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[[File:Programm der Brücke.jpg|thumb|upright|Brücke manifesto 1906]] |
[[File:Programm der Brücke.jpg|thumb|upright|Brücke manifesto 1906]] |
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The '''Brücke''' ('''Bridge'''), also '''Künstlergruppe Brücke''' or '''KG Brücke''', was a group of German [[expressionist]] artists formed in [[Dresden]] in 1905. Founding members were [[Fritz Bleyl]], [[Erich Heckel]], [[Ernst Ludwig Kirchner]] and [[Karl Schmidt-Rottluff]]. Later members were [[Emil Nolde]], [[Max Pechstein]] and [[Otto Mueller]]. The seminal group had a major impact on the evolution of [[modern art]] in the 20th century and the creation of [[expressionism]].<ref name="bruckemuseumbrucke">[http://www.bruecke-museum.de/englbleyl.htm "The Artists' Association 'Brücke'"], Brücke Museum. Retrieved 7 September 2007.</ref> The group came to an end around 1913. The [[Brücke Museum]] in [[Berlin]] was named after the group. |
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The Brücke is sometimes compared to the roughly contemporary French group of the [[Fauvism|Fauves]]. Both movements shared interests in [[Primitivism|primitivist]] art and in the expressing of extreme emotion through high-keyed colors that were very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to [[abstract art|complete abstraction]]. The Brücke artists' emotionally agitated paintings of city streets and sexually charged events transpiring in country settings made their French counterparts, the Fauves, seem tame by comparison.<ref>Artspoke, Robert Atkins, 1993, {{ISBN|978-1-55859-388-6}}</ref> |
The Brücke is sometimes compared to the roughly contemporary French group of the [[Fauvism|Fauves]]. Both movements shared interests in [[Primitivism|primitivist]] art and in the expressing of extreme emotion through high-keyed colors that were very often non-naturalistic. Both movements employed a drawing technique that was crude, and both groups shared an antipathy to [[abstract art|complete abstraction]]. The Brücke artists' emotionally agitated paintings of city streets and sexually charged events transpiring in country settings made their French counterparts, the Fauves, seem tame by comparison.<ref>Artspoke, Robert Atkins, 1993, {{ISBN|978-1-55859-388-6}}</ref> |
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