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It has been suggested that Wesley's words were written specifically for the tune by [[Henry Purcell|Purcell]] to which Dryden's song had been set, and to which the hymn's words themselves were later set (under the tune name "Westminster") by [[John Wesley]] in his ''Sacred Melody,'' the "annex" to his ''Select Hymns with tunes annext'' (1761 et seq.).<ref>Watson. ''An Annotated Anthology,'' p. 197; Maurice Frost, ed., ''Historical Companion to Hymns Ancient and Modern'' ([London]: William Clowes, 1962), hymn 205 (p. 258). The 1675 edition of ''Sacred Melody'' is available through ECCO.</ref> |
It has been suggested that Wesley's words were written specifically for the tune by [[Henry Purcell|Purcell]] to which Dryden's song had been set, and to which the hymn's words themselves were later set (under the tune name "Westminster") by [[John Wesley]] in his ''Sacred Melody,'' the "annex" to his ''Select Hymns with tunes annext'' (1761 et seq.).<ref>Watson. ''An Annotated Anthology,'' p. 197; Maurice Frost, ed., ''Historical Companion to Hymns Ancient and Modern'' ([London]: William Clowes, 1962), hymn 205 (p. 258). The 1675 edition of ''Sacred Melody'' is available through ECCO.</ref> |
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Like many hymns, ''Love Divine'' is loosely Trinitarian in organization: Christ is invoked in the first stanza as the expression of divine love; the Holy Spirit in the second stanza as the agent of sanctification; the Father in the third stanza as the source of life; and the Trinity (presumably) in the final stanza as the joint Creator of the New Creation. Like many hymns, too, this one is a tissue of Biblical quotations, including " |
Like many hymns, ''Love Divine'' is loosely Trinitarian in organization: Christ is invoked in the first stanza as the expression of divine love; the Holy Spirit in the second stanza as the agent of sanctification; the Father in the third stanza as the source of life; and the Trinity (presumably) in the final stanza as the joint Creator of the New Creation. Like many hymns, too, this one is a tissue of Biblical quotations, including "Alpha and Omega" (st. 2) as an epithet of Christ, from Revelation 21:6; the casting of crowns before God's throne (st. 4), from Revelation 4:10; the promise that Christians shall be "changed from glory into glory" (st. 2 and 4), from 2 Corinthians 3:18; as well as other, more general allusions.<ref>[https://books.google.com/books?id=zMg0AWS9c38C] Candy Gunther Brown, |
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"Singing Pilgrims..." in ''Sing them over again to me: Hymns and Hymnbooks in America,'' ed. by Mark A. Noll and Edith Waldvogel Blumhofer (University of Alabama Press, 2006), p. 200.</ref> |
"Singing Pilgrims..." in ''Sing them over again to me: Hymns and Hymnbooks in America,'' ed. by Mark A. Noll and Edith Waldvogel Blumhofer (University of Alabama Press, 2006), p. 200.</ref> |
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Greek: Ά ά Έ έ Ή ή Ί ί Ό ό Ύ ύ Ώ ώ Α α Β β Γ γ Δ δ Ε ε Ζ ζ Η η Θ θ Ι ι Κ κ Λ λ Μ μ Ν ν Ξ ξ Ο ο Π π Ρ ρ Σ σ ς Τ τ Υ υ Φ φ Χ χ Ψ ψ Ω ω {{Polytonic|}}
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