Hindustani raga: Yaman Kalyan. Its arohana-avarohana is as follows:
The swaras are Shadjam, Chathusruthi Rishabham, Antara Gandharam, Panchamam, Prathi Madhyamam, Chathusruthi Dhaivatham, Kakali Nishadam. Shudha Madhyama is seen in avarohana, but it must be used sparingly. Usually the avarohana is sung with a brief instance of M1[3] between G3 and R2.
The jeeva swaras are– R, G, M, D and N.
S, G, P and N forms the Graha swaras. M1 is the anya swara. The characteristic phrases of this raga are NDNR -NRNG – DNRG. PMRGR – GMR SNRS(Ranjaka prayogas).
Another type of this raga, with shadava-shadava scale, according to some sources[1][2] is as follows:
Jamboopathe by Muthuswamy Dikshitar, set to Rupaka talam is a famous composition. Some other famous compositions in Yamunakalyani are Krishna Nee BeganebyVyasatirtha, Bhavayami Gopalam by Annamacharya, Pibare Ramarasam by Sadashiva Brahmendra, O Rama Nee Nama by Bhadrachala Ramadasu, Sri Ramachandra Kripalu by Sant Tulsidas, Haridasulu by Tyagaraja and Kadana Vatsava Hari by Vijayadasa in Kannada, Bideno Ninnangri By Prasanna Venkata Dasaru.
|
| |
|---|---|
| A-B |
|
| D-J |
|
| K-L |
|
| M |
|
| N-R |
|
| S |
|
| T-V |
|
| |
