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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)
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Red is the fourth studio album by the American singer-songwriter Taylor Swift, released on October 22, 2012, by Big Machine Records. The title is the color to which Swift associated the tumultuous emotions she was experiencing from lost love while conceiving the album.
Swift designated Red as a breakup album, and its songs portray the complex and conflicting feelings that result from fading romance. Hoping to convey those sentiments sonically, she engaged new producers to experiment with sounds beyond the country pop style of her past albums. The ensemble included Dann Huff, Max Martin, Shellback, Jeff Bhasker, Dan Wilson, Jacknife Lee, Butch Walker, alongside her long-time collaborator Nathan Chapman. Red combines pop, country, and rock, using acoustic instruments alongside synths and drum machines. The tracks draw on styles such as electronic, arena rock, Britrock, dance-pop, and dubstep. (Full article...)
Good Girl Gone Bad is the third studio album by Barbadian singer Rihanna. It was released on May 31, 2007, by Def Jam Recordings and SRP Records. Rihanna worked with various producers on the album, including Tricky Stewart, The-Dream, Neo da Matrix, Timbaland, Carl Sturken, Evan Rogers and Stargate. Inspired by Brandy's fourth studio album Afrodisiac (2004), Good Girl Gone Bad is a pop, dance-pop and R&B record with 1980s music influences. Described as a turning point in Rihanna's career, it represents a departure from the Caribbean sound of her previous releases, Music of the Sun (2005) and A Girl like Me (2006). Apart from the sound, she also endorsed a new image for the release going from an innocent young woman to an edgier, more mature look.
Critics gave generally positive reviews of the album, praising its composition and Rihanna's new musical direction, though some criticized the album's lyrics and inconsistency. The album received seven Grammy Award nominations and one win in the Best Rap/Sung Collaboration category for "Umbrella" at the 2008 ceremony. The album debuted at number two on the US Billboard 200 chart and sold 162,000 copies in its first week. Certified six-times platinum by the Recording Industry Association of America (RIAA), it sold more than 2.8 million copies in the United States. The album reached number one in Canada, Switzerland and the United Kingdom. As of June 2017, the album has sold over nine million copies worldwide. (Full article...)
"Monkey Gone to Heaven" is a song by the American alternative rock band Pixies. Recorded in November 1988 during the sessions for the band's 1989 album Doolittle, it was released as a single in March, and included as the seventh track on the album when it was released a month later in April. The song was written and sung by frontman Black Francis and was produced by Gil Norton. Referencing environmentalism and biblical numerology, the song's lyrics mirrored themes that were explored in Doolittle. "Monkey Gone to Heaven" was the first Pixies song to feature guest musicians: two cellists, Arthur Fiacco and Ann Rorich, and two violinists, Karen Karlsrud and Corine Metter.
The band had signed to Elektra Records at the end of 1988, so the "Monkey Gone to Heaven" single was their first American and major label release. It was critically well-received; Rolling Stone's David Fricke said "Monkey Gone to Heaven" was "a corrosive, compelling meditation on God and garbage". In the years since its release, the song has received several accolades from music publications. (Full article...)
Punk rock (also known as simply punk) is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
The term "punk rock" was previously used by American rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York have also been cited as key influences. Between 1974 and 1976, when the genre that became known as punk was developing, prominent acts included Television, Patti Smith, and the Ramones in New York City; the SaintsinBrisbane; the Sex Pistols, the Clash, and the Damned in London, and the Buzzcocks in Manchester. By late 1976, punk had become a major cultural phenomenon in the UK. It gave rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing, such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands and jewelry, safety pins, and bondage and S&M clothes. (Full article...)
"Mothers of the Disappeared" is a song by Irish rock band U2. It is the eleventh and final track on their 1987 album The Joshua Tree. The song was inspired by lead singer Bono's experiences in Nicaragua and El Salvador in July 1986, following U2's participation in the Conspiracy of Hope tour of benefit concerts for Amnesty International. He learned of the Madres de Plaza de Mayo, a group of women whose children had "forcibly disappeared" at the hands of the Argentine and Chilean dictatorships. While in Central America, he met members of COMADRES, a similar organization whose children had been abducted by the government in El Salvador. Bono sympathized with the Madres and COMADRES and wanted to pay tribute to their cause.
The song was written on a Spanish guitar, and the melody lifted from a piece Bono composed in Ethiopia in 1985 to help teach children basic forms of hygiene. The lyrics contain an implicit criticism of the Reagan Administration, which backed two South American regimes that seized power during coups d'état and which provided financial support for the military regime in El Salvador. Thematically it has been interpreted as an examination of failures and contradictions in US foreign policy. The drum beat provided by Larry Mullen Jr. was processed through an effects unit that gave it a drone-like quality, which bassist Adam Clayton described as "evocative of that sinister death squad darkness". (Full article...)
Confusion is a 1975 album by Nigerian Afrobeat musician Fela Kuti and his Africa 70 band. It was arranged, composed, and produced by Kuti, who recorded the album after choosing to emphasize his African heritage and nationalism in his music. Confusion is a commentary on the confused state of post-colonial Lagos and its lack of infrastructure and proper leadership at the time. Kuti's pidgin English lyrics depict difficult conditions in the city, including a frenetic, multilingual trading market and inextricable traffic jams in Lagos' major intersections.
Confusion is a one-song Afrobeat album that begins with an entirely instrumental first half, which features free form interplay between Kuti's electric piano and drummer Tony Allen. It leads to an extended mid-tempo section with Allen's polyrhythms and tenor saxophone by Kuti, who subsequently delivers call-and-response vocal passages. In reviews since the record's release by EMI, the album was praised by music critics, who found it exemplary of Kuti's Afrobeat style and recommended it as a highlight from his extensive catalog. In both 2000 and 2010, Confusion was reissued and bundled with Kuti's 1973 Gentleman album. (Full article...)
Silent Alarm is the debut studio album by English rock band Bloc Party. Recorded in Copenhagen and London in mid-2004 with Paul Epworth as producer, it was released on 2 February 2005, by Wichita Recordings. The album peaked at number three on the UK Albums Chart. In the United States, it entered the Billboard 200 at number 114 and the Billboard Independent Albums at number seven. “Helicopter”, the double A-side "So Here We Are/Positive Tension", "Banquet" and "The Pioneers" were released as singles. Silent Alarm went on to achieve worldwide sales of over one million copies.
Bloc Party aimed to create an album that appealed to followers of different musical genres. Building on the arrangements in their demo songs recorded in 2004, the band members moulded tracks largely through live takes during the Silent Alarm studio sessions. The compositional focus was on rhythm and the drum and bass parts, while lyricist Kele Okereke's writing examined the feelings and hopes of young adults, including views on global politics. Following the album's completion, Bloc Party embarked on promotional tours before its release. (Full article...)
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A New Day Has Come is the eighteenth studio album and seventh English-language album by Canadian singer Celine Dion, released by Sony Music on 25 March 2002. It was her first new studio album since her 1998 Christmas album These Are Special Times. Dion returned to the music scene after a two-year hiatus when she gave birth to her first child in 2001. She collaborated on A New Day Has Come with various producers, including Anders Bagge and Peer Åström for the first time.
A New Day Has Come garnered mostly positive reviews from music critics, who noticed that Dion explores a "broader, more adventurous" range of pop music and "dips its toe" into modern music, particularly dance-pop ("Sorry for Love"). However, the album also contains the usual adult contemporary songs, including power ballads like "I Surrender", "Have You Ever Been in Love", and the title track. Critics also praised "Ten Days", "Goodbye's (The Saddest Word)", "I'm Alive", "When the Wrong One Loves You Right", "The Greatest Reward", and the album's two covers: "Nature Boy" and "At Last". (Full article...)
#1's is the first greatest hits album by American singer-songwriter Mariah Carey, released by Columbia Records on November 16, 1998. The album contained Carey's then thirteen number-one singles on the Billboard Hot 100, as well as four new songs. In Japan, the album also included her popular single, "All I Want for Christmas Is You", which was Carey's biggest selling single there.
The album was met with some criticism regarding the new songs and the decision to only include Carey's number-one hits in the United States. Despite this, the album became a worldwide commercial success. It debuted at number four on the Billboard 200, topped the charts in Japan, Greece, Malaysia, Singapore and≠ Taiwan; and reached the top-ten throughout almost every major worldwide music market. #1's was certified six-times platinum by the Recording Industry Association of America (RIAA) and double platinum by the International Federation of the Phonographic Industry (IFPI) denoting shipments of five and two million copies. The album reported sales in Japan at 3,250,000 copies in the first three months and remains the best-selling album of all-time in Japan by a non-Asian artist. As of 2021, the album has sold over 15,000,000 units worldwide. (Full article...)
Laid is the fifth studio album by British rock band James. It was released on 27 September 1993 through Fontana Records. The album's sound, which is "stripped-down" compared to their prior releases, was inspired by their recent experience touring as supporting act to Neil Young. Enlisting Brian Eno as producer, James recorded for six weeks at The Windings in Wrexham, Wales, and Real World StudiosinBox, Wiltshire. The sessions also resulted in the experimental sixth studio album Wah Wah (1994). Laid is a folk and pop rock album that was reminiscent of their earlier releases with its atmosphere and minimal arrangements.
The album's lead single, "Sometimes (Lester Piggott)", was released on 30 August 1993. Bolstered by the song's success, James toured the US as part of the WOMAD festival. "Laid" was released as the album's second single on 1 November 1993. The band toured the UK the following month, supported Duran Duran in the US, and finally embarked on their own US tour. Laid has been re-pressed on vinyl three times; it was reissued on CD in 2001, in 2015 as a standalone release, and as part of a box set with Wah Wah. The album received generally positive reviews from music critics, many of whom commented on Eno's production. It peaked at number three in the UK and charted in Australia and the US. It was later certified gold in the UK and the US, as was the eponymous track in the UK. "Sometimes (Lester Piggott)" and "Laid" both charted in the UK top 40 and "Laid" peaked at number 67 on the Hot 100. Laid appeared on best-of album lists compiled by Les Inrockuptibles, NME and Select, while the eponymous song appeared on best-song-of-the-decade lists by PopMatters and uDiscoverMusic. (Full article...)
Aquemini (/əˈkwɛmɪˌnaɪ/) is the third studio album by the American hip hop duo Outkast. It was released on September 29, 1998, by LaFace Records and Arista Records. The title is a portmanteau of the two performers' Zodiac signs: Aquarius (Big Boi) and Gemini (André 3000), which is indicative of the album's recurring theme of the differing personalities of the two members. The group recorded the majority of the album in Bobby Brown's Bosstown Recording Studios and Doppler Studios, both in Atlanta, Georgia.
Released as the follow-up to the duo's commercially successful 1996 album ATLiens, Aquemini expands on the previous record's outer space-inspired compositions by incorporating live instrumentation and drawing on 1970s funk, southern soul, gospel, country, psychedelic rock, and other influences. The album reflected a greater level of creative freedom for the group, which led to the members self-producing the majority of the tracks and employing a large number of session musicians who filtered in and out of the studio throughout its recording, exerting a major influence on the album's compositional development. Featured guest artists include Raekwon, George Clinton, and Erykah Badu. Lyrically, Aquemini explores various subjects including individuality, human nature, addiction, self-inflicted struggles, technology, and interpersonal relationships, as well as blending science fiction concepts and urban narratives. (Full article...)
A.M. is the debut studio album by the American rock band Wilco, released on March 28, 1995, by Sire Records and Reprise Records. The album was released only months after the breakup of Uncle Tupelo, an alternative country band that was the predecessor of Wilco. Prior to its release, there was debate about whether the album would be better than the debut album of Son Volt, the new band of former Uncle Tupelo lead singer Jay Farrar.
Although A.M. was released before Son Volt's Trace, critical reviews were modest and initial sales were low. The album was later regarded as a "failure" by band members, as Trace was a greater success. It was the band's last album to be recorded in a purely alternative country style, as following the record the band began to expand their sound across multiple genres. It is also the only Wilco album to feature Brian HennemanofThe Bottle Rockets as a lead guitarist. (Full article...)
Permanent Record: Al in the Box is a four disc compilation box set of songs by "Weird Al" Yankovic, released on September 27, 1994. The album, released by Scotti Brothers Records so that the label could make monetary projections for the fiscal year, collects Yankovic's favorite songs from his first eight studio albums. The collection also includes alternate versions of "My Bologna", "Happy Birthday", "UHF" and the new single, "Headline News", a parody of "Mmm Mmm Mmm Mmm" by Crash Test Dummies. It peaked at number 104 on the Billboard Hot 100.
The collection was met with mostly positive critical reviews, with many appreciating the gathering of some of Yankovic's best works. However, the box set was not a high seller, and near the end of the 1990s, it ranked as Yankovic's least-purchased album. In 2006, due to a mishap by Volcano Records, the artwork for the set was lost, and the collection went out of print. Yankovic refused to scan existing copies of the album to make new ones, fearing that it would lead to an inferior product. Yankovic would later release a second box set called Squeeze Box: The Complete Works of "Weird Al" Yankovic in 2017. (Full article...)
Mermaid vs Sailor is the first extended play by Welsh singer-songwriter Marina Diamandis, released under the stage name Marina and the Diamonds. The EP was independently released on 23 November 2007 and distributed via her official profile on Myspace. It contains six demos recorded by Diamandis at her home and approximately 70 CD-R copies were created. She also distributed the EP to several record labels with the hope that she would secure a contract; she ultimately was signed to 679 Recordings in 2008. The EP is a collection of indie pop tracks that heavily utilise keyboards in their production.
Diamandis wrote and produced all of the six songs that appear on the EP by herself using the computer software program GarageBand. Several of these songs later appeared on other projects by Diamandis, such as her following release The Crown Jewels EP (2009) and debut studio album The Family Jewels (2010). Retrospectively, Mermaid vs Sailor received generally positive reviews from music critics, who felt it was indicative of Diamandis' potential as an artist. (Full article...)
Long Forgotten Songs: B-Sides & Covers 2000–2013 is a compilation album by American punk rock band Rise Against, released on September 10, 2013. The album comprises twenty-six lesser known Rise Against songs, primarily B-sides, covers and different versions of already existing songs by the band. The idea for the album came about when the members of Rise Against attempted to catalog their lesser known material, but came to the conclusion that there were some songs that they did not own copies of. Long Forgotten Songs peaked at number nineteen on the Billboard 200, and charted in several other countries. The album received generally favorable reviews; several critics said the covers were the best aspect of the album, and noted how many of the songs felt fully fleshed out despite being relegated to B-sides. (Full article...)
Todo a Su Tiempo (English: All in Due Time) is the second studio album by American recording artist Marc Anthony, released by RMM Records on May 31, 1995. The album was produced by Sergio George, who was also involved with production of Anthony's debut studio album, Otra Nota. The album comprises five new compositions, three of which were written by Omar Alfanno, and four cover versions. Eight singles were released from the album, all but one of which topped the Billboard Tropical Songs chart.
Todo a Su Tiempo peaked at number six on the Billboard Latin Albums chart and debuted at number one on the Billboard Tropical Albums chart. The album garnered critical praise as a major improvement over his first album and for revolutionizing the salsa music genre. It received a Grammy nomination, a Billboard Latin Music award, and a Lo Nuestro award. Two years later, the album made history as the first salsa disc to be certified gold by the Recording Industry Association of America (RIAA). Since the album's release, it has sold over 800,000 copies. (Full article...)
Animals is the tenth studio album by the English rock band Pink Floyd, released on 21 January 1977 through Harvest Records and Columbia Records. Pink Floyd produced it at their new studio, Britannia Row Studios, in London throughout 1976. The album continued the long-form compositions that made up such previous works as Meddle (1971) and Wish You Were Here (1975).
A lyrical departure from Pink Floyd's previous albums, Animals is a concept album that focuses on the sociopolitical conditions of mid-1970s Britain. Tension within the band during production culminated in the firing of the keyboardist, Richard Wright, two years after the album's release. The cover, conceived by the bassist and lead songwriter, Roger Waters, and designed by their long-time collaborator Storm Thorgerson, shows an inflatable pig floating between two chimneys of Battersea Power Station. (Full article...)
The Albums 2000–2010 is a box set by Australian recording artist Kylie Minogue. It was released by Parlophone Records on 18 July 2011. The five-disc box set was released in Europe, and Australasia, and included all of Minogue's studio albums from the years 2000 to 2010; Light Years (2000), Fever (2001), Body Language (2003), X (2007), and Aphrodite (2010). The cover sleeve for the album consisted of fragments from the original artworks inserted into Minogue's silhouette from her cover for Fever (2001). The Albums 2000–2010 marked Minogue's first box set collection until her October 2012 release, K25: Time Capsule.
Upon its release, The Albums 2000-2010 received positive reception from most of the reviewers, who complimented the overall packaging of the box set and her releases through Parlophone. Some of the critics were unimpressed with the exclusion of her work from the PWL and Deconstruction period. The box set charted on the UK Albums Chart at number 37, and on the Scottish Albums Chart at number 40. (Full article...)
Ultimate! is a comprehensive career retrospective album by English rock group the Yardbirds. The 52-song two–compact disc compilation was released in 2001 by Rhino Records. The tracks span the period from the group's first demo recordings in 1963 to the last singles in 1968. They include all 17 of the group's singles, both A-side and B-sides, supplemented with more than a dozen album tracks, their performance for the film Blow-Up, and three early solo numbers by singer Keith Relf.
The Yardbirds were one of the best-known British rhythm and blues groups of the mid-1960s and part of the British Invasion phenomenon in the United States. They enjoyed a string of Top 40 hits, including "For Your Love", "Shapes of Things", and "Over Under Sideways Down". Although one album appeared on the UK Albums Chart, they had greater success in the US, with six albums on the Billboard 200 album charts between 1965 and 1967. (Full article...)
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From 1944 until 1957, Billboard magazine published a chart that ranked the most-played country music songs in jukeboxes in the United States, based on a survey of over 3000 operators "in all sections of the country"; until 1948 it was the magazine's only country music chart. In 1947, nine songs topped the chart, which was published under the title Most Played Juke Box Folk Records with the exception of the issues of Billboard dated September 6 through November 1, when it was titled Most Played Juke Box Hillbilly Records. The Juke Box Folk chart is considered the start of the lineage of the magazine's current country music songs charts.
The number-one position was dominated in 1947 by three artists who each topped the chart for at least 14 weeks. At the start of the year, Merle Travis was at number one with "Divorce Me C.O.D." which had spent 11 weeks in the top spot in 1946, and spent three further non-consecutive weeks atop the chart in 1947, interrupted for a single week by Ernest Tubb's "Rainbow at Midnight". Tubb's song replaced "Divorce Me C.O.D." at number one again in the issue of Billboard dated February 1, but the following week Travis returned to number one with a different single, "So Round, So Firm, So Fully Packed". This song spent fourteen consecutive weeks at number one, giving him a total of seventeen weeks atop the chart in 1947, the most by any artist. Two weeks after Travis relinquished the number-one position, Eddy Arnold achieved the first chart-topper of his career with "What Is Life Without Love". He had two more number ones before the end of the year, making him the only artist with three chart-toppers in 1947. He ended the year atop the listing with "I'll Hold You in My Heart (Till I Can Hold You in My Arms)". Arnold would dominate the Juke Box Folk chart the following year, spending almost all of 1948 at number one, and remain popular into the 1950s before his career went into a decline. He revived his fortunes in the mid-1960s, however, by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier honky-tonk style in favor of smooth productions which had a broader appeal, and ended his career with a record total of 28 number-one country singles. (Full article...)
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2001, 22 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.
Singer Tim McGraw's song "My Next Thirty Years" was at number one at the start of the year, having been at the top since the issue dated December 16, 2000, and remained at number one until the issue dated January 20, when it was replaced by "Born to Fly" by Sara Evans. McGraw also topped the chart with "Grown Men Don't Cry" in June and "Angry All the Time" in November. Toby Keith also achieved three number ones in 2001, "You Shouldn't Kiss Me Like This" in March, "I'm Just Talkin' About Tonight" in September and "I Wanna Talk About Me" in November–December, and had the most weeks at number one of any act during the year, with nine. Four acts each topped the charts with two songs, groups Lonestar and Brooks & Dunn and solo artists Jamie O'Neal and Alan Jackson, the latter of whom ended the year at the top of the chart with "Where Were You (When the World Stopped Turning)". Jackson's song, written in response to the September 11 attacks and premiered at the 2001 Country Music Association Awards, reached the top spot after just six weeks on the chart, the fastest such rise for four years. It would remain at number one until the chart dated February 2 of the following year. The longest run at number one during 2001 was six weeks, achieved by two songs, "Ain't Nothing 'bout You" by Brooks & Dunn and "I'm Already There" by Lonestar. "Ain't Nothing 'bout You" was ranked number one on Billboard's year-end chart of the most popular country songs, and is the longest-running of the duo's twenty number ones. (Full article...)
Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2017, seven different songs topped the Hot Country Songs chart and 34 different songs topped Country Airplay in 52 issues of the magazine.
In the issue of Billboard dated February 25, singer Sam Hunt reached number one with the song "Body Like a Back Road", which would remain in the top spot through the issue dated October 14. In August, the song broke the record for the most weeks spent at number one on the Hot Country Songs listing, surpassing the 24 weeks spent in the top spot by Florida Georgia Line's "Cruise" in 2012 and 2013. Hunt's song was finally knocked from the top of the chart in the issue dated October 21 by "What Ifs" by Kane Brown featuring Lauren Alaina. Two months later, "Meant to Be" by Bebe Rexha and Florida Georgia Line entered the Hot Country chart at number one, only the fourth time a song had debuted in the top position of the Hot Country Songs chart. The song would go on to break Hunt's record the following summer when it spent a 35th consecutive week at number one. On the Country Airplay chart, Dustin Lynch had the longest run at number one of 2017, spending four consecutive weeks at the top with "Small Town Boy". Lynch tied with Blake Shelton for the highest total number of weeks at number one on that chart, both artists spending five weeks in the top spot. Shelton took three different songs to number one, a feat also achieved by Thomas Rhett. No act achieved more than one chart-topper on the Hot Country Songs listing. (Full article...)
At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African American population and called the "black capital of America". This chart was published for the final time in the issue dated February 10. The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in jukeboxes, although records' peak positions and numbers of weeks on chart were carried over; "race records" was a term then in common usage for recordings by black artists. The two charts are considered part of the lineage of the magazine's multimetric R&B chart, which since 2005 has been published under the title Hot R&B/Hip Hop Songs.
In the issue of Billboard dated January 6, the Ink Spots and Ella Fitzgerald topped the Harlem Hit Parade with "Into Each Life Some Rain Must Fall", retaining the top spot from the previous week. The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "Somebody's Gotta Go" by Cootie Williams and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. The following week, Pvt. Cecil Gant topped the first Most Played Juke Box Race Records listing with "I Wonder". Gant spent two weeks at number one before being displaced by Roosevelt Sykes with his recording of the same song. Both versions would be the only number one for their respective artists. (Full article...)
In 1952, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. Beginning with the issue of Billboard dated November 15, the titles of the charts were changed to Most Played in Juke Boxes, National Best Sellers, and Most Played By Jockeys respectively, with the genre denoted in an overall page title rather than within the titles of the charts themselves. All three charts are considered part of the lineage of the multimetric Hot Country Songs chart, which was first published in 1958.
In the first issue of Billboard of the year, "Slow Poke" by Pee Wee King retained its place at number one on both the juke box and retail charts from the previous week but was displaced from the top spot on the jockeys chart by Carl Smith's "Let Old Mother Nature Have Her Way". Smith had three number-one country songs in 1952, two of which topped all three listings. Webb Pierce was the only other artist to take as many as three different songs to the top spot in 1952, although none of his songs reached number one on all three charts during the year. The longest-running number one on both the juke box and retail charts was "The Wild Side of Life" by Hank Thompson, which on both listings spent fifteen consecutive weeks in the top spot before being replaced by "It Wasn't God Who Made Honky Tonk Angels" by Kitty Wells. Wells' song, which had been written as an answer song to "The Wild Side of Life", was the first million-selling country single by a female artist and the first Billboard country number one by a solo female. Despite this success, it did not top the jockeys chart, as the song's lyrics were deemed too controversial by some radio stations. (Full article...)
In 1949 Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the magazine published two charts covering the genre: Most-Played Juke Box Folk Records, which had appeared in Billboard since 1944, and Best Selling Folk Retail Records, which had debuted in 1948. With effect from the issue of the magazine dated June 25, Billboard began using the term "country and western" for the first time in the titles of the charts, renaming the juke box chart to Most-Played Juke Box (Country & Western) Records and the best sellers chart to Best-Selling Retail Folk (Country & Western) Records. In December the magazine added a third country chart when it began publishing the Country & Western Records Most Played By Folk Disk Jockeys listing. All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.
The artist with the most weeks at number one on the juke box chart was Eddy Arnold, who spent a total of twenty weeks in the top spot with five different songs. On the retail chart, singing cowboy actor Jimmy Wakely had the highest number of total weeks at number one, comprising ten weeks in the top spot with two solo singles and a further thirteen with "Slipping Around", a duet with Margaret Whiting. The ten consecutive weeks which "Slipping Around" spent atop the juke box chart from late October until the end of the year tied with "Don't Rob Another Man's Castle" by Eddy Arnold for the longest unbroken run of the year at number one on that chart, and its spell at number one on the retail chart was the longest run in the peak position on that listing. Arnold's song spent a total of twelve non-consecutive weeks at number one on the juke box chart, the highest cumulative total for any one song. On the retail chart, "Lovesick Blues" by Hank Williams and his Drifting Cowboys spent the most total weeks in the top spot, with sixteen non-consecutive weeks at number one. Wakely and Arnold were the only artists to take more than one song to number one in 1949, a feat which they each achieved on both the juke box and retail charts. (Full article...)
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine since 1958, when the magazine amalgamated its separate C&W Best Sellers in Stores and Most Played C&W by Jockeys charts. In 1959, eleven different songs topped the chart, then published under the title Hot C&W Sides, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.
At the start of the year the song at number one was "City Lights" by Ray Price. The song had been in the top spot since the issue of Billboard dated October 20, 1958, the first in which the magazine combined country sales and airplay into a single chart, and remained at number one until the issue dated January 19, 1959. Four artists achieved a number one country single for the first time in 1959: Johnny Horton with "When It's Springtime in Alaska (It's Forty Below)", George Jones with "White Lightning", which replaced Horton's song at number one, Stonewall Jackson with "Waterloo", and the Browns with "The Three Bells". Of these, Jones would prove to have the most prolific career, topping the Hot Country chart in four consecutive decades. At the time of his death in 2013, he had placed more singles on Billboard's charts than any other artist in any genre. (Full article...)
In 1948, Billboard magazine published two charts specifically covering the top-performing country music songs in the United States. At the start of the year, Billboard's sole ranking of country music recordings was based on the number of times a song had been played in jukeboxes. The Most Played Juke Box Folk Records chart had been published since 1944 and was compiled based on a weekly survey of "a selected group of juke box operators whose locations require folk records". In May, the magazine added a second country music chart, the Best Selling Folk Retail Records listing, based on a similar survey of "a selected group of retail stores, the majority of whose customers purchase folk records". The Juke Box Folk chart was discontinued in 1957 and the Best Sellers chart the following year; both are considered part of the lineage of the magazine's current country music songs charts.
The number-one position on both charts was dominated almost entirely during 1948 by vocalist Eddy Arnold and his backing band the Tennessee Plowboys. One of the biggest country stars of the late 1940s, Arnold was at number one on the jukebox chart at the start of the year with "I'll Hold You in My Heart (Till I Can Hold You in My Arms)", which had been in the top spot for eight weeks in 1947 and remained there for a further thirteen weeks in 1948. This total of 21 weeks at number one set a record for Billboard's country charts which would stand for 65 years, until the duo Florida Georgia Line spent a 22nd week in the top spot with "Cruise" in 2013. "I'll Hold You in My Heart" was replaced in the top spot by another of Arnold's songs, "Anytime", and this in turn was followed by runs at number one by three more of his songs. Between them, the five songs occupied the number-one position through the issue of Billboard dated November 27, meaning that Arnold had topped the chart for more than a year without interruption. In the November 27 issue, another artist topped the chart for the first time in 1948 when Jimmy Wakely's "One Has My Name (The Other Has My Heart)" tied with Arnold's "Just a Little Lovin' (Will Go a Long Way)" for the number one position, before going on to take the top spot outright the following week. Three weeks later, however, Arnold returned to number one in the final issue of the year. (Full article...)
Since July 2009, Israeli broadcast monitoring service Media Forest has been publishing four rankings which list the top ten most-broadcast Romanian and foreign songs on Romanian radio stations and television channels separately on a weekly basis. The charts consider data from eight radio stations—Digi FM, Europa FM, Kiss FM, Magic FM, Pro FM, Radio ZU, Radio România Actualități and Virgin Radio Romania—and five television channels—1 Music Channel, Kiss TV, MTV Romania, UTV Romania and ZU TV. Chart placings are based on the number of times tracks are broadcast, determined by acoustic fingerprinting.
Media Forest also releases year-end charts in regards to the radio airplay, listing the most-broadcast songs of Romanian origin of the respective year, weighted by the official audience numbers provided by Asociația pentru Radio Audiență (Romanian Association for Audience Numbers). During the 2010s, around 200 singles each were listed by Media Forest as the most-broadcast tracks on radio and television respectively. The first were "I Gotta Feeling" by the Black Eyed Peas (radio) and "Chica Bomb" by Dan Balan (television). (Full article...)
Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1974, 41 different singles topped the chart, which at the time was published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.
At the start of the year, the number one song on the chart was "If We Make It Through December" by Merle Haggard, the song's third week in the top spot. Charlie Rich had the most number ones of 1974, taking five different songs to the top spot, followed by Dolly Parton, who had three solo chart-toppers and one in collaboration with her long-time mentor Porter Wagoner. Wagoner and Parton had charted with a number of duets since 1967, but "Please Don't Stop Loving Me" was their only number one as a duo. In 1973, Parton had taken the decision to end her working relationship with Wagoner, which served as the inspiration for the song "I Will Always Love You", one of her three solo number ones of 1974. In 1982 she re-recorded the song and it once again went to number one, making her the first artist to top the country chart with two different recordings of the same song. Wagoner and Parton's chart-topper was one of two male-female duets to reach number one in 1974, the other being Conway Twitty and Loretta Lynn's "As Soon as I Hang Up the Phone". Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers. (Full article...)
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