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I made it more specific.
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→top: hardly just the BM, the consensus now is that it a typical Akkadian banquest scene
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The '''Adam and Eve cylinder seal''', also known as the ''''Temptation seal'''' is a small stone cylinder of Post-[[Akkadian Empire|Akkadian]] origin, dating from about 2200 to 2100 BCE. The seal depicts two seated figures, a tree, and a serpent, and was formerly believed to evince some connection with [[Adam and Eve]] from the [[Book of Genesis]] |
The '''Adam and Eve cylinder seal''', also known as the ''''Temptation seal'''' is a small stone cylinder of Post-[[Akkadian Empire|Akkadian]] origin, dating from about 2200 to 2100 BCE. The seal depicts two seated figures, a tree, and a serpent, and was formerly believed to evince some connection with [[Adam and Eve]] from the [[Book of Genesis]]. It is now seen as a conventional example of an Akkadian banquet scene.<ref>{{cite book |last1=Petersen |first1=David L. |authorlink1=David L. Petersen |title=Method Matters: Essays on the Interpretation of the Hebrew Bible in Honor of David L. Petersen |date=2009 |publisher=Society of Biblical Lit |isbn=9781589834446 |page=145 |url=https://books.google.co.uk/books?id=IGcI-F0pxswC&pg=PA144&dq=Adam+and+Eve+cylinder+seal&hl=en&sa=X&ved=0ahUKEwjlp4jKgvDhAhU4RhUIHVLHA98Q6AEIMDAB#v=onepage&q=Adam%20and%20Eve%20cylinder%20seal&f=false |accessdate=27 April 2019 |language=en |quote=Collon rightly maintains that this particular seal belongs in the well-established tradition of the Akkadian banquet scene. In order to prove her case, she points to several features in the so-called “Adam and Eve” seal that may be found in contemporary images. First, thereisa long tradition in Mesopotamian art of representing figures facing a central plant, here a date palm. Also, the horns of the seated figure on the right indicate divine status, in accordance with long-held iconographic conventions. The identity of the figure on the left is probably a worshiper, and not a woman at all, as Fradenburgh assumed. As for the snake, it may well be a representation of a snake-god (such as Nirah) or possibly a more general symbol of regeneration and fertility.}}</ref> |
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==History== |
==History== |
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The Adam and Eve cylinder seal, also known as the 'Temptation seal' is a small stone cylinder of Post-Akkadian origin, dating from about 2200 to 2100 BCE. The seal depicts two seated figures, a tree, and a serpent, and was formerly believed to evince some connection with Adam and Eve from the Book of Genesis. It is now seen as a conventional example of an Akkadian banquet scene.[1]
Cylinder seals are small cylinders, usually made of stone and pierced from end-to-end. They are designed to be worn on a string or on a pin.
Designs are carved into the surface of cylinders seals in intaglio, so that when rolled on clay, the cylinder leaves a continuous imprint of the design, reversed and in relief. Cylinder seals originate from southern Mesopotamia (now Iraq) or south-western Iran. They were invented around 3500 BC, and were used as an administrative tool, as magical amulets and jewellery and as until around 300 BC. They are linked to the invention of cuneiform writing on clay; when this spread to other areas of the Near East, the use of cylinder seals spread as well.
Assyriologist George Smith (1840–1876) described the Adam and Eve seal as having two figures (male and female) on each side of a tree, holding out their hands to the fruit, while between the backs of the figures is a serpent, giving evidence that the Fall of Man legend was known in early times of Babylonia.[2] [3]
The Adam and Eve cylinder seal is made of greenstone.
According to the British Museum, the seal shows a common scene found on seals from the twenty-third and twenty-second centuries BC: a seated male figure (identified by his head-dress of horns as a god) facing a female worshiper. The date palm and snake between them may merely be symbolic of fertility.[4]
Collon rightly maintains that this particular seal belongs in the well-established tradition of the Akkadian banquet scene. In order to prove her case, she points to several features in the so-called "Adam and Eve" seal that may be found in contemporary images. First, there is a long tradition in Mesopotamian art of representing figures facing a central plant, here a date palm. Also, the horns of the seated figure on the right indicate divine status, in accordance with long-held iconographic conventions. The identity of the figure on the left is probably a worshiper, and not a woman at all, as Fradenburgh assumed. As for the snake, it may well be a representation of a snake-god (such as Nirah) or possibly a more general symbol of regeneration and fertility.
{{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help) (Dead link. Archived version .)
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